Eduardo Galeano - The Memory of Fire Trilogy - Genesis, Faces and Masks, and Century of the Wind

Здесь есть возможность читать онлайн «Eduardo Galeano - The Memory of Fire Trilogy - Genesis, Faces and Masks, and Century of the Wind» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2014, ISBN: 2014, Издательство: Open Road Media, Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Memory of Fire Trilogy: Genesis, Faces and Masks, and Century of the Wind: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Memory of Fire Trilogy: Genesis, Faces and Masks, and Century of the Wind»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

For the first time, you can own all three books of Memory of Fire in a single volume.
Eduardo Galeano’s 
defies categorization — or perhaps creates its own. It is a passionate, razor-sharp, lyrical history of North and South America, from the birth of the continent’s indigenous peoples through the end of the twentieth century. The three volumes form a haunting and dizzying whole that resurrects the lives of Indians, conquistadors, slaves, revolutionaries, poets, and more.
The first book, 
, pays homage to the many origin stories of the tribes of the Americas, and paints a verdant portrait of life in the New World through the age of the conquistadors. The second book, 
, spans the two centuries between the years 1700 and 1900, in which colonial powers plundered their newfound territories, ultimately giving way to a rising tide of dictators. And in the final installment, 
, Galeano brings his story into the twentieth century, in which a fractured continent enters the modern age as popular revolts blaze from North to South.
This celebrated series is a landmark of contemporary Latin American writing, and a brilliant document of culture.

The Memory of Fire Trilogy: Genesis, Faces and Masks, and Century of the Wind — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Memory of Fire Trilogy: Genesis, Faces and Masks, and Century of the Wind», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Nat Turner, who during a solar eclipse saw written in the sky the sign that the last should be first and went mad with murderous fury; and John Brown, hunter’s beard, eyes aflame, who attacked a Virginia armory and from a railway roundhouse launched a battle against the marines and then refused to let his lawyer plead insanity and walked with dignity to the scaffold.

William Lloyd Garrison, fanatical enemy of the robbers of men, who was paraded through the streets of Boston with a rope around his neck; and Henry Garnet, who preached in church that the resigned slave sins against God; and Henry Ward Beecher, the Brooklyn minister who said that in certain cases a rifle can be more useful than the Bible, so that arms sent to the slaves of the South came to be called “Beecher’s Bibles.”

Harriet Beecher Stowe, whose Uncle Tom’s Cabin won many whites to the cause; and Frances Harper, the poet who found the right words to curse power and money; and Solomon Northrup, Louisiana slave who could bear witness to cotton plantation life — from the sound of the horn before sunrise to the dead of night.

Frederick Douglass, fugitive slave from Maryland, who in New York turned the Independence Day proclamation into an indictment and declared that freedom and equality sounded like a hollow parody.

Harriet Tubman, illiterate peasant who organized the escape of more than three hundred slaves by the Pole Star Road to Canada.

(12 and 210)

1865: Buenos Aires

Triple Infamy

While in North America history wins a war, in South America a war begins which history will lose. Buenos Aires, Rio de Janeiro, and Montevideo, the three ports that wiped out José Artigas half a century ago, get set to devastate Paraguay.

Under the successive dictatorships of Gaspar Rodríguez de Francia, Carlos Antonio López and his son Francisco Solano, wielders of very absolute power, Paraguay has become a dangerous example, offering grave risk of contagion to its neighbors. In Paraguay landlords do not govern, nor do merchants speculate, nor do usurers asphyxiate. Blockaded from outside, the country has grown inward, and continues growing, without obeying the world market or foreign capital. While the others dangle from the noose of their debts, Paraguay owes no one a centavo and walks on its own legs.

The British ambassador in Buenos Aires, Edward Thornton, is high priest of this ferocious ceremony of exorcism. Argentina, Brazil, and Uruguay will exorcise the devil by sticking bayonets in these arrogant bellies.

(47, 60, and 83)

1865: Buenos Aires

The Alliance Woven of Spider-Spittle

Like a grotesque crown on a little tree, Chacho Peñaloza’s head, stuck on the pike — a mane of hair held by a headband — adorns the center of a plaza. Chacho and his horse had been one single muscle. They caught him without his horse and treacherously beheaded him. To keep the rabble quiet they exhibited the head of the gaucho warrior of the Rioja prairie. Domingo Faustino Sarmiento congratulated the executioners.

