Robert Coover - The Brunist Day of Wrath

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West Condon, small-town USA, five years later: the Brunists are back, loonies and "cretins" aplenty in tow, wanting it all — sainthood and salvation, vanity and vacuity, God’s fury and a good laugh — for the end is at hand.
The Brunist Day of Wrath, the long-awaited sequel to the award-winning The Origin of the Brunists, is both a scathing indictment of fundamentalism and a careful examination of a world where religion competes with money, common sense, despair, and reason.
Robert Coover has published fourteen novels, three books of short fiction, and a collection of plays since The Origin of the Brunists received the William Faulkner Foundation First Novel Award in 1966. His short fiction has appeared in The New Yorker, Harper’s, and Playboy, amongst many other publications. A long-time professor at Brown University, he makes his home Providence, Rhode Island.

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Harriet McCardle is watching all this from the large food tent at the top of the hill. It is all quite remarkable, just as this entire week has been, and she wishes she could remember more of it, her very salvation may depend on it, but memory is no longer her long suit as it was in her championship bridge-playing days. It is why she is taking these photographs with her little box camera that one of her husbands gave her as a birthday present long ago, something to help her bring it all back when she’s far away from here, provided she can remember to take the film in for development, which she often forgets until it’s too late, the pictures then becoming mere teasing glimpses of a lost piece of her life, a mystery to go along with all the other mysteries. All of which, this problem of memory, has caused her to wonder about sin and redemption and the efficacy of grace. When they talk about washing away one’s sins, she doesn’t think this is what is meant. The scene down below, while dramatic, is quite confusing and she will have to ask Reverend Hiram Clegg to explain it to her later. He is down there with Clara Collins and her husband Ben, whose name is not Collins, and some other fellows, including a short reddish-haired man who shakes his fist a lot and seems to be arguing with them all, or perhaps they are just praying together, which these people often do in a quite vigorous and sometimes alarming manner. The hillside is filling up and the flat land down below by the road as well. Some of the new people seem to be members of this faith and are coming on up the hill, including one fellow in a wheelchair. He and the woman pushing him are met halfway up by several women who all seem to know each other and some men who help with the chair. She takes a photo. One of the women, the biggest one, is said to read the future with playing cards, just as Harriet McCardle once created the future with them in a more practical way. She has forgotten vast portions of her life, but she can still remember finessing a particular queen (it was a spade, held by a retired medical doctor sitting to her right who specialized in the inner organs and wore a toupee the color of a golden retriever) in a tournament she and her husband won, and, oh, many other such card-by-card details as well, including a hand she once was dealt which was nothing but diamonds, though she may only have fantasized holding such a hand, and then the fantasy became like a memory, something that further erodes her understanding of sin and redemption; she is convinced many of her remembered sins were about as real as that automatic grand slam hand, for as a young woman, she had a very lively imagination. So maybe that’s what’s being forgiven: her sinful imagination. Mrs. Collins’ daughter Eileen, or Elaine, is also keen on whatever’s happening at the bottom of the hill, watching it from behind Harriet’s shoulder; whenever Harriet has tried to push her chair out of the way, she has moved with her as if afraid to face whatever’s going on, wringing her hands and shrinking into shadows. Poor child. Perhaps Mrs. Collins and her husband have been too hard on her, though it seems unlikely for she and her mother are as close as any mother and daughter she ever saw. The mine tragedy happened just under their feet, and the girl might be afraid the hill will blow up again or just fall in on itself. Well, if that does happen, it probably won’t happen today, more likely tomorrow, which is the anniversary of the End of the World, a concept that seems strangely paradoxical to Harriet, but one she will just have to accept, for religious faith is like that. Religion is something, thanks to her last two husbands, Harriet McCardle has come to quite late, at least in a serious way, and she is still, though years have probably passed, getting used to it. The sweet blond boy she first met in the vegetable garden seems quite agitated and his worried mother is trying to draw him back into the tent where she has been serving coffee and doughnuts. In his tunic, he looks just like an angel. She remembers to take his picture. The very nice Glover girl and the handsome man she sings with step out into the sunshine from the tent behind her to watch the proceedings below, the girl saying something about the ditch and how she can hear somebody down there talking to her. Harriet McCardle remembers the girl’s name because she once had a six-grade geography teacher with that name. Why she remembers the six-grade geography teacher’s name, however, she has no idea. The two of them perform religious songs for their group every evening at the Blue Moon Motel, using the bar area which has been closed down for their stay at Hiram Clegg’s insistence, demanding peace and quiet for his religious community, and also no scandalous