John Banville - The Infinities

But he does not cross the road. Instead he turns and walks on up the long hill towards home.

Spring winds flow through the streets like weightless water. The blued air of April. The trees tremble, their wet black branches powdered with puffs of green. The tarmac shines. A strong gust pummels the window-panes, making them shiver and throw off lances of light. The priest’s car passes, its tyres fizzing on the wet road. The boy salutes dutifully and in return is gravely blessed, as a reflected cloud slides smoothly, fish-like, over the windscreen.

A fellow in an old black coat and corduroy trousers that are bald on the knees comes out of the church gate with a spade over his shoulder. Without stopping he leans sideways and shuts one nostril with a finger pressed along the side of it and from the other expertly ejects a bolus of snot.

O lost, raw world!

The house stands in a crooked street, wedged narrowly between its taller neighbours as if it had sidled in there one day and stayed put. He slides his hand through the letter box — it gives him a shiver of terror every time — and fishes up the key that hangs inside on a string. In the hall the familiar smells meet him: floor polish, blacklead, soap, gas from the kitchen stove. He hangs his coat and cap on a hook, throws his satchel on the floor. His mother, in her apron, a strand of hair come loose from its bun, wipes the back of a hand across her cheek; she gives him the look that she always does, suspicious, sceptical, faintly desperate. He walks his fingers along the table edge. His father is in the back room, propped against pillows on a makeshift bed made up for him on the brown leather sofa in the corner, his big hands spread out flat in front of him on the blanket. The boy thinks of the crape bow on the door-knocker, and of himself standing in the parlour here, in his Sunday suit, amid the smell of ashes and lilies. His father stirs, sighs, and makes a slithering sound in his throat. The banked fire in the grate has a frightening glare at its heart, and the coke gives off a hot reek of cat. Low in the window there is a patch of late-afternoon sky, milk-blue, and a bit of the mossed wall on top of which his mother’s hens make illicit nests and hide their eggs. Gooseberry bushes out there, potato drills, cabbages gone to seed and grown as tall as paschal candles. Then the fields, and behind them the rocky hills, and then, beyond that again, elsewhere.

The first present that he can remember getting is a clay pipe. It must have been his birthday. His sister took him to the tobacconist’s shop and bought it for him with money their mother had given her. It came with a waxed-cardboard pot of soapy stuff for blowing bubbles. In the garden by the hen-house he tried it out. At first he could not get the hang of it then suddenly did. The bubbles hesitated on the rim of the pipe-bowl, wobbling flabbily, then broke free and floated sedately away. They seemed to be rotating inside themselves, as if the top was always too heavy, and the iridescent surplus kept cascading down the sides. Sometimes two of them stuck together and formed a fat, trembling shape something like an hourglass only squatter. They were made of an unearthly substance, a transparent quicksilver, impossibly fine and volatile, rainbow-hued. They popped against his skin like wet, cold kisses. They were another kind of elsewhere.

His father died at Christmastime. In the back room the bed in the corner was dismantled, leaving the stripped sofa standing in what seemed a gaping hole in the air, and no more fires were lit and as the December days went on the light in the room congealed and grew steadily dimmer. At the end the dying man had suddenly lifted himself up from the pillows with starting eyes and called out something in a voice so strong and deep it shocked everyone. It was not his voice, but as if someone else had spoken through him, and Adam’s sister burst into tears and ran from the room, and his two brothers with their greyish bloated damp-looking faces glanced at each other quickly and their eyes seemed to swell. What their father had shouted had seemed a name but no one had been able to make it out. He had kept on glaring upwards, his head shaking and his lips thrust out like a trumpet player’s, and then he had fallen back and there was a noise as if he were drowning.

His mother said they must have Christmas as usual. She said his father would want it so, that Christmas was his favourite time of all the year.

She baked a cake. Adam helped her, measuring out the ingredients on the black iron weighing-scales with the brass weights that were cool and heavy as he imagined doubloons would be. It was night, all outside a frozen stillness, the leaning roofs purplish-grey with hoarfrost and the jagged stars glittering like splintered ice and the moon high up in the middle of a glistening, blue-black sky and small as if shrunken by the cold. His mother stood at the table with her sleeves rolled, mixing in a brown bowl the dry ingredients he had weighed out for her. Her head was bent and he did not realise she was crying until he saw the tears fall into the bowl, first one and then quickly two more, making three tiny grey craters in the white mixture. Without a word she handed him the wooden spoon and went and sat down by the fireplace with her face turned away from him, making no sound. He held the bowl by the rim, encircling it with his forearm in the way that he had seen her do. When he swirled the spoon in the flour mixture the tears became three grey pellets but they were quickly absorbed. He did not think he had ever seen his mother cry before — even beside his father’s grave she had stood dry-eyed — and now he felt embarrassed and uneasy and wished she would stop. Neither spoke. They were alone in the house. He wondered how long it would take before everything in the bowl was completely mixed. But what did that mean, completely mixed? Every grain of the ingredients would have to be distributed perfectly, the particles of salt and baking soda spaced just so throughout the flour, each one a fixed distance from all the rest. He tried to picture it, a solid, three-dimensional white field supporting a dense and uniform lattice of particles of other shades of white. And what about the flour itself, no two grains of which were alike — how could that be completely mixed , even if there were no other ingredients present in it, making their own pattern? And how would he know when that moment of perfect distribution had been achieved? — how would he know the instant to stop mixing in order not to upset the equilibrium and throw everything back into disorder? He watched the spoon going round and round, making troughs and peaks and crumbling cliffs in the soft pale powdery mixture. Where were those three tears now? How well into the mixture were they mixed? Was everything in the world so intricately linked and yet resistantly disparate? His mother stood up and blew her nose on her apron and without a word took back the bowl and the wooden spoon and began mixing again.

His aunt came down from the city for the funeral and stayed on for Christmas. She took over the house, directed the putting up of the decorations and the trimming of the tree, ordered in a crate of stout and bottles of port-wine and whiskey, oversaw the distribution of presents, even carved the turkey, while his mother hung back, tight-lipped and watchful, saying nothing. His aunt was not married, and worked in the city for a solicitor. She wore a dove-grey coat with a fox-fur collar and fox-fur trim on the hem, and a black toque with a pearl pin and a piece of stiff black veil at the front, and big shoes with chunky high heels. She had an air about her always of angry sorrow. She was lavishly ugly, with a long horse-face and a mouthful of outsized teeth the front ones of which were always flecked with lipstick. Her Christmas present to him was a box of puzzles made from lengths of shiny steel bent into intricate shapes and linked together seemingly inextricably, though it took him only a moment of motionless concentration to see the trick of each pair and to separate them, which caused his aunt to sniff and frown and make a humming sound. It was voluptuously satisfying the way the two gleaming skeins of metal slid apart so smoothly, with what seemed an oiled ease, and his mind would become for a moment a limitless blue space, calmly radiant, through which transparent forms moved and met and locked and unlocked and passed on through each other in a vast silence, endlessly.