Steven Millhauser - We Others - New and Selected Stories

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We Others: New and Selected Stories: краткое содержание, описание и аннотация

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“Every reader knows of writers who are like secrets one wants to keep, and whose books one wants to tell the world about. Millhauser is mine.”
— David Rollow, From the Pulitzer Prize — winning author: the essential stories across three decades that showcase his indomitable imagination.
Steven Millhauser’s fiction has consistently, and to dazzling effect, dissolved the boundaries between reality and fantasy, waking life and dreams, the past and the future, darkness and light, love and lust. The stories gathered here unfurl in settings as disparate as nineteenth-century Vienna, a contemporary Connecticut town, the corridors of a monstrous museum, and Thomas Edison’s laboratory, and they are inhabited by a wide-ranging cast of characters, including a knife thrower and teenage boys, ghosts and a cartoon cat and mouse. But all of the stories are united in their unfailing power to surprise and enchant. From the earliest to the stunning, previously unpublished novella-length title story — in which a man who is dead, but not quite gone, reaches out to two lonely women — Millhauser in this magnificent collection carves out ever more deeply his wondrous place in the American literary canon.

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I brought my cup of harsh-tasting, stale coffee into the dining room and drank it at the table while I listened to the sounds of Albert’s shovel striking the soil. It was peaceful in the darkish room, at the round brown table. A thin slant of sun glittered in the open kitchen. The sun-slant mingled with the whistle of a bird, leaves in the window, the brown dusk, the sound of the shovel striking loam, turning it over. It occurred to me that I could simply pack my things now, and glide away without the awkwardness of a leave-taking.

I finished the dismal coffee and carried the cup into the kitchen, where the inner back door stood slightly open. There I paused, holding the empty cup in my hand. Obeying a sudden impulse, I opened the door a little more and slipped between it and the wooden screen door.

Through the buckled screen I could see Albert some ten feet away. His sleeves were rolled up and his foot was pressing down on the blade of the shovel. He was digging up grassy dirt at the edge of the garden, turning it over, breaking up the soil, tossing away clumps of grass roots. Nearby sat Alice, watching him. From time to time, as he moved along the edge of the garden, he would look over at her. Their looks seemed to catch for a moment, before he returned to his garden. Standing in the warm shade of the half-open door, looking through the rippling screen at the garden quivering with sunlight, I sensed a mysterious rhythm trembling between Albert and his wife, a kind of lightness or buoyancy, a quivering sunlit harmony. It was as if both of them had shed their skins and were mingling in air, or dissolving into light — and as I felt that airy mingling, that tender dissolution, as I sensed that hidden harmony, clear as the ringing of a distant bell, it came over me that what I lacked, in my life, was exactly that harmony. It was as if I were composed of some hard substance that could never dissolve in anything, whereas Albert had discovered the secret of air. But my throat was beginning to hurt, the bright light burned my eyes, and setting down my cup on the counter, which sounded like the blow of a hammer, I pushed open the door and went out.

Albert turned around in the sun. “Sleep well?” he said, running the back of his hand slowly across his dripping forehead.

“Well enough. But you know, I’ve got to be getting back. A million things to do! You know how it is.”

“Sure,” Albert said. He rested both hands on the top of the long shovel handle and placed his chin on his hands. “I know how it is.” His tone struck me as brilliantly poised between understanding and mockery.

He brought my bag down from my room and loaded it in the car. Alice had hopped through the dining room and living room and had come to rest in the deep shade of the front porch. It struck me that she kept carefully out of sight of the road. Albert bent over the driver’s window and crossed his arms on the door. “If you’re ever up this way,” he said, but who would ever be up that way, “drop in.” “I’ll do that,” I said. Albert stood up and stretched out an elbow, rubbed his shoulder. “Take care,” he said, and gave a little wave and stepped away.

As I backed up the dirt driveway and began edging onto County Road 39, I had the sense that the house was withdrawing into its trees and shadows, fading into its island of shade. Albert had already vanished. From the road I could see only a stand of high trees clustered about a dark house. A few moments later, at the bend of the road, I glanced back again. I must have waited a second too long, because the road was already dipping, the house had sunk out of sight, and in the bright sunshine I saw only a scattering of roadside trees, a cloudless sky, fields of Queen Anne’s lace stretching away.

