John Banville - Ghosts

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Ghosts: краткое содержание, описание и аннотация

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A group of strangers, passengers on a day-boat that runs aground, are washed up on an island. Shaken and sodden, they nonetheless make quick work of the situation at hand. But what is the situation? They've invaded the closely protected enclave of an eminent art historian, but their presence seems to rouse in the historian's assistant a long-ripening hunger for company. Certainly the grounding of the boat was an accident, but one of the passengers seem to know the professor and to have an air of purpose about him. Why as their day on the island progresses, do they seem to inhabit a series of weighty tableaux? And who is the man who moves among them as both spectator and player, the nameless, seemingly haunted narrator whose sensibility is the sometimes clarifing, sometimes distorting lens through which we view the action? Invoking all lost souls and enchanted islands, Ghosts gives us a brilliant mix of gaiety and menace to tell a story about the failures and triumphs of the imagination, about time's passage, and about the frailty of human happiness. It is an exquisitely written novel — stately and theatrical — by one of the most widely admired and acclaimed writers at work today.

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The morning was extraordinarily still under a sky of pure pearl. The coast dwindled behind us; when I looked out from the prow we might have been a thousand leagues from land. The sea stretched away empty save for a white ship far off on the high horizon, unmoving, it seemed, impossibly tall and lit somehow from below, a glimmering, ghostly vessel. I like the sea; I am afraid of it, but all the same I like it, its strangeness, its indifferent thereness; in all that space I can forget for a while who and what I am. A pair of dolphins broke the surface and swam with us, criss-crossing our bows and gambolling in the wash, seeming emblematic of something, and now and then long-necked brown birds appeared out of nowhere, singly, flying low and straight at great speed above the water. The skipper kept to the wheelhouse and the boy sat on the deck with a transistor radio pressed to his ear, dead-eyed and rhythmically twitching. Soon the sky cleared and a delicate wind sprang up and the water turned to splintered sapphire. I lay and drowsed on a pile of tarpaulins, lapped about by sea-sounds and cool zephyrs. I slept briefly and dreamed that I was back in prison and could not understand why the floor of my cell was swaying; then a warder wearing a seaman’s cap at a jaunty angle came and told me not to worry, that I would soon be let out, and laughed extravagantly, pointing a finger at me through the bars.

I woke with a start and struggled groggily to my feet, rubbing my eyes. It was as though I had fallen asleep in one world and woken up in another. The air seemed brisker, the sky bluer. The boat fairly skimmed along, tensed in every timber, eager and light, as if at any moment it might take to the air in a great, groaning leap. I felt light-headed; when I looked out to the horizon it seemed it was not the boat but rather the sea itself that was swaying. Despite the early hour I brought out the gin bottle and took a steely swallow straight from the neck and walked to the bow-rail and stood and watched our wake unfurling behind us. Cloud-shadows, whale-blue and swift, skimmed the glittering surface of the sea. Have I said all this already? Suddenly there came to me the memory of a day when I was a boy and I cycled across country to the coast with my friend Horse. My friend; I had not many such, and those that I had did not last long, and nor did Horse. But that day our friendship was still at the tremulous, solemn stage that I sometimes think is all I have ever known of what they seem to mean when they chatter about love. We left our bikes hidden in a ditch and made our way through a little, dense dark wood and came out on the river estuary and found moored in the shallows among the reeds the punt that Horse’s father kept there for duck shooting. A keen hunter, Horse’s father, I remember him, a big, slow-moving, smooth-faced man, which Horse in his turn must be by now, I imagine. Horse undid the mooring rope and pushed us out of the reeds with a negligent deftness that filled me with envy and made me feel proud to be his pal. How lightly, with hardly a sound, the white punt glided over the water, seeming barely to touch the swiftly running surface. Horse stood above me in the bow and plied the scull, his eye fixed on a far horizon. We saw not a soul; we might have been alone in the world. For a mile or two we went along close to the river bank and then all at once sky and sea opened before us and we crossed a broad reach and came in sight of a long, low, khaki-coloured shore. I can see it, I can see it all, as clear as day, the white punt and that sunlit shoreline and the two of us there, Horse and me. It must have been a place where the river waters met the open sea, or perhaps it was something to do with the currents, or the tide was turning — I do not understand these things — but for a minute we were halted and held motionless on the unmoving water in the midst of a golden calm. The burnished surface of the sea was high and heavy and smooth as metal, and a small, repeated wave gambolled like an otter along the margin of the shore. The sun was hot. Nothing happened. We just stayed there for that minute, poised between sea and sky, suspended somehow as if in air, no, not air, but some other, unearthly element, and it seemed to me I had never known such happiness, and never would again, though happiness is not the word, not the word at all. That is where I would like to live, on some forgotten strip of sandy shore, with my back to the land, facing out into the limitless ocean. That would be freedom, watching in solitude the days pass, marking the seasons, observing the spring tides and the autumn auroras, weathering the summer sun and the storms of winter. Pure existence, pure existence and nothing else.

