Steven Millhauser - We Others - New and Selected Stories

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We Others: New and Selected Stories: краткое содержание, описание и аннотация

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“Every reader knows of writers who are like secrets one wants to keep, and whose books one wants to tell the world about. Millhauser is mine.”
— David Rollow, From the Pulitzer Prize — winning author: the essential stories across three decades that showcase his indomitable imagination.
Steven Millhauser’s fiction has consistently, and to dazzling effect, dissolved the boundaries between reality and fantasy, waking life and dreams, the past and the future, darkness and light, love and lust. The stories gathered here unfurl in settings as disparate as nineteenth-century Vienna, a contemporary Connecticut town, the corridors of a monstrous museum, and Thomas Edison’s laboratory, and they are inhabited by a wide-ranging cast of characters, including a knife thrower and teenage boys, ghosts and a cartoon cat and mouse. But all of the stories are united in their unfailing power to surprise and enchant. From the earliest to the stunning, previously unpublished novella-length title story — in which a man who is dead, but not quite gone, reaches out to two lonely women — Millhauser in this magnificent collection carves out ever more deeply his wondrous place in the American literary canon.

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One afternoon when my father was at work and my mother lay in her darkened bedroom, breathing damply with asthma, I pulled out the carpet at the foot of the bed, unrolled it, and sat down on it to wait. I wasn’t supposed to ride my carpet unless my mother was watching from the kitchen window. Joey was in another town, visiting his cousin Marilyn, who lived near a department store with an escalator. The thought of riding up one escalator and down the next, up one and down the next, while the stairs flattened out or lifted up, filled me with irritation and boredom. Through the window screen I could hear the sharp, clear blows of a hammer, like the ticking of a gigantic clock. I could hear the clish-clish of hedge clippers, which made me think of movie swordfights; the uneven hum of a rising and falling bee. I lifted the edges of the carpet and began to float about the room. After a while I passed through the door and down the stairs into the small living room and big yellow kitchen, but I kept bumping into pots and chair-tops; and soon I came skimming up the stairs and landed on my bed and looked out the window into the backyard. The shadow of the swing frame showed sharp and black against the grass. I felt a tingling or tugging in my legs and arms. Dreamily I pushed the window higher and raised the screen.

For a while I glided about the room, then bent low as I approached the open window and began to squeeze the carpet through. The wooden bottom of the raised window scraped along my back, the sides of the frame pressed against me. It was like the dream where I tried to push myself through the small doorway, tried and tried, though my bones hurt, and my skin burned, till suddenly I pulled free. For a moment I seemed to sit suspended in the air beyond my window; below I saw the green hose looped on its hook, the handles and the handle-shadows on the tops of the metal garbage cans, the mountain laurel bush pressed against the cellar window; then I was floating out over the top of the swing and the crab-apple trees; below me I saw the shadow of the carpet rippling over grass; and drifting high over the hedge and out over the vacant lot, I looked down on the sunny tall grass, the milkweed pods and pink thistles, a green Coke bottle gleaming in the sun; beyond the lot the houses rose behind each other on the hill, the red chimneys clear against the blue sky; and all was sunny, all was peaceful and still; the hum of insects; the far sound of a hand mower, like distant scissors; soft shouts of children in the warm, drowsy air; heavily my eyelids began to close; but far below I saw a boy in brown shorts looking up at me, shading his eyes; and seeing him there, I felt suddenly where I was, way up in the dangerous air; and leaning fearfully to one side I steered the carpet back to my yard, dropped past the swing, and landed on the grass near the back steps. As I sat safe in my yard I glanced up at the high, open window; and far above the window the red shingles of the roof glittered in the sun.

I dragged the heavy carpet up to my room, but the next day I rose high above Joey as he passed over the top of the swing. In a distant yard I saw someone skim over the top of a garage roof and sink out of sight. At night I lay awake planning voyages, pressing both hands against my heart to slow its violent beating.

