Eduardo Galeano - The Memory of Fire Trilogy - Genesis, Faces and Masks, and Century of the Wind

In the coastal villages they found gold, silver, and emeralds. Loaded with quick fortunes, they set off for the mountains. They faced jungles, swamps, fevers that kill in a day or leave one mad, and terrifying rains of volcanic ash. In the Andean foothills, snow-storms and winds that cut like knives broke the bodies of the slaves, who had never known cold, and many Spaniards left their bones in the mountains. Soldiers dismounting to tighten their horses’ girths remained permanently frozen. The booty was thrown to the bottom of ravines: Alvarado offered gold, and the soldiers clamored for food and shelter. His eyes burned by the blinding snow, Alvarado kept charging up the trail to cut off with one sword-blow the heads of slaves who fell and of soldiers who wished they hadn’t come.

More dead than alive, with muscles iced and blood frozen, the toughest ones managed to reach the plateau. Finally today they have hit the royal highway of the Incas, the one that leads to Quito, to paradise. No sooner do they arrive than they find in the mud fresh hoofprints. Captain Benalcázar has beaten them to it.

(81 and 97)

Benalcazár’s men break in, unstoppable. Thousands of Indian allies, enemies of the Incas, are spying and fighting for them. After three battles, the die is cast. Already beating a retreat, General Rumiñahui sets fire to Quito. The invaders won’t enjoy it alive or find any treasures except those they can dig from graves. The city of Quito, cradle and throne of Atahualpa, is a giant bonfire between two volcanos.

Rumiñahui, who has never been wounded in the back, turns away from the soaring flames. There are tears in his eyes, from the smoke.

(158 and 214)

From America come the heralds of good tidings. The emperor closes his eyes and sees sails approaching and savors the smell of tar and salt. The emperor breathes like the ocean, high tide, low tide; and he blows to speed the ships swollen with treasure.

Fate has just awarded him a new kingdom, where gold and silver abound like iron in Vizcaya. The astounding booty is on its way. With it he will finally be able to calm down the bankers who are strangling him and pay his soldiers — Swiss pikemen, German mercenaries, Spanish infantry — who never see a coin even in dreams. The Atahualpa ransom will finance the holy wars against the Islamic half moon, which has reached the very gates of Vienna, and against the heretics who follow Luther in Germany. The emperor will fit out a great fleet to sweep Sultan Suliman and the old pirate Red-beard off the Mediterranean.

The mirror reflects the image of the god of war: damascene armor with chiseled insertions at the edge of the gorget and breastplate, feathered helmet, face illumined by the sun of glory — bristling eyebrows over melancholy eyes, bearded chin thrust out. The emperor dreams of Algiers and hears the call of Constantinople. Tunis, fallen into infidel hands, also awaits the general of Jesus Christ.

(41 and 50)

From the first of the ships, gold and silver are tossed onto the docks of Seville. Oxen drag the loaded vats in carts to the Chamber of Commerce. Murmurs of wonder arise from the crowd assembled to witness the unloading. There is talk of mysteries and of the conquered monarch across the ocean.

Two men, two drunks, emerge arm-in-arm from the tavern that faces the docks. They join the crowd and ask shrilly where the notary is. They are not celebrating the treasure of the Incas. They are flushed and glowing from a session of good wine and because they have made a very cordial pact. They have agreed to exchange wives, you take mine, who is a jewel, I take yours, although she isn’t worth much, and they are looking for the notary to make it official.

They pay no mind to the gold and silver of Peru; and the dazzled crowd pays none to the castaway who has arrived along with the treasure. The ship, drawn by a bonfire, has rescued him from a Caribbean islet. His name is Pedro Serrano, and nine years before he had swum to safety from a shipwreck. He uses his hair to sit on, his beard as an apron, has leathery skin, and hasn’t stopped talking since they took him aboard. Now he keeps on telling his story amid the uproar. No one listens.

(41 and 76)

When news of Atahualpa’s gold reached Santo Domingo, everyone went looking for a ship. Alonso Hernandez, dealer in Indians, was among the first to take off in a hurry. He embarked in Panama and on arrival at Tumbes bought himself a horse. In Tumbes the horse cost seven times more than in Panama and thirty times more than in Santo Domingo.

The climb into the mountains has put Hernandez back on foot. To complete the journey to Quito, he buys another horse. He pays ninety times the Santo Domingo price. For 350 pesos he also buys a black slave. In Riobamba a horse costs eight times more than a man.

All is for sale in this realm, even the flags smeared with mud and blood, and everything is priced sky-high. A bar of gold is charged for two sheets of paper.

The merchants, newly arrived, defeat the conquistadors without drawing a sword.

(81, 166, and 184)

On the knees of the little king, vassal to another king, lies no gold scepter but a stick shining with bits of colored glass. Manco Inca wears the scarlet tassel on his head, but the triple gold necklace is missing from his breast, where the sun does not gleam, nor do the resplendent discs hang from his ears. The cloak of gold and silver threads and vicuna wool is missing from the back of Atahualpa’s brother and enemy and inheritor. From the banners beaten by the wind the falcons have disappeared, replaced by the eagles of the emperor of Europe.

No one kneels at the feet of the Inca crowned by Pizarro.

(57)

Fray Toribio de Motolinía walks barefoot up the hill. He carries a heavy sack on his back.

Motolinía is the local word for someone poor and afflicted. He still wears the patched, ragged habit that gave him his name years ago, when he arrived walking barefoot, as now, from the port of Veracruz.

He stops at the top of the slope. At his feet extends the enormous lake and in it gleams the city of Mexico. Motolinía passes a hand over his forehead, breathes deeply, and drives into the ground, one after the other, ten crude crosses, branches tied with rope. As he drives them in, he dedicates them:

“This cross, my God, is for the diseases that were not known here and that rage so terribly among the natives.”

“This one is for war, and this for hunger, which have killed as many Indians as there are drops in the sea and grains in the sand.”

“This is for the tribute collectors, drones who eat the honey of the Indians; and this one for the tribute, which the Indians must sell their children and their lands to pay.”

“This one is for the gold mines, which stink so of death that one can’t go within a league of them.”

“This is for the great city of Mexico, reared on the ruins of Tenochtitlán, and for those who brought beams and stones on their backs to build it, singing and crying out night and day, until they died of exhaustion or were crushed by landslides.”

“This is for the slaves who have been dragged here from all directions like herds of beasts, branded on the face; and this one for those who fall by the wayside carrying the enormous loads to maintain the mines.”

“And this one, Lord, for the perpetual conflicts and skirmishes of us Spaniards, which always end with the torture and murder of Indians.”