Now, a grown-up, so-called, I stood there in the bows, for how long I do not know, watching the white waters purling behind us and the little clouds flying overhead, and then all at once I heard that soft, roaring noise coming to us across the water and I turned, startled, and there it was, the island, looming up in front of us, with sheep-strewn hill and tiny trees and the narrow road winding away, as if it had been conjured up that moment out of sea and clouds. We chugged into the deserted harbour past jagged, chocolate-coloured rocks such as the Italian masters liked to set at the backs of their madonnas. Red-headed Pip had put aside his radio and was furiously at work again with ropes and winches while the skipper in the wheelhouse, his bottle empty, plied the wheel with ample and unsteady grapplings. I took another drink of gin and looked about me brightly at the harbour and the hill as they disposed themselves glidingly like well-oiled stage machinery around our smooth advance.

We docked. Everything went quiet suddenly. The skipper came out of the wheelhouse and spat over the side. The boy was already on the pier, winding a rope around a bollard. When I stepped up after him on to dry land the world went on moving under my feet. Hyperborean Apollo, I prayed, make haste to help me! Mr Tighe’s van came bumping along the pier and drew to a shuddering halt at the dockside where the boy was unloading the cargo from the deck. How vivid and gay everything seemed to my gin-tinted gaze, the acid-green hill and the opalescent water shimmering under a lemon light. I set off up the hill and presently Mr Tighe in his laden van drew level with me and offered me a lift which I declined, making large gestures of thanks. He nodded in friendly fashion and drove on, the van farting petrol-blue billows of exhaust smoke. Shall we describe him now? I think not. Mr Tighe, and that old dog that comes and goes, and the horse I am supposed to have heard but never saw: holes in the backdrop, through which the bare sky twinkles. When I looked back from the last bend of the road the boat was already under way again, veering out past the jetty like an offer of reprieve being unceremoniously withdrawn. What had I done, coming to this far-flung place? Yet how light I felt, how fleet, as if I were aloft on wings! I went on and soon spotted the house, perched in its solitude under the oak ridge. The hawthorn was in blossom. Here is the little bridge. Wind, shine, clouds, the unwarranted yet irrepressible expectancies of the heart. I am arrived.

I MUST HAVE LOOKED like something out of a Bible story, toiling up that stony track in my soiled suit with my cardboard suitcase in my hand and my collar turned up against the wind. I should have been on my knees, of course, or, better still, barefoot, with staff and falcon, like the penitent pilgrim I was pretending to be. I could still feel the sway of the sea, and of that other sea of gin sloshing around inside me, and the ground kept rearing up under my feet in the most alarming way, like a carpet with the wind under it; I stumbled more than once, making the stones fly and getting grit in my shoes. I could hear myself breathing. I always know I am drunk when I can hear myself breathing; it sounded as if I were carrying a large, fat, winded man on my back. At the gate I paused to gather my wits but that only made my head spin; I set off again sternly, marching up the path to the front door like a wooden man, snorting and muttering, with my head thrown back and swinging my free arm. I rapped the knocker smartly and turned and surveyed the scene before me, chest out and nostrils flared, snuffing up the air.

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