Flying Carpets

In the long summers of my childhood, games flared up suddenly, burned to a brightness, and vanished forever. The summers were so long that they gradually grew longer than the whole year, they stretched out slowly beyond the edges of our lives, but at every moment of their vastness they were drawing to an end, for that’s what summers mostly did: they taunted us with endings, marched always into the long shadow thrown backward by the end of vacation. And because our summers were always ending, and because they lasted forever, we grew impatient with our games, we sought new and more intense ones; and as the crickets of August grew louder, and a single red leaf appeared on branches green with summer, we threw ourselves as if desperately into new adventures, while the long days, never changing, grew heavy with boredom and longing.

I first saw the carpets in the backyards of other neighborhoods. Glimpses of them came to me from behind garages, flickers of color at the corners of two-family houses where clotheslines on pulleys stretched from upper porches to high gray poles, and old Italian men in straw hats stood hoeing between rows of tomatoes and waist-high corn. I saw one once at the far end of a narrow strip of grass between two stucco houses, skimming lightly over the ground at the level of the garbage cans. Although I took note of them, they were of no more interest to me than games of jump rope I idly watched on the school playground, or dangerous games with jackknives I saw the older boys playing at the back of the candy store. One morning I noticed one in a backyard in my neighborhood; four boys stood tensely watching. I was not surprised a few days later when my father came home from work with a long package under his arm, wrapped in heavy brown paper, tied with straw-colored twine from which little prickly hairs stuck up.

The colors were duller than I had expected, less magical — only maroon and green: dark green curlings and loopings against a maroon that was nearly brown. At each end the fringes were thickish rough strings. I had imagined crimson, emerald, the orange of exotic birds. The underside of the carpet was covered with a coarse, scratchy material like burlap; in one corner I noticed a small black mark, circled in red, shaped like a capital H with a slanting middle line. In the backyard I practiced cautiously, close to the ground, following the blurred blue directions printed on a piece of paper so thin I could see my fingertips touching the other side. It was all a matter of artfully shifted weight: seated cross-legged just behind the center of the carpet, you leaned forward slightly to send the carpet forward, left to make it turn left; right, right. The carpet rose when you lifted both sides with fingers cupped beneath, lowered when you pushed lightly down. It slowed to a stop when the bottom felt the pressure of a surface.

At night I kept it rolled up in the narrow space at the foot of my bed, alongside old puzzle boxes at the bottom of my bookcase.

For days I was content to practice gliding back and forth about the yard, passing under the branches of the crab-apple trees, squeezing between the swing and ladder of the yellow swing set, flying into the bottoms of sheets on the clothesline, drifting above the row of zinnias at the edge of the garden to skim along the carrots and radishes and four rows of corn, passing back and forth over the wooden floor of the old chicken coop that was nothing but a roof and posts at the back of the garage, while my mother watched anxiously from the kitchen window. I was no more tempted to rise into the sky than I was tempted to plunge downhill on my bike with my arms crossed over my chest. Sometimes I liked to watch the shadow of my carpet moving on the ground, a little below me and to one side; and now and then, in a nearby yard, I would see an older boy rise on his carpet above a kitchen window, or pass over the sunlit shingles of a garage roof.

Sometimes my friend Joey came skimming over his low picket fence into my yard. Then I followed him around and around the crab-apple trees and through the open chicken coop. He went faster than I did, leaning far forward, tipping sharply left or right. He even swooped over my head, so that for a moment a shadow passed over me. One day he landed on the flat tar-papered roof of the chicken coop, where I soon joined him. Standing with my hands on my hips, the sun burning down on my face, I could see over the tall backyard hedge into the weed-grown lot where in past summers I had hunted for frogs and garden snakes. Beyond the lot I saw houses and telephone wires rising on the hill beside the curving sun-sparkling road; and here and there, in backyards hung with clotheslines, against the white-shingled backs of houses, over porch rails and sloping cellar doors and the water arcs of lawn sprinklers shot through with faint rainbows, I could see the children on their red and green and blue carpets, riding through the sunny air.

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