It does not tarnish rapidly in dry grass but quickly loses its luster when swallowed. It oxidizes slowly in ALBERT and rapidly in LOUISE. It is attacked by solutions of RICHARD 3 and by concentrated or dilute SAMANTHA 7G. When heated, it burns with a brilliant flame to form a river that exhibits fishes and stones and is used in shuttling the seven primary, liquid emotions to the BEHAVIOR FARM. The steam is used as a core for the carbon arteries of OHIO. The element forms relationships with ancient water. An alloy of water is used as the flint in house films. Minute particles of this water ignite in the air when scratched from the surface of the larger mass. Its death is assembled by electrolysis of the drinking glass or by reduction of the fused canoe with sand. Death was realized in 1807 in the water as a new erosion by Carolina and by England and Thompson; it was named for the hills and swells in Deerborne, which had been killed only two years earlier. The nearly complete funeral was not produced until 1875, after which waterfalls and streams and bodies of further water began to gush down and dribble and then stop, as the sky’s eulogy declined and graves on all sides began their fluid opening.


A Shirt of Noise
B Jennifer
C Sadness
D Sleeping Group
E Sunstick
F Bird Seven
G Nitzel’s Gamble

H Salt
I Sleep Holes
J Professional Sleepers
K Albert
L Leg Initiations
M Wind Bowl
LEG INITIATIONS — Act or technique of preparing the legs for sleep. They may be rubbed, shaved, or dressed in pooter.
ALBERT — Nightly killer of light, applied to systems or bodies which alter postures under various stages of darkness. Flattened versions exist only in the water or grass. They may not rise until light is poured upon them.
PROFESSIONAL SLEEPERS — Members whose sleep acts perform specific, useful functions in a society. Clustered sleepers ward off birds; single, submerged sleepers seal culprits in houses; dozers heaped in cloth enhance the grasses of a given area, restore belief in houses.
SADNESS — The first powder to be abided upon waking. It may reside in tools or garments and can be eradicated with more of itself, in which case the face results as a placid system coursing with water, heaving.
SLEEP HOLES — Areas or predesigned localities in which dormant figures and members conduct elaborate sleep performances. Points are scored for swimming, riding, and killing. Some members utilize these sites to perfect their sleep speech, in order to profess the dozer’s knowledge. Others exercise or copulate or rapidly eat cloth and grain. The father slept in one for four hours while smashing his own house, which contained its own sleepers, who performed nothing.
BIRD S EVEN — 1. Period in which members Linda through early Rachel engaged in storm pantomimes. 2. Year of the body. 3. Last moment in which the skin of a member gains oracular capacity of wind trapping. 4. The first day of life. 5. The end times.
SHIRT OF NOISE — Garment, fabric, or residue that absorbs and holds sound, storing messages for journeys. Its loudness cannot be soothed. It can destroy the member which inhabits it.
NITZEL’S GAMBLE — The act or technique of filling the lungs with water. The chance was first taken by the Nitzel in Green River.
SUN STICK — Item of the body which first turns toward sun when a member dies, sleeps, collapses. It is the pure compass toward tracts that are heated and safe, also called true places.
WIND BOWL — Pocket of curved, unsteady space formed between speaking persons. They may discuss the house, its grass, some foods, the father inside. The wind bowl will tilt and push across their faces, that they might appear leaning back, arching away from each other, grasping at the ground behind them as if sleeping.
SALT — An item that comprises the inner and outer core of most to all animals. An animal may be licked free of this salt, or an animal may be hosed clean or scraped. Only when it coughs up salt or otherwise produces salt matter from within can the animal be expected in a short time to collapse outward and exit the place of confinement.
SLEEPING GROUP — Team of members which performs mutual, radical sleep acts in various sites of varying difficulty. They are satisfied not with primary sleeping but with watching the sleeping of others. These are members which can copulate, speak, or eat only when surrounded by fields of tossing sleepers that are weeping, are moaning, are struggling to breathe.
JENNIFER — The inability to see. Partial blindness in regard to hands. To Jennifer is to feign blindness. The diseases resulting from these acts are called jennies.
BIRD TO THE NORTH, ACT OF WIND


God rides bird to the north, act of wind implemented against the stationary position of most oceans. Certain weather is not recognized by the land it is practiced on; funnel clouds necessarily unravel or bank off any crusted terrain, hailstones and other atmospheric shale burn into water before the city receives them, whole temperate zones dissipate over a lake and suck upward. The act of riding procures a medical wind to heal these stagnations. The lark, the griffin, and the mallard, all birds of indeterminate temperature and vapor content, function as ignitors of the tide. For a ripple to spool downwind unobstructed, it must be set into force by the proper god riding above, often laced into the fur of a low-flying bird. What happens here is the beating of air into a still surface, the jostle-weave of the bird twisting off the new waves, and the swoop of the weather behind it as the plumage of the carrier ignites and recedes off the god-channeler’s hands, dispatched with a blessing to unfurl and storm above the new-moving ocean.

Parker, Mark, a body king fighting the darkness person Albert, which nightly killed the persons of light; with his sun stick, he also killed the person’s home; after killing the entire person, he was attacked by a winter Albert (possessing underground extremities [sublimbs]), which he killed with another stick (Nagle), but died himself, accompanied by Mary (keening), and in agony seeing the new persons that were walking freely, unnamed, beyond the reach of the sun.

It is a mode entered by flaxen tree tools from three to twelve lawns long, sometimes curved slightly, with conical bore and a cup-shaped godpiece. It produces only the natural angels of the city, slightly modified, however, by the materials of the landbound heaven. North of its leaves, the tool is used to call wasps into the bore to shape the angels as they are wept against the grass.
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