Lorrie Moore - The Collected Stories of Lorrie Moore

"No," she said. "She's traveling on the Continent. That's how Ariel says it: on the Continent . But she asked about you and says hello."

John looked away, hung up his coat in the front closet, on a hook next to his baseball cap, which he hadn't worn since his first day. "Thought she might be coming home," said John. He couldn't look directly at Millie. Something was sinking in him like a stone.

"Can I make you some warm milk?" asked Millie. She looked in the direction John seemed to be looking: at the photographs of Ariel. There she was at her high school graduation, all formal innocence, lies snapped and pretty. It seemed now to Millie that Ariel was too attractive, that she was careless and hurt people.

"I'll just go to bed, thanks," said John.

"I put your clean clothes at the foot of it, folded," said Millie.

"Thank you very much," he said, and he brushed past her, then apologized. "So sorry," he said, stepping away.

"Maybe we can all go into New York together next week," she blurted. She aimed it at his spine, hoping to fetch him back. He stopped and turned. "We can go out to eat," she continued. "And maybe take a tour of the UN." She'd seen picture postcards of the flags out front, rippling like sheets, all that international laundry, though she'd never actually been.

"OK," said John. He smiled. Then he turned back and walked down the hall, trading one room for another, moving through and past, leaving Millie standing there, the way when, having decided anything, once and for all, you leave somebody behind.

in the morning there was just a note and a gift. "Thank you for lodging me. I decided to take the early bus to California. Please do not think me rude. Yours kindly, John Spee."

Millie let out a gasp of dismay. "Hane, the boy has gone!" Hane was dressing for church and came out to see. He was in a shirt and boxer shorts, and had been tying his tie. Now he stopped, as if some ghost that had once been cast from the house had just returned. The morning's Scripture was going to be taken from the third chapter of John, and parts of it were bouncing around in his head, like nonsense or a chant. For God so loved the world … John Spee was gone. Hane placed his hands on Millie's shoulders. What could he tell her? For God so loved the world ? He didn't really believe that God loved the world, at least not in the way most people thought. Love , in this case, he felt, was a way of speaking. A metaphor . Though for what, he didn't exactly know.

"Oh, I hope he'll be OK," Millie said, and started to cry. She pulled her robe tight around her and placed one hand over her lips to hide their quivering. It was terrible to lose a boy. Girls could make their way all right, but boys went out into the world, limping with notions, and they never came back.

it was a month later when Millie and Hane heard from Ariel that John Spee had returned to England. He had taken the bus to Los Angeles, gotten out, walked around for a few hours, then had climbed back on and ridden six straight days back to Newark Airport. He had wanted to see San Francisco, but a man on the bus had told him not to go, that everyone was dying there. So John went to Los Angeles instead. For three hours. Can you believe it ? wrote Ariel. She was back in Warwickshire, and John sometimes dropped by to see her when she was very, very busy.

The gift, when Millie unwrapped it, had turned out to be a toaster — a large one that could toast four slices at once. She had never seen John come into the house with a package, and she had no idea when or where he had gotten it.

"Four slices," she said to Hane, who never ate much bread. "What will we do with such a thing?"

Every night through that May and June, Millie curled against Hane, one of her hands on his hip, the smells of his skin all through her head. Summer tapped at the bedroom screens, nightsounds, and Millie would lie awake, not sleeping at all. "Oh!" she sometimes said aloud, though for no reason she could explain. Hane continued to talk about the Historical Jesus. Millie rubbed his shins while he spoke, her palm against the dry, whitening hair of him. Sometimes she talked about the garbage barge, which was now docked off Coney Island, a failed ride, an unamusement.

"Maybe," she said once to Hane, then stopped, her cheek against his shoulder. How familiar skin flickered in and out of strangeness! How it was yours no matter. No mere matter. "Maybe we can go someplace someday."

Hane shifted toward her, a bit plain and a bit handsome without his glasses. Through the window the streetlights shimmered a pale green, and the moon shone woolly and bitten. Hane looked at his wife. She had the round, drying face of someone who once and briefly — a long ago fall, a weekend perhaps — had been very pretty without ever even knowing it. "You are my only friend," he said, and he kissed her, hard on the brow, like a sign for her to hold close.

this was in a faraway land. There were gyms but no irony or coffee shops. People took things literally, without drugs. Laird, who wanted to fix her up with this guy, warned her beforehand in exercise class. "Look, Odette, you're a poet. You've been in po biz for what — twenty years—"

"Only fifteen, I'm sure." She had just turned forty and scowled at him over her shoulder. She had a voice menopausal with whiskey, a voice left to lurch and ruin by cigarettes. It was without a middle range, low, with sudden cracks upward. "I hate that phrase po biz !"

"Fifteen. All right. This guy's not at all literary. He's a farm lawyer. He gets the occasional flasher, or a Gypsy from the Serbo neighborhood in Chicago, but that's as artistic as he gets. He's dealing with farmers and farms. He wouldn't know T. S. Eliot from, say, Pinky Eliot. He's probably never even been to Minneapolis, let alone New York."

"Who's Pinky Eliot?" she asked. They were lying side by side, doing these things where you thrust your arms between your raised knees, to tighten the stomach muscles. There was loud music to distract you from worries that you might not know anyone in the room well enough to be doing this in front of them. "Who the heck is Pinky Eliot?"

"Someone I went to fourth grade with," said Laird, gasping. "It was said he weighed more than the teacher, and she was no zipper, let me tell you." Laird was balding, and in exercise class the blood rushed across his head, bits of hair curling above his ears like gift ribbon. He had lived in this town until he was ten, then his family had moved east to New Jersey, where she had first met him, years ago. Now he had come back, like a salmon, to raise his own kids. He and his wife had two. "Little and Moist," they called them. "Look, you're in the boonies here. You got your Pinky Eliot or you got your guy who's never heard of Pinky or any Eliot."

She had been in the boonies before. To afford her apartment in New York, she often took these sorts of library fellowships: six weeks and four thousand dollars to live in town, write unpublishable poems, and give a reading at the library. The problem with the boonies was that nobody ever kissed you there. They stared at you, up, down, but they never kissed.

Actually, once in a while you could get them to kiss.

But then you had to leave. And in your packing and going, in tearing the seams, the hems, the haws, you felt like some bad combination of Odysseus and Penelope. You felt funny in the heart.

"All right," she said. "What is his name?"

Laird sighed. "Pinky Eliot," he said, thrusting his arms between his knees. "Somehow in this mangled presentation, I fear I've confused you."

pinky eliot had lost weight, though for sure he still weighed more than the teacher. He was about forty-five, with all his hair still dark. He was not bad-looking, elf-nosed and cat-eyed, though a little soccer ball-ish through the chin and cheeks, which together formed a white sphere with a sudden scar curling grayly around. Also, he had the kind of mustache a college roommate of hers used to say looked like it had crawled up to find a warm spot to die.