She was horrified, dispirited, interested.
He told her the name of a company somebody at work invested in. AutVis.
"What is it?"
"I don't know. But some guy at work said buy this week. They're going to make some announcement. If I had money, I'd buy."
She bought, the very next morning. A thousand shares. By the afternoon, the stock had plummeted 10 percent; by the following morning, 50. She watched the ticker tape go by on the bottom of the TV news channel. She had become the major stockholder. The major stockholder of a dying company! Soon they were going to be calling her, wearily, to ask what she wanted done with the forklift.
"you're a neater eater than I am," Walter said to her over dinner at the Palmer House.
She looked at him darkly. "What the hell were you thinking of, recommending that stock?" she asked. "How could you be such an irresponsible idiot?" She saw it now, how their life would be together. She would yell; then he would yell. He would have an affair; then she would have an affair. And then they would be gone and gone, and they would live in that gone.
"I got the name wrong," he said. "Sorry."
"You what?"
"It wasn't AutVis. It was AutDrive. I kept thinking it was vis for vision."
"Vis for vision," she repeated.
"I'm not that good with names," confessed Walter. "I do better with concepts."
"'Concepts,'" she repeated as well.
The concept of anger. The concept of bills. The concept of flightless, dodo love.
Outside, there was a watery gust from the direction of the lake. "Chicago," said Walter. "The Windy City. Is this the Windy City or what?" He looked at her hopefully, which made her despise him more.
She shook her head. "I don't even know why we're together," she said. "I mean, why are we even together?"
He looked at her hard. "I can't answer that for you," he yelled. He took two steps back, away from her. "You've got to answer that for yourself!" And he hailed his own cab, got in, and rode away.
She walked back to the Days Inn alone. She played scales soundlessly, on the tops of the piano keys, her thin-jointed fingers lifting and falling quietly like the tines of a music box or the legs of a spider. When she tired, she turned on the television, moved through the channels, and discovered an old movie she'd been in, a love story-murder mystery called Finishing Touches . It was the kind of performance she had become, briefly, known for: a patched-together intimacy with the audience, half cartoon, half revelation; a cross between shyness and derision. She had not given a damn back then, sort of like now, only then it had been a style, a way of being, not a diagnosis or demise.
Perhaps she should have a baby.
In the morning, she went to visit her parents in Elmhurst. For winter, they had plastic-wrapped their home — the windows, the doors — so that it looked like a piece of avant-garde art. "Saves on heating bills," they said.
They had taken to discussing her in front of her. "It was a movie, Don. It was a movie about adventure. Nudity can be art."
"That's not how I saw it! That's not how I saw it at all!" said her father, red-faced, leaving the room. Naptime.
"How are you doing?" asked her mother, with what seemed like concern but was really an opening for something else. She had made tea.
"I'm okay, really," said Sidra. Everything she said about herself now sounded like a lie. If she was bad, it sounded like a lie; if she was fine — also a lie.
Her mother fiddled with a spoon. "I was envious of you." Her mother sighed. "I was always so envious of you! My own daughter!" She was shrieking it, saying it softly at first and then shrieking. It was exactly like Sidra's childhood: just when she thought life had become simple again, her mother gave her a new portion of the world to organize.
"I have to go," said Sidra. She had only just gotten there, but she wanted to go. She didn't want to visit her parents anymore. She didn't want to look at their lives.
She went back to the Days Inn and phoned Tommy. She and Tommy understood each other. "I get you," he used to say. His childhood had been full of sisters. He'd spent large portions of it drawing pictures of women in bathing suits — Miss Kenya from Nairobi! — and then asking one of the sisters to pick the most beautiful. If he disagreed, he asked another sister.
The connection was bad, and suddenly she felt too tired. "Darling, are you okay?" he said faintly.
"I'm okay."
"I think I'm hard of hearing," he said.
"I think I'm hard of talking," she said. "I'll phone you tomorrow."
She phoned Walter instead. "I need to see you," she said.
"Oh, really?" he said skeptically, and then added, with a sweetness he seemed to have plucked expertly from the air like a fly, "Is this a great country or what?"
she felt grateful to be with him again. "Let's never be apart," she whispered, rubbing his stomach. He had the physical inclinations of a dog: he liked stomach, ears, excited greetings.
"Fine by me," he said.
"Tomorrow, let's go out to dinner somewhere really expensive. My treat."
"Uh," said Walter, "tomorrow's no good."
"Oh."
"How about Sunday?"
"What's wrong with tomorrow?"
"I've got. Well, I've gotta work and I'll be tired, first of all."
"What's second of all?"
"I'm getting together with this woman I know."
"Oh?"
"It's no big deal. It's nothing. It's not a date or anything."
"Who is she?"
"Someone whose car I fixed. Loose mountings in the exhaust system. She wants to get together and talk about it some more. She wants to know about catalytic converters. You know, women are afraid of getting taken advantage of."
"Really!"
"Yeah, well, so Sunday would be better."
"Is she attractive?"
Walter scrinched up his face and made a sound of unenthusiasm. "Enh," he said, and placed his hand laterally in the air, rotating it up and down a little.
Before he left in the morning, she said, "Just don't sleep with her."
" Sidra" he said, scolding her for lack of trust or for attempted supervision — she wasn't sure which.
That night, he didn't come home. She phoned and phoned and then drank a six-pack and fell asleep. In the morning, she phoned again. Finally, at eleven o'clock, he answered.
She hung up.
At 11:30, her phone rang. "Hi," he said cheerfully. He was in a good mood.
"So where were you all night?" asked Sidra. This was what she had become. She felt shorter and squatter and badly coiffed.
There was some silence. "What do you mean?" he said cautiously.
"You know what I mean."
More silence. "Look, I didn't call to get into a heavy conversation."
"Well, then," said Sidra, "you certainly called the wrong number." She slammed down the phone.
She spent the day trembling and sad. She felt like a cross between Anna Karenina and Amy Liverhaus, who used to shout from the fourth-grade cloakroom, "I just don't feel appreciated !" She walked over to Marshall Field's to buy new makeup. "You're much more of a cream beige than an ivory," said the young woman working the cosmetics counter.
But Sidra clutched at the ivory. "People are always telling me that," she said, "and it makes me very cross."
She phoned him later that night and he was there. "We need to talk," she said.
"I want my key back," he said.
"Look. Can you just come over here so that we can talk?"
He arrived bearing flowers — white roses and irises. They seemed wilted and ironic; she leaned them against the wall in a dry glass, no water.
"All right, I admit it," he said. "I went out on a date. But I'm not saying I slept with her."
She could feel, suddenly, the promiscuity in him. It was a heat, a creature, a tenant twin. "I already know you slept with her."
Читать дальше