Lorrie Moore - Bark - Stories

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Bark: Stories: краткое содержание, описание и аннотация

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In these eight masterful stories, Lorrie Moore, in a perfect blend of craft and bewitched spirit, explores the passage of time, and summons up its inevitable sorrows and hilarious pitfalls to reveal her own exquisite, singular wisdom.
In "Debarking," a newly divorced man tries to keep his wits about him as the United States prepares to invade Iraq, and against this ominous moment, we see-in all its irresistible hilarity and darkness-the perils of divorce and what can follow in its wake…In "Foes," a political argument goes grotesquely awry as the events of 9/11 unexpectedly manifest at a fund-raising dinner in Georgetown…In "The Juniper Tree," a teacher, visited by the ghost of her recently deceased friend, is forced to sing "The Star-Spangled Banner" in a kind of nightmare reunion…And in "Wings," we watch the unraveling of two once-hopeful musicians who neither held fast to their dreams nor struck out along other paths as Moore deftly depicts the intricacies of dead ends and the workings of regret…
Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives in a heartrending mash-up of the tragic and the laugh-out-loud-the hallmark of Lorrie Moore-land.

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When she walked him back to his house, the crickets had started in with their beautiful sawing. “Tinnitus!” Milt exclaimed.

But this time she didn’t laugh, and so he did what he often did when he was irritated: he walked with his most deaf ear toward her so that he could stew in peace. She noticed him weaving and knew that his balance was off. At one point he began to tilt and she quickly caught him. “An old guy like me should wear a helmet all the time,” he said. “Just get up in the morning and put it on.”

He then turned and peered through the dusk at her. “Sometimes at home I think the ringing in my ears might be the phone and I pick it up, hoping it might be you.”

She helped him into his house — he took the front stairs with greater difficulty than he used to. She turned on the lights. But he switched them off again and, grabbing her hand, sat in a chair. “Come here and sit on my lap,” he said, tugging her firmly. She fell awkwardly across his thin thighs, and when she tried to find her footing to stand again, he braced and embraced her with his arms and began to nuzzle her neck, the u and r of Decatur . His eyes were closed, and he offered his face up to her, his lips pursed but moving a little to find hers.

KC at first let him kiss her, letting their lips meet slightly — she had to be obliging, she had to work against herself and find a way — and then his rough and pointed tongue flicked quickly in and out and she jolted, flung herself away, stood, switched the lights back on, and turned to face him. “That’s it! You’ve gone off the deep end now!”

“What?” he asked. His eyes were barely open and his tongue only now stopped its animal darting. She swept her hair from her face. The room seemed to whirl. Life got you ready for dying. She had once caught a mouse in a mousetrap — she had heard the snap and when she looked it seemed merely to be a tea bag, a brown mushroomy thing with a tail, then it began flopping and flipping and she’d had to pick it up with a glove and put it in the freezer, trap and all, to die there.

It was time. “You’re completely crazy!” she said loudly. “And there’s nothing I can do at this point but call the hospice!” Words that had stayed in the wings now rushed into the crushed black box of her throat.

His face now bore the same blasted-apart look she’d seen when she first met him, except this time there was something mangled about the eyes, his mouth a gash, his body slumped in banishment. He began silently to cry. And then he spoke. “I looked him up on — what do you call it: Spacebook. His interests and his seekings.”

“What are you talking about?”

“Good luck,” he said. “Good luck to you and your young man — I wish you both the best.”

“It’s done.”

She sank against the door. She had waited all night for the hospice people to come and carry Milt off the next morning, and then she had signed some forms and promised to visit, promised to come help him with the crossword puzzle, and taking the keys of the house, she had locked it, then walked hurriedly home.

Dench was putting his cell phone away. He looked at her worriedly and she returned his gaze with a hard glare. He then stepped forward, perhaps to comfort her, but she shoved him off. “KC,” he said. And when he cocked his head as if puzzled and tried in forgiveness to step toward her again, she made a fist and struck him hard in the face.

