Duong Huong - The Zenith

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A major new novel from the most important Vietnamese author writing today.
Duong Thu Huong has won acclaim for her exceptional lyricism and psychological acumen, as well as for her unflinching portraits of modern Vietnam and its culture and people. In this monumental new novel she offers an intimate, imagined account of the final months in the life of President Ho Chi Minh at an isolated mountaintop compound where he is imprisoned both physically and emotionally, weaving his story in with those of his wife’s brother-in-law, an elder in a small village town, and a close friend and political ally, to explore how we reconcile the struggles of the human heart with the external world.
These narratives portray the thirst for absolute power, both political and otherwise, and the tragic consequences on family, community, and nationhood that can occur when jealousy is coupled with greed or mixed with a lust for power.
illuminates and captures the moral conscience of Vietnamese leaders in the 1950s and 1960s as no other book ever has, as well as bringing out the souls of ordinary Vietnamese living through those tumultuous times.

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“Someone boil me a pot of cilantro water. I have not bathed for the whole week!”

картинка 42

The district Public Works Committee always had three work teams on duty, under the supervision of three general contractors, usually known by the cute name of Managing Cadre Outside the District Organization. Mr. Quang was in charge of the masons and carpenters for the city. The second gentleman had a contingent from Ha Tay province. The third was in charge of the team from Phu Tho. Except for Mr. Quang’s team, the two others included many women and girls. These were adventuresome proletarians who had to seek food for themselves far away from their parents.

If you are born in a city, you already know the difference between living in a city and living in the countryside. Such a difference can never be eliminated:

“Being wealthy in the village does not equal being a squatter in the city.”

Getting a bowl of rice in a village is extremely difficult; besides rice stalks, what is there that can turn into income? In half mountain and half paddy villages like Woodcutters’ Hamlet, cows, water buffalo, bees, and poultry can be raised. But in the lowlands, houses are small, the population is dense. Grass patches are narrow like a panel of a shirt, not large enough to feed buffalo to work the fields, let alone raise cattle. Life depends on the rice stalks, and such skinny stalks will not support many expenses, such as for salt and fish sauce, oil for lamps, gifts for New Year’s, funerals and weddings, taxes, clothing and jewelry, education and medicines for the children. Because of these realities, Mr. Quang’s work team had not a single woman, while the other two teams had many. These women were given a spiteful name: “Coolie Girls.”

More concretely: “Nai Shop Guys and Coolie Girls.”

Nai shops were found at the intersection where drivers coming and going from all over the Red River basin stopped to eat, bathe, or seek other needs in the dark. When there is demand, there must be supply, though the government intervenes in all manner of useless ways, even tearing them down sometimes. In the end the government had to permit the residents of the Nai street to erect a row of eateries, noodle shops, cheap boardinghouses, tea shops, fruit and cake stands, and other miscellaneous establishments. Nai Shop Guys were skilled in buying and selling. For a long while used to having money, they enjoyed taking pleasure with women and gambling. Anywhere a game of chance is found, there too are cheating, trickery, deals, and paybacks. In the eyes of ordinary people who lived lives of lawful order, those escapades of Nai Shop Guys that flounted heaven and pissed on earth, along with their bloody killings and stabbings, appeared as an epidemic, a terrifying pox pandemic that must be avoided at all costs.

Second to the Nai Shop Guys were Coolie Girls from construction sites, peasants who had flown their cages, nicknamed “aspiring peasants” by sharp tongues in the city, or “crazies” by rural villagers who gave them suspicious stares. From those two unfriendly vantage points, those who yesterday had dirty legs and muddy hands from rice paddies or dry fields, but today bent their necks and shoulders to carry timber and bricks in construction sites, were grotesque and unrestrained.

In the minds of villagers who are tied down to one home and one paddy field and who, for generations, have hidden behind one temple roof and a bamboo hedge a thousand years old, the lifestyle of men and women living together, the hustle and bustle of construction work, as well as constant moving from one place to another, deservedly places suspicion on their moral character:

“Taking food from others, temporary quarters…vagabonds like traveling opera actors.”