artwork on the walls or anything objectionable on the room TVs — something he could do since they are renting the whole motel. It was he who organized the singing, proud, he said, to be turning “a den of sin” into “a house of worship.” He has been their Good Shepherd. And, oh, so successful. When he talks, you just have to believe him. Now, there are people who want him to run for political office and they have asked her for money for this and she will give it. Reverend Clegg has built their own little church into one of the largest in the city, the two busloads she traveled with being only a small portion of the congregation, and many of those he has converted have gone on to found churches of their own in other cities. Thanks to Hiram Clegg, she may not have to die. Being translated is a much nicer idea. Harriet McCardle is quite fond of Reverend Clegg and rather regrets she wasn’t around when his wife died. Betty Clegg is such an uncultured person and not right for him at all. Harriet and Reverend Clegg have exchanged some thoughtful glances on this bus trip. Well, at their age, one never knows what might happen. Harriet McCardle has already been widowed three times and her fourth husband is not well. She remembers her first husband best of all and each one after less distinctly, though it was her second husband who was the bridge player. He was the one named McCardle, after which she stopped changing her name, as it got too confusing. As she imagines it will be when she gets to Heaven and they all try to sort things out. She hopes she doesn’t get stuck with the first one. She and Mr. McCardle retired to Florida, mostly just to play bridge, and then he died and she married another man from the retirement home who was a good dancer but didn’t last long. Best of all, she remembers her high school days when she was the toast of the town. She was less religious then, the end seemed impossibly far off, and she was a bit wild, she’d be the first to admit it, and has done from time to time in church during confession time. They used to sing “Swing Low, Sweet Harriet” about her, which was embarrassing, given that just about everyone knew what it meant, but she has no regrets. She loved those times and would have them back in a minute.

Climbing the Mount of Redemption, Young Abner Baxter has at last caught a glimpse of Elaine, standing behind an old lady sitting stiffly under a raised tent flap. He can’t see much of her but he knows it’s Elaine because the one eye he can see is staring right at him, and in a way that no one else ever would or could stare at him. He is momentarily stopped in his tracks by the intensity of that staring eye, and then, in a blink, it vanishes. Franny doesn’t know what he’s looking at, frozen there like that with his loose mouth gapping open, but she can guess. She has read some of Elaine Collins’ letters to him. What they’re up to is a bit odd, but then most people’s relationships with other people are odd. Just look at her mother and father. And it might be useful. When her father came home from out here that awful night, he had changed into a different person, humble, repentant, almost tearful — like a little boy, Franny thought at the time, shocked by him and by the thought. For months her father had been railing against Clara Collins, calling her a vain deceiver and a false prophet, and suddenly she was a perfect saint who had helped him to see the light. The Bruno house was a Romanist den of iniquity, and yet he’d just come from there, praying with all the others. He had raised a little army to march against those Bruno people and suddenly they were all marching together. The change scared her and made her think something awful was going to happen. And of course it did. Only the next day on the march here, carrying a dead body, did they come to understand that their father had struck the girl with his car and killed her. Franny knew it wasn’t right, but all she could think at the time was: Was that all? Her mother, despondent and heavy with a child she was about to lose, was also frightened half out of her wits, and sank into a depression she’s still in. And now, after all the bitter years on the road, here they are again. He speaks admiringly of Clara Collins as a woman of spirit and great vision, but those two do not see things the same way and never will and so they’re in trouble again. In one of the string of stupid high schools she was in during their travels, they read a play about two lovers from warring families called Romeo and Juliet, so maybe, she thinks, Junior and Elaine will do their own little Romeo and Juliet thing and somehow make them all loving in-laws. Franny smiles, thinking of Romeo and Juliet frantically switching each other while yelping out their love lines, lines the teacher made Franny recite in class just to make a fool out of her. Amanda sees her big sister smile and thinks she might be laughing at her in her tunic, which is too big and drags the ground. Later she will tell her father that Franny was laughing at them all and made her cry. Franny’s always scolding and belittling her and calling her a sniveler and daddy’s pet. Well, she is daddy’s pet, and that’s just too bad for Franny. Though she didn’t understand everything, she knows her father has just done something very good and brave and everyone loves him for it, and it makes her happier than ever to be back here, walking up the sunny hill beside him, holding her tunic hem up above her pretty bare ankles, with people taking her picture. Her brother Junior sometimes gets in the way and she’d like to give him a kick in his fattest part, but at least he’s never cruel to her like Nat and Paulie, who often hurt her or scare her and make her cry, calling her a fraidy-cat and a tattle and a dummy. Paulie sees none of this for his eye