Eduardo Galeano - The Memory of Fire Trilogy - Genesis, Faces and Masks, and Century of the Wind

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For the first time, you can own all three books of Memory of Fire in a single volume.
Eduardo Galeano’s 
defies categorization — or perhaps creates its own. It is a passionate, razor-sharp, lyrical history of North and South America, from the birth of the continent’s indigenous peoples through the end of the twentieth century. The three volumes form a haunting and dizzying whole that resurrects the lives of Indians, conquistadors, slaves, revolutionaries, poets, and more.
The first book, 
, pays homage to the many origin stories of the tribes of the Americas, and paints a verdant portrait of life in the New World through the age of the conquistadors. The second book, 
, spans the two centuries between the years 1700 and 1900, in which colonial powers plundered their newfound territories, ultimately giving way to a rising tide of dictators. And in the final installment, 
, Galeano brings his story into the twentieth century, in which a fractured continent enters the modern age as popular revolts blaze from North to South.
This celebrated series is a landmark of contemporary Latin American writing, and a brilliant document of culture.

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All are taken under arrest.

The mayor, Don Diego, has to decide the matter. He faces the gallant and makes him an offer: “Fine or beating.”

“A fine I can’t pay. I am poor, but a gentleman of pure blood and honored lineage.”

“Twelve lashes for this prince,” decides the mayor.

“To a Spanish gentleman!” protests the soldier.

“Tell it to my other ear, this one doesn’t believe it,” says Don Diego, and sits down to enjoy the beating.

When they unbind him, the beaten lover threatens: “I’ll take revenge on those ears of yours, Mr. Mayor. I lend them to you for a year. You can use them for that long, but then they’re mine.”

(167)

1554: Cuzco The Mayor and the Ears

Ever since the gallant’s threat, Don Diego feels his ears every morning on waking up and measures them in the mirror. He has found that his ears grow when they are happy and that cold and depression make them shrink; that glances and calumnies heat them to bright red and that they flap desperately, like birds in a cage, when they hear the screech of a steel blade being sharpened.

To ensure their safety, Don Diego takes them to Cuzco. Guards and slaves accompany him on the long journey.

One Sunday morning, Don Diego is leaving church after Mass, more parading than walking, followed by the little black boy who carries his velvet hassock. Suddenly a pair of eyes fastens on his ears with sure aim, and a blue cloak flashes through the crowd and disappears, fluttering, in the distance.

His ears feel they have been hurt.

(167)

1554: Lima The Mayor and the Bill Collector

Before long the cathedral bells will be ringing out midnight. It will mark just a year since that stupid episode that obliged Don Diego to move to Cuzco, and from Cuzco to Lima.

Don Diego confirms for the thousandth time that the doors are bolted and that the people standing guard even on the roof have not fallen asleep. He has personally inspected the house corner by corner, without forgetting even the woodpile in the kitchen.

Soon he will throw a party. There will be bullfights and masquerades, joustings and fireworks, fowls roasting on spits, and barrels of wine with open spigots. Don Diego will knock Lima’s eye out. At the party he will try out his new damask cloak and his new steed with the black velvet gold-studded saddle, which goes so well with the crimson caparison.

He sits down to await the chimes. He counts them. Takes a deep breath.

A slave raises the candelabrum and lights his carpeted way to the bedroom. Another slave takes off his doublet and shoes, those shoes that look like gloves, and his openwork white hose. The slaves close the door and retire to take up their lookout posts until morning.

Don Diego blows out the candles, buries his head in the big silk pillow and, for the first time in a year, falls into an unperturbed sleep.

Much later, the suit of armor that adorns a corner of the bedroom begins to move. Sword in hand, the armor advances in the darkness, very slowly, toward the bed.

(167)

1554: Mexico City Sepúlveda

The city council of Mexico, cream of the colonial nobility, resolves to send Juan Ginés de Sepúlveda two hundred pesos in gold in recognition of his services and to encourage him in the future.

Sepúlveda, the humanist, is not only a doctor and archpriest, chronicler and chaplain to Charles V. He also shines in business, as witness his growing fortune; and in the courts, he works as an ardent publicity agent for the owners of America’s lands and Indians.

In rebuttal to Bartolomé de las Casas’s assertions, Sepúlveda maintains that Indians are serfs by nature, according to God’s will, and that the Holy Scriptures contain examples to spare of the punishment of the unjust. When Las Casas proposes that Spaniards learn the Indians’ languages and Indians the language of Castile, Sepúlveda replies that the difference between Spaniards and Indians is the same as that between male and female and almost the same as that between man and monkeys. For Sepúlveda, what Las Casas calls abuse and crime is a legitimate system of dominion, and he commends the arts of hunting against those who, born to obey, refuse slavery.

The king, who publishes Las Casas’s attacks, places a ban on Sepúlveda’s treatise on the just causes of the colonial war. Sepúlveda accepts the censure smiling and without protest. In the last analysis, reality is more potent than bad conscience, and he well knows what those in command all know in their hearts: The desire to make money, not to win souls, is what builds empires.

(90 and 118)

1556: Asunción, Paraguay Conquistadoras

They carried the firewood and the wounded on their backs. The women treated the men like small children: They gave them fresh water and consolation and cobwebs for their bruises. The words of encouragement and of alarm came from their mouths, and likewise the curses that scourged the cowards and pushed the weaklings. They fired the crossbows and guns while the men lay down seeking a bit of shade in which to die. When the survivors of hunger and arrows reached the brigantines, it was the women who hoisted the sails and set the course upriver, rowing and rowing without complaint. Thus it was in Buenos Aires and on the Parana River.

After twenty years Governor Irala has distributed Indians and lands in Asunción. Bartolomé García, one of those who arrived in brigantines from the South, mumbles his protests. Irala has given him only sixteen Indians: he who still carries an arrowhead in his arm and who fought body-to-body against the pumas that jumped over the Buenos Aires stockade.

“What about me? If you’re beefing, what shall I say?” cries Dona Isabel de Guevara.

She also had been there from the outset. She came from Spain to found Buenos Aires together with Mendoza and went with Irala up to Asuncion. For being a woman, the governor has given her no Indians at all.

(120)

1556: Asunción, Paraguay

“The Paradise of Mahomet”

The dice roll. An Indian woman holds up the candle. Whoever wins her takes her naked, for the one who loses her has wagered her without clothes.

In Paraguay, Indian women are trophies of the wheel, dice, or cards, the booty of expeditions into the jungle, the motives for duels and murders. Although there are many of them, the ugliest is worth as much as a side of bacon or a horse. The conquistadors of Indies and Indians go to Mass followed by flocks of women. In this land sterile of gold and silver, some have eighty or a hundred, who by day grind sugarcane and by night spin thread and let themselves be loved, to provide their masters with honey, clothing, children: They help toward forgetting the dream of wealth that reality denied and the distant girlfriends who grow old waiting in Spain.

“Careful. They go to bed with hatred,” warns Domingo Martinez, father of countless mestizos and future monks. He says the Indian women are rancorous and stubborn, always eager to return to the woods where they were captured, and that one can’t trust them with even an ounce of cotton because they hide it or burn it or give it away, that their glory is just to ruin the Christians and destroy whatever there is. Some have hanged themselves or eaten dirt and there are some who deny the breast to their newly born children. The Indian Juliana killed conquistador Nuño de Cabrera one night and shouted to the others to follow her example.

(73 and 74)

Womanizer Song, from the Spanish Songbook

If the Moors can use

seven women,

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