An unusual lifestyle, without repose, makes others half envious and half terrified. As things go, whatever differs from us, we first spit on. If you can’t remove it, you just throw stones to keep it away.

Given these emotional responses, once they decide to leave, women from the countryside — with one shoulder burdened by heavy family debts and the other with shame thrown at them by villagers — do grow adventurous. They intentionally taunt society, take on a careless air, respond in your face, believing that such reactions give them energy to stay strong.

And so, Mr. Quang’s young wife had been one of those women — laying bricks, whitewashing, building — women who undertake the heavy labors that, usually, only men have the strength to accomplish.

One morning Mr. Quang had been crossing a bare patch of land where a temporary fence made of wooden poles had been erected to create a barrier between two work teams — his and that from Ha Tay province. Suddenly he heard the striking laughter of girls. Surprised, he turned around. Seeing no one familiar, he continued walking straight ahead. At that instant, three or four girls called out repeatedly in the Ha Tay accent, which cannot be mistaken for any other:

“Hey, mister…hey, you there!”

“Hey, you — Mr. Good-looking Old Man — turn around, someone is calling you.”

“Hey, good-looking old guy…turn around, a lady wants to talk to you. You, old man!”

Inside, Mr. Quang was a bit annoyed, but he thought if he turned his back, they might think he was a coward, and the next time they would tease him in a worse way. He turned around and walked toward a group of silly girls, altogether more than ten of them sitting close to one another on top of some cement forms.

“Here I am,” he said, looking at all the faces covered by scarves, only tiny eyes showing. “Here I am. Whoever wants to talk, please stand up. I am not used to squatting.”

The group of women all turned to the girl with a green blouse, with a scarf over her face that was also green. Her eyes were no longer smiling but blinking with embarrassment:

“Here I am. The very one that called you to turn around.”

“Miss Ngan, please speak louder!”

“She called you ‘the good-looking old man.’”

Now she was totally spent, like boiled meat…

At this point, Mr. Quang laughed. Looking at the girl with the green scarf, he discovered her breathtakingly beautiful eyes, a pair of eyes like he had never seen before. To put it in poetic form, they were “the eyes of a songstress.”

No one said a word more. He felt the group of women was growing embarrassed, so he turned away.

Two months later, after drinking with his workers, Mr. Quang returned to the boardinghouse in town. It was about midnight. Almost all the lights at the site were extinguished, except for some at the supply warehouse or at other vulnerable spots where burglars could enter. Mr. Quang shone his flashlight on the path through the site beaten down by the workers’ feet. Suddenly he heard the screaming of a woman behind a row of houses with finished brick walls that had not yet been plastered. The scream was from a woman from Ha Tay province:

“Let me go! Oh my god!”

“Oh my god! Save me!”

He ran toward the cry for help. The flashlight shone on two fiercely fighting shadows. A woman’s hair was disheveled, her pants and blouse ripped open. A man, big and short like a bear, was wearing dark clothes. Throwing the flashlight to the side, Quang jumped forward and struck the man twice like a hammer right into his face:

“Here’s for taking advantage of a woman! Here’s for raping this woman!”

Another punch struck the man’s chin. Then Quang grabbed the man, and using all his bodily strength, slammed the attacker’s head against the wall, believing that this would be the finishing stroke.

Indeed, it ended the fight as he had intended. The man slumped down, letting out a cry like a hurt wild animal. To make sure it was over, Quang added two more kicks. Seeing that the attacker had no hope of getting to his feet, Mr. Quang picked up his flashlight to shine it on the face of the one who would rape a woman. A panic immediately rushed through him like a lightning flash: it was the deputy chairman of the district public works office. He did not directly assign any work or set wages for the construction workers, but he was the trusted right hand of the person who had that authority. Because of this, he had been made deputy after only two years as a middle-level foreman so that the big boss could easily take advantage of him.

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