Elias Khoury - As Though She Were Sleeping

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Milia's response to her new husband Mansour and to the Arab World of 1947 is to close her eyes and drift into parallel worlds. Identities shift. Present, past, and future mingle and merge: she finds herself able to converse with the dead and foresee the future. As the novel progresses in glimpses, Milia's dreams become more navigable than the strange and obstinate "reality" in which she finds herself, and the two realms grow ever more entangled. This wondrous tapestry of love, faith, history, poetry, and vision cuts to the very heart of the deep-rooted conflicts of the region and breaks new literary ground.

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The poetry, like the story of Mutanabbi’s death as he returned to his city, vanished. He returned because, as the poet fled from the uncle of his sweetheart Dabba who lay in wait for him in the desert, his servant said to him, It is not right that you flee when you have spoken like this.

Horses and the night and the desert wastes know me

as do the sword, the lance, the vellum, and the pen

You mean, his poetry killed him? said Milia.

What was he going to do? asked Mansour.

What an idiot. How can anyone believe his own words? Very stupid, if he did.

When you have come to the end, you have to believe. This is the whole meaning of death. It is the only instant when a person has to face everything with absolute honesty and clarity.

She wanted to ask him why he had disappeared from her nighttime. She did not voice the words but they sounded from her eyes and he heard them. Suddenly the poetry was no longer there and Mansour’s desire vanished. He drank his coffee hurriedly and said he was going out but he did not move. Instead, he came closer to her. He laid his hand gently on her cheek and reminded her of the doctor’s orders.

The doctor said, seventh month on, that’s it.

I don’t understand, she said.

It’s nothing, he said. I’ll be back later.

Tanyous told her that the death of children is the true sign. The monk with his disheveled hair stood in the distance and beckoned her over to him.

God keep you! What are you doing here? Leave! I am going to Jaffa with my husband, and that’s the end of it.

What’s in Jaffa?

She turned her face away and opened her eyes. She saw Mansour standing there, instructing her to calm down. Take it easy, love, the doctor said we need to give it another hour, and then everything will go smoothly.

Milia looked at him and asked about the baby.

Not yet, my dear, we must wait.

Then she understood it. She said she wanted her mother. She talked about pain. Everything inside was hurting, she said, and she began to shiver and her teeth were chattering.

Mansour ran to the two nurses and brought them into the room. The tall one took one look at the woman on the bed and said she would get the doctor immediately. It’s time, she said. The short one came over to Milia, held her hand, and with her other hand found a tissue and mopped the sweat from Milia’s forehead, reassuring her all the while.

You — go outside, she said to Mansour. And, you, my dear — speaking to Milia — help me out now and you’ll be helping yourself.

The waves of pain began to well up more forcefully. Her body was splitting, splintering, and she wanted to scream and scream. She felt utterly alone.

Mama — come, please come, Mama! Look what they’re doing to me, she screamed. Everything was whirling around her and suddenly darkness was everywhere.

He was there, his head bowed. I see the boy, said Tanyous.

Please — no. Please, don’t talk about him.

I love children, he said. I love a pregnant woman. The measure of a woman’s beauty is pregnancy. Don’t believe the stories women tell — they say a woman pregnant with a boy is ugly, and when she’s going to have a baby girl she’s beautiful. No, that’s not how it is. You got pregnant with a baby boy and you have only become more beautiful. A pretty woman becomes truly beautiful once she gets pregnant. Could the Virgin Maryam have possibly grown ugly, pregnant with the Messiah? I said to Mary, the nun, something is not quite right here. Remaining unmarried — for men that’s fine and it might even be commended since the Messiah died having never married. All of his women had the same name. He gave them the name Maryam so that he would not get confused over names and could talk to one of them as if he were talking to all. God forgive me — no — well, this is not what I was going to say, but. . when I saw you standing there, just you, I said to myself, here is the Maryam whom God has sent to me. I will have to go to Jerusalem, and so I said to myself, I will take her — I will take you — with me. But you — no, you will not. Your name isn’t even Maryam. I must give you a new name.

She watched as he came closer. No, I don’t want to change my name. Please, no.

He instructed the nun on how as a man it was perfectly acceptable to remain unmarried, for the Messiah (peace be upon him) begat no offspring. But women were something else. A woman who does not go through what our sacred Maryam went through — I mean, who does not give birth — will not understand the secret of life.

Milia wanted to ask him about the secret of life. He approached her, coming closer and closer. She wanted to say to him that she was married and this was wrong — and she was pregnant — but here he was next to her in bed.

Why does this monk come to her, and how and from where has this man invaded her night? She wanted to tell him that Mansour was right. You are a madman, she wanted to say. The nuns do not acknowledge you as a monk. Suddenly she was aware that she lay on a narrow bed in a cramped ancient house on the summit of a towering hill. Half asleep, she sensed the monk approach, sensed his drowsiness blending with hers, felt his hot breath mounting her neck. She saw her naked body and tasted the sweet saltiness of the world, and her spirit knew him. She told him this was not right. The doctor told you, Mansour — you told me, habibi , that the doctor said — and he silenced her with his black sleeve and she felt her waters swell and pour.

She opened her eyes to find the mattress drenched. She turned to Mansour’s bed and saw his form submerged in his deep breathing. She wanted to get out of bed to awaken him but she sensed the water still gushing out and felt too embarrassed to move. She closed her eyes again to go back to sleep and saw him coming to her, and climbing on top of her to lie in all his heaviness on her chest. She cried to him to move off of her — he would kill her son, she cried — and she heard Mansour’s worried breathing next to her bed as he asked what was wrong.

The waters, she said. Water all over me.

It’s your water sac. We must go to the hospital immediately.

No. . not today! she said. Tomorrow — I will have the baby tomorrow.

He got her up and told her he was going to get a car.

Today. . no! she said. It will not be today. And anyway it’s raining.

Get dressed, hurry, and get yourself ready. I’m going to bring the car.

Milia was right. The rain was relentless. She knew that her baby would arrive on the night of the twenty-fourth of December. The sign would not be the waters from the water sac, but other waters.

This was what the doctor told them when they reached the Italian Hospital. He told her to go home and asked her to wait for the water.

But the water, doctor — there was a lot of water.

The doctor smiled and told Mansour not to worry. He warned Mansour not to sleep with his wife in her final days of pregnancy.

I swear, I haven’t done anything, Mansour protested.

The doctor showed his astonishment and said that the examination he had done indicated that her birth passage and uterus had been active during the previous night. It might have been nothing more than a dream, he said. Pregnancy does give women dreams. No need to be afraid.

She was in bed and already asleep when he came to her and kissed her on her forehead before going to his own bed. He saw her sit up in bed. Light shone from her hair and oil stood on her neck, even spraying the air around her gently.

Come here, come to me, she said.

He found himself getting out of bed and coming to sit down next to her.

Bring some cotton.

He got up and went over to the wardrobe, opened a drawer, took out a roll of cotton and came back to her.

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