One night I woke to a racket of crickets. Through the window screen I could see the shadow of the swing frame in the moonlit backyard. I could see the streetlamp across from the bakery down by the field and the three streetlamps rising with the road as it curved out of sight at the top of the hill. The night sky was the color of a dark blue marble I liked to hold up to a bulb in the table lamp. I dressed quickly, pulled out my carpet, and slowly, so as not to make scraping noises, pushed up the window and the screen. From the foot of the bed I lifted the rolled rug. It suddenly spilled open, like a dark liquid rushing from a bottle. The wood of the window pressed against my back as I bent my way through.

In the blue night I sailed over the backyard, passing high over the hedge and into the lot, where I saw the shadow of the carpet rippling over moonlit high grass. I turned back to the yard, swooped over the garage roof, and circled the house at the level of the upper windows, watching myself pass in the glittery black glass; and rising a little higher, into the dark and dream-blue air, I looked down to see that I was passing over Joey’s yard toward Ciccarelli’s lot, where older boys had rock fights in the choked paths twisting among high weeds and thornbushes; and as when, standing up to my waist in water, I suddenly bent my legs and felt the cold wetness covering my shoulders, so now I plunged into the dark blue night, crossing Ciccarelli’s lot, passing over a street, sailing over garage roofs, till rising higher I looked down on telephone wires glistening as if wet with moonlight, on moon-greened treetops stuffed with blackness, on the slanting rafters and open spaces of a half-built house crisscrossed with shadows; in the distance I could see a glassy stream going under a road; spots of light showed the shapes of far streets; and passing over a roof close by a chimney, I saw each brick so sharp and clear in the moonlight that I could make out small bumps and holes in the red and ocher surfaces; and sweeping upward with the wind in my hair I flew over moon-flooded rooftops striped with chimney shadows, until I saw below me the steeple of a white church, the top of the firehouse, the big red letters of the five-and-dime, the movie marquee sticking out like a drawer, the shop windows dark-shining in the light of streetlamps, the street with its sheen of red from the traffic light; then out over rows of rooftops on the far side of town, a black factory with lit-up windows and white smoke that glowed like light; a field stretching away; gleaming water; till I felt I’d strayed to the farthest edge of things; and turning back I flew high above the moonlit town, when suddenly I saw the hill with three streetlamps, the bakery, the swing frame, the chicken coop — and landing for a moment on the roof of the garage, sitting with my legs astride the peak, exultant, unafraid, I saw, high in the blue night sky, passing slowly across the white moon, another carpet with its rider.

With a feeling of exhilaration and weariness — a weariness like sadness — I rose slowly toward my window, and bending my way through, I plunged into sleep.

The next morning I woke sluggish and heavy-headed. Outside, Joey was waiting for me on his carpet. He wanted to race around the house. But I had no heart for carpets that day, stubbornly I swung on the old swing, threw a tennis ball onto the garage roof and caught it as it came rushing over the edge, squeezed through the hedge into the vacant lot where I’d once caught a frog in a jar. At night I lay remembering my journey in sharp detail — the moon-glistening telephone wires above their shadow-stripes, the clear bricks in the chimney — while through the window screen I heard the chik-chik-chik of crickets. I sat up in bed and shut the window and turned the metal lock on top.

I had heard tales of other voyages, out beyond the ends of the town, high up into the clouds. Joey knew a boy who’d gone up so high you couldn’t see him anymore, like a balloon that grows smaller and smaller and vanishes — as if suddenly — into blue regions beyond the reach of sight. There were towns up there, so they said; I didn’t know; white cloud-towns, with towers. Up there, in the blue beyond the blue, there were rivers you could go under the way you could walk under a bridge; birds with rainbow-colored tails; ice mountains and cities of snow; flattened shining masses of light like whirling disks; blue gardens; slow-moving creatures with leathery wings; towns inhabited by the dead. My father had taught me not to believe stories about Martians and spaceships, and these tales were like those stories: even as you refused to believe them, you saw them, as if the sheer effort of not believing them made them glow in your mind. Beside such stories, my forbidden night journey over the rooftops seemed tame as a stroll. I could feel dark desires ripening within me; stubbornly I returned to my old games, as carpets moved in backyards, forming bars of red and green across white shingles.

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