is on the mine entrance across the way. He can see Nat watching him and he wants to be with him and Houndawg and all the others. They call him Runt and he knows that that’s a compliment, just because they’ve given him his own special name no matter what it is. He’d rather be Runt than Paulie Baxter any day. He does a little hop and gives them a wave, hoping his brother waves back. Nat’s eye is indeed on the hill but focused on no one in particular, certainly not his kid brother. He is reading the lay of the land. Scouting the territory. Sorting the combatants. Who a lot of these people are he doesn’t know, but it’s easy to line them up. There are all those turkeys up on top belonging to old lady Collins and then there’s his old man and his naked white feet and his fist in the air down below. He’s a failure, but you wouldn’t know it. There’s the usual dumb swarm of gawkers and hecklers, some jerks with cameras. Disposables. A sheriff has turned up, so Nat has kept his distance. He has no papers on the bike, which he picked up on the run, and no license to ride it; he can’t risk getting asked. Cubano says he knows someone who can fix that, but he’s a long way from here. And finally there’s that burly guy who came with the sheriff who seems to have them all on a string. Nat recognizes him. Mine owner. Longtime enemy of his old man, like most rich guys. He sensed the way they stiffened up when they saw each other. So the enemy list is growing. Nat points his finger at various targets and makes popping noises with his tongue. Like the heroes in War of the Gods , he has holy work to do here, and pals to help him do it. Though they have joined up just by crossing paths, they’re close. They have signed blood oaths, which they call baptisms of blood (water and light are for pussies), tattooed their bodies with Bible phrases like “Terror of God” and “Destruction Cometh as a Whirlwind” and “My Name Is Dreadful,” and have run missions of assault and plunder against the godless, who are just about everybody, considering themselves agents of divine retribution. And redistribution. Above the skull just over his left armpit, Juice has added the Brunists’ mine-pick cross in a circle, signifying his commitment. The Warrior Apostles: Nat trusts them and they trust him. Totally. Otherwise, you’re dead, man. Littleface is standing beside him while the others explore the mine buildings. The doors all have padlocks on them, but they can come back some night when no one is around. Growing up, he thought he’d be working out here, down a stinking hole, the rest of his life, they all would, like their old man. Funny how, if you don’t watch out, your life gets made up for you without you knowing how it happened. Littleface has a head too big for his face. It’s just a black ball of thick snarled hair with a small patch of pale flesh like a baby face in the middle, narrow beady eyes that sometimes look like they’re crossed, a nose like a finger knuckle, a mouth barely big enough to work a spoon into. Almost no ears at all, just little buds. What’s left, he says, after getting them torn off by some badasses who were coming after his brother and got him instead. He looks like a cartoon. Which is how he got his name. From a villain in a Dick Tracy comicstrip. “Look out for Dirty Dick,” he likes to say, meaning the law. He wears an old army shirt with epaulettes under his leather vest and rides a bike no cleaner than he is, but one, rehabbed from a previous owner like Nat’s, that is always in prime condition and finely tuned, tinkered with daily. Houndawg’s best pupil. Everybody is everybody’s pal in this gang, it’s all even stevens, but Littleface is Nat’s closest friend, having joined up with him the same day he appropriated Midnight. He saw Littleface tearing out of a liquor store with bottles in his arms and a wad of money in his fist and jumping on a bike that wouldn’t start. Nat wheeled over, grabbed some of the stuff so Littleface could hop on behind him, and they roared off into the nearby hills where his family was camping out and they holed up there for a while. They hit it off right away. It was like they’d known each other all their lives, and Littleface said maybe they had met before in another life. “We don’t die,” he explained to Nat, “we just go into another body.” Nat said that he’d seen something like that in a comicbook, but that he held more to the idea that when people died they lost their bodies but otherwise stayed the same, and that way they could sometimes come back to earth like in Eternal Forces Comix when Legions of the Holy Dead join the living in the battle against Evil. “I know that’s how it’s supposed to be,” Littleface said, “but I can remember some of my past lives. Maybe it’s, you know, like a bit of both. Like maybe some people aren’t bad enough for hell or good enough for Heaven, but have to come back and try again in a different body.” That made sense to Nat and he began thinking about other lives he might have led. They found another bike for Littleface and they’ve traveled together ever since, picking up Houndawg, Juice, and Cubano along the way. Houndawg is older and has taught them a lot; Cubano calls him El Profesor. Nat and Littleface call him B.O. Plenty, the name of another Dick Tracy villain, but not to his face. Juice is the wild one, a believer who joined up with them after turning up at one of Nat’s father’s tent meetings and recognizing Littleface from their days as strikers with a biker gang called the Crusadeers. “Weird!” Juice said, punching Face’s shoulder when he saw him, and Face nodded and said: “Some things are meant to be.” “Dirty Dick’s cleared out,” he says now. “Do we go back over there?” Nat shakes his head. Something is going to happen, but not right now.

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