Her life in the white-brick house was one of hostessing — and she poured into it all the milk of human kindness she possessed. There were five bedrooms and one suite turned entirely over to the families of children at the hospital whose new pediatric wing was now complete. She had painted the walls of every room either apricot or brown, and she kept the crown moldings white while she painted the ceilings a celestial blue. In summer she opened up the sleeping porches. Every morning she got up early and made breakfast, a ham-and-egg bake, which she served in a large casserole in the dining room, and although she made no other meals she made sure there were cookies in the front room and games for the siblings (who also played with the dog). She sometimes attempted music in the afternoons, sitting at the piano while people tried to smile at her. She wore high collars and long sleeves and necklaces of blue slag to hide her tattoos. She left magazines for people to read but not newspapers, which contained too much news. She maintained the book nook, stuffing it with mysteries. She watched the families as they went off in the morning, walking their way to the hospital to see their sick children. She never saw the sick children themselves — except at night, when they were ghosts in white nightgowns and would stand on the stairwell landings and recite their names and wave — as she roamed the house, thinking of them as “her children” and then not thinking of them at all, as she sleeplessly straightened up, but she would hear of their lives. “I missed the good parts,” the mothers would say, “and now there are no more good parts.” And she would give them more magazines for flipping through in the surgery lounge, in case they grew tired of watching a thriving aquarium of bright little fish.

Tears thickened her skin the way brine knitted and hardened the rind of a cheese. Her hair was still long but fuzzily linted with white, and she wore it up in a clip. There were times looking out the front windows, seeing the parents off on their dutiful, despairing visits, when she would think of Dench and again remember the day he had first auditioned raucously for their band, closing with some soft guitar, accompanied by his strong but inexpressive baritone, so the song had to carry the voice, like a river current moving a barge. She had forgotten now what song it was. But she remembered she had wondered whether it would be good to love him, and then she had gone broodingly to the window to look out at the street while he was singing and she had seen a very young woman waiting for him in his beat-up car. It had been winter with winter’s sparse afternoon stars, and the girl was wearing a fleece chin-strap cap that made her look like Dante and also like a baby bird. KC herself had been dressed like Hooker Barbie. Why had she put this memory out of her mind? The young woman had clearly driven him there — would she be tossed away? bequeathed? forgotten? given a new purpose by God, whose persistent mad humor was aimless as a gnat? She was waiting for him to come back with something they could use.

REFERENTIAL

Mania. For the third time in three years they talked in a frantic way about what would be a suitable birthday present for her deranged son. There was so little they were actually allowed to bring: almost everything could be transformed into a weapon and so most items had to be left at the front desk, and then, if requested, brought in later by a big blond aide, who would look the objects over beforehand for their wounding possibilities. Pete had bought a basket of jams, but they were in glass jars, and so not allowed. “I forgot about that,” he said. They were arranged in color from brightest marmalade to cloudberry to fig, as if they contained the urine tests of an increasingly ill person, and so she thought, Just as well they will be confiscated . They would find something else to bring.

By the time her son was twelve, and had begun his dazed and spellbound muttering, no longer brushing his teeth, Pete had been in their lives for four years, and now it was four years after that. The love they had for Pete was long and winding, not without hidden turns, but without any real halts. They thought of him as a kind of stepfather. Perhaps all three of them had gotten old together, although it showed mostly on her, the mother, with her black shirtdresses worn for slimming and her now graying hair undyed and often pinned up with strands hanging down like Spanish moss. Once her son had been stripped and gowned and placed in the facility, she, too, removed her necklaces, earrings, scarves — all her prosthetic devices, she said to Pete, trying to amuse — and put them in a latched accordion file under her bed. She was not allowed to wear them when visiting so she would no longer wear them at all, a kind of solidarity with her child, a kind of new widowhood on top of the widowhood she already possessed. Unlike other women her age (who tried too hard with lurid lingerie and flashing jewelry), she now felt that sort of effort was ludicrous, and she went out into the world like an Amish woman, or perhaps, even worse, as when the unforgiving light of spring hit her face, an Amish man. If she were going to be old, let her be a full-fledged citizen of the old country! “To me you always look so beautiful,” Pete no longer said.

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