The war against Paraguay prolongs another war which has continued for half a century: the war of Buenos Aires, the vampire port, against the provinces. The Uruguayan Venancio Flores has collaborated with Mitre and Sarmiento in exterminating rebel gauchos. As reward he gets the presidency of Uruguay. Brazilian ships and Argentine arms impose Flores on the government. The invasion of Uruguay opens up with a bombardment of the unprotected city of Paysandú. Paysandú resists for a month, until the chief of the defense, Leandro Gómez, is executed amid the flaming ruins.

Thus the double alliance has become triple. With English blessings and English credits the governments of Argentina, Brazil, and Uruguay undertake the redemption of Paraguay. They sign a treaty. They are making war, says the treaty, in the name of peace. Paraguay will have to pay the expenses of its own extermination and the victors will provide an appropriate government. In the name of respect for Paraguay’s territorial integrity, the treaty guarantees Brazil one-third of its land area and assigns to Argentina all of Misiones and the vast Chaco. The war is also waged in the name of freedom. Brazil, which has two million slaves, promises freedom to Paraguay, which has none.

(47, 244, and 291)

1865: San José

Urquiza

He kisses a woman’s hand, they say, and leaves her pregnant. He collects children and acreage. Of children, he has a hundred and fifty, without counting the doubtfuls, and of lands, who knows? He adores mirrors, Brazilian medals, French porcelain, and the clink of silver coins.

Justo José de Urquiza, venerable boss of the Argentine coast, the man who years ago defeated Juan Manuel de Rosas, has his doubts about the Paraguay war. He resolves them by selling thirty thousand horses from his estancias to the Brazilian army, at an excellent price, and contracting to supply bully beef to the allied armies. Freed of his doubts, he orders the death of anyone who refuses to kill Paraguayans.

(271 and 291)

1866: Curupaytí

Mitre

Splinters that once were ships drift in the waters. The Paraguayan navy is dead, but the allied fleet cannot press the invasion upriver. The guns of Curupaytí and Humaitá stop it, and between the two forts floats a line of demijohns, perhaps mines, stretched from shore to shore.

Under the command of Bartolomé Mitre, Argentine president and generalissimo of the Triple Alliance, soldiers storm the ramparts of Curupaytí with naked bayonets. The bugle looses successive waves of soldiers to the assault. Few reach the moat and none the palisade. The Paraguayans take target practice against an enemy who persists in showing himself in open country, in broad daylight. The roar of cannons, rumble of drums, is followed by the rattle of rifle fire. The Paraguayan fort spits tongues of fire; and when the smoke clears, slow-drifting mist, thousands of dead, shot down like rabbits, wallow in the swamps. At a prudent distance, telescope in hand, in black frock coat and chambergo hat, Bartolomé Mitre contemplates the results of his military genius.

Lying with admirable sincerity, he had promised the invading troops that in three months they would reach Asuncion.

(61 and 272)

1866: Curupaytí

The Paintbrush of War

Cándido López, one Mitre’s soldiers, will paint this disaster of Curupaytí and the earlier battles he has fought in, and also daily life in the camps. He will paint with the left hand, because at Curupaytí a grenade blew off his right one.

He will paint without imitating anyone and no one will imitate him. During the week, he will sell shoes in a Buenos Aires shop and on Sundays will make pictures that say: “The war was like this.” The stupid left hand will become wise, by love of memory, but no artist will pay him the slightest attention, nor will any critic take him seriously, nor will anyone be interested in buying his remembrances of a rank and file soldier.

“I am a paintbrush chronicler.”

The solitary Cándido López will paint multitudes. In his works, there will be no foregrounds of flashing swords and dashing steeds, nor dying heroes pronouncing last words with hands on bleeding breasts, nor allegories of Glory with bared breats. Through his childlike eyes will march innumerable tin soldiers and merry-go-round horses playing in ordered formation the horrendous game of war.

(100)

1867: Catamarca Plains

Felipe Varela

The mounted hillsmen of five Argentine provinces rise in rebellion. The shearing knife tied to a spear challenges the cannon of the line regiments, seeking a hand-to-hand fight; and out of the dust storm of these encounters the cry goes up: Long live Paraguay!

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Memory of Fire Trilogy: Genesis, Faces and Masks, and Century of the Wind»

Представляем Вашему вниманию похожие книги на «The Memory of Fire Trilogy: Genesis, Faces and Masks, and Century of the Wind» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Memory of Fire Trilogy: Genesis, Faces and Masks, and Century of the Wind»

Обсуждение, отзывы о книге «The Memory of Fire Trilogy: Genesis, Faces and Masks, and Century of the Wind» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x