Ned Beauman - Glow

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Glow: краткое содержание, описание и аннотация

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With GLOW, Ned Beauman has reinvented the international conspiracy thriller for a new generation.
A hostage exchange outside a police station in Pakistan.
A botched defection in an airport hotel in New Jersey.
A test of loyalty at an abandoned resort in the Burmese jungle.
A boy and a girl locking eyes at a rave in a South London laundrette. .
For the first time, Britain's most exciting young novelist turns his attention to the present day, as a conspiracy with global repercussions converges on one small flat above a dentist's office in Camberwell.

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Raf clears his throat. ‘Sorry.’

Cherish is breathing fast and there’s a flame in her eyes as if she’s just metabolised about a double shot of rocket fuel. A single hair from her head has found its way down into the corner of her mouth. She bites her lip and looks away, weighing something up — and then at last she looks back at him, smiles, and reaches down to peel off her T-shirt. For the second time his fingers find the catch of her plain black bra, and as she shrugs off the straps he kisses her from her neck down to her nipples. ‘Do you have a bed?’ she murmurs.

‘Yeah.’ He gets up and takes her by the hand, seeing that across her upper back she has a tattoo of three songbirds: red, orange, and yellow, with black heads. Their mugs of tea are only about a quarter drunk, and he realises they can’t have exchanged more than a few hundred words in total; but in a club that would never trouble him, it’s only the damp daylight that’s making it strange. Isaac once went home with a girl he met on a bus on a Sunday afternoon, although admittedly they were both still out from the night before.

When they get to his bedroom Cherish stops dead, and at first he’s worried that it’s too messy or something. ‘Whoa, listen,’ she says. ‘I’m not that into. .’

Raf doesn’t understand. ‘What?’

She is looking down at his eyemask and earmuffs. ‘Isn’t that, like, S&M stuff?’

He laughs. ‘No. That’s to help me sleep. I have a disorder.’

‘And what’s that thing on the pillow?’

‘That’s for white noise.’

‘Oh! I thought maybe it was for electric shocks.’

3.50 p.m.

When Cherish climbed off Raf for the second time, he just knotted the condom and left it on the floor by the bed, which was a serious error. They’re still lying there side by side when Rose scurries into the bedroom, and before Raf can stop her she has found the condom, gulped it down with an actual audible gulp, and escaped triumphantly into the hall.

‘Oh my god, that is so fucking gross!’ says Cherish.

‘She loves used condoms. A lot of dogs do. I don’t know why.’

‘And you let her eat them? Like, as a treat?’

‘No!’ Normally he remembers to put them out of her reach.

‘Is she going to be OK?’

‘It’ll go through her in about a day.’

‘That is really fucking gross.’

‘Yeah.’ His penis feels, pleasantly, like a railway bridge that’s been struck by a vehicle. He shifts his head on the pillow so that his eyes are only an inch from her bare shoulder, almost too close to focus, and in that position he could swear there’s a phosphorescence in her skin, as if he could shut the blackout curtains and still see the shape of her. And he knows that this is probably a combination of at least three things: first of all, the light from the bedroom window skipping off her sweat; second, the persuasive impression of what she told him an hour ago about the auras you see when you swallow the right drugs; and third, the joy he now feels, as dim as this illusory light he’s trying to explain, but still real joy, like he hasn’t felt since his girlfriend left.

Then he remembers an article he once read about an experiment they did in Japan, where volunteers sat for three hours in a dark room, motionless and naked and very clean, as if for some purgative temple rite, and they were photographed by a camera chilled to 120 degrees below zero. Over the course of that long, long exposure, enough light trickled from the chemical reactions in their cells to make a portrait. In other words, humans really do glow, although a million times less brightly than even a baby firefly. And the researchers found that the glow has a diurnal cycle, like the sky. If you could make a film with that camera and speed it up and boost the contrast, humans would strobe. (Raf, of course, would strobe at a different rate.) He also knows that sex, like drugs, dilates your pupils. Could your pupils ever gape so wide that a naked body would disclose its light to your naked eye? Maybe if the sex was good enough.

‘Do you have any vodka?’ says Cherish.

‘Yeah, in the kitchen. Why?’

In a typical instance, when Raf lies back to watch a girl climb out of his rumpled bed and pad across the room, it’s with such unconcealed pride that you might have thought he’d assembled her himself, but this time he’s still too surprised by the whole episode to feel like that. He hears the toilet flush. After a minute Cherish comes back with his half-empty bottle of supermarket vodka, sits down on the bed, and takes a swig. ‘Bleh!’ She wipes her mouth and looks down at him. ‘Don’t worry, I’m not getting the shakes or anything. It’s for the oxytocin.’

‘What do you mean?’

‘I came a couple of times, so my brain’s all full of oxytocin — plus you wouldn’t leave my nipples alone, which was, you know, nice, but that means even more oxytocin — and that’ll make me want to pair-bond with you and then, like, cry when you don’t call. But alcohol messes with hormone release from the hypothalamus and the pituitary. So if I drink something neurotoxic right after we fuck, I don’t bond with you so much. It’s folk medicine, I guess, but I kind of trust it.’

‘Why don’t you want to bond with me?’ says Raf; not forlorn, just curious.

She puts a hand on his lopsided butterfly of chest hair. ‘I’m not saying I don’t like you. But I don’t want to like you any more than I would if you hadn’t squeezed some hormones out of me with your dick. Nothing personal. It’s policy.’

‘Should I drink some?’

‘You’re a man, so you mostly just get dopamine and some prolactin, not oxytocin. Unless you’re a real pussy, I guess.’

It’s oxytocin, Raf recalls, that makes your pupils dilate when you’re aroused, and that helps MDMA work as a truth drug. Isaac once ordered three bottles of a product called Liquid Trust, which described itself on the website as ‘The world’s first and only product to attract women by getting them to trust you’. It was just synthetic oxytocin diluted in alcohol, and you were supposed to spray it on your clothes every morning like a cologne and keep it in the fridge between uses. Isaac was going to use it in a club, a subliminal broadcast on a secret frequency. But then Raf pointed out that unless you were wearing a gas mask you’d inhale the majority of the Liquid Trust yourself, which would be like trying to date-rape someone by putting one temazepam in their drink and five in your own. So instead, Isaac sprayed some up his own nose and then spent an hour on YouTube watching conspiracy videos about the July 7th bombings to see if the oxytocin would make him more gullible, but the results were inconclusive.

The two of them have been running their continuous amateur neurochemistry seminar ever since Raf first got diagnosed with his syndrome and Isaac first took amphetamines (which happened around the same time) but it’s still odd to hear words like ‘hypothalamus’ and ‘pituitary’ in conversation with a stranger. And odd, too, that she seems determined to treat her own amygdala like some lawless vertex of the Golden Triangle, purging her oxytocin with alcohol like a drug agent spraying a poppy field with glyphosate, although maybe that means she’s just more advanced than Isaac or Raf. His own internal serotonin labs are up and running right now after six long weeks of downtime and he really hopes they don’t get busted again. ‘How long have you been into. . brain stuff?’ he says.

‘There were girls at my high school in LA who’d been taking Zoloft since they were three years old and they didn’t even know how it worked. If you don’t educate yourself about this shit you’re an idiot.’ She scratches her knee. ‘Do you have anything we can eat?’

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