“You know the kind of guy I’m talking about?” she said.
“I think I do,” I said.
Somebody knocked on the door and declared that a party had gotten under way on the roof. So up we went. There was quite a gathering. People were setting up tables and chairs and candles and getting ready for the spectacle of nightfall. A man smoking a joint predicted that the city would go to hell. “I think you’re completely underestimating the situation,” he told me, even though I hadn’t voiced an estimate of any kind. “Basically we’re going back to a time before artificial light. Every nut out there is going to be acting under cover of darkness. You know what cover of darkness means? Do you have any idea at all?” This fellow, who had long gray hair but otherwise looked, I swear, exactly like the sexagenarian Frank Sinatra, had read a book about the history of artificial illumination and told me that throughout human time light had been associated with optimism and progress, and with good reason. Nightfall, in the days before street lighting, marked the emergence of an untoward alternative world, a world of horrors and delights whose existence revealed all too troublingly the correspondence between luminance and codes of human behavior, a world whose occupants, removed from the scrutiny afforded by lamps and fires, engaged in conduct the moral dimension of which was as imperceptible as they themselves were. Such, he said, would be the effect of the power outage. “It’s going to be a mess,” he predicted. “Turn off the lights, people turn into wolves.”
He was a plausible guy, as far as rooftop buttonholers go. But in fact, as everybody knows, the blackout gave rise to an outbreak of civic responsibility. From the Bronx to Staten Island, citizens appointed themselves traffic cops, gave rides to strangers, housed and fed the stranded. It also transpired that the upheaval provoked a huge number of romantic encounters, a collective surge of passion not seen, I read somewhere, since the “we’re-all-going-to-die sex” in which, apparently, everybody had indulged in the second half of September two years previously — an analysis I found a little hard to accept, since it was my understanding that all sex, indeed all human activity, fell into this category. What was certainly true was that, once the sun had sunk and the strawberry clouds blazing over the bay had disappeared, a terrific dark came upon New York. The physical elements of the city, unlit save for a very few office blocks, acted as intensifiers of the night, raising and spreading an extreme, corporeal obscurity that was only minimally disturbed by the roaming, ever less numerous automobiles. There were just a few glimmerings in the low hills of New Jersey. The sky itself looked like an imperfectly electrified settlement.
The roof party grew more and more raucous as the entire population of the building, it seemed, rose upward to laugh in the warm night. Jennifer the auctioneer’s boyfriend finally turned up, as did, with midnight approaching, the angel, his mother in tow — literally so, for she clung to a strap that formed part of her son’s outfit. He seemed in very good spirits and wore his black wings in honor, he said, of this special occasion. We exchanged a few words before I lost sight of him. There was more drink and talk. Someone croakily sang a song. Someone else explained that the boundary between the moon’s bright and dark portions was called the terminator. A hand grabbed my arm.
It was the angel’s mother, in a state of hysteria. Gasping, she dragged me to the south perimeter of the roof, which was bordered by a ledge only four feet high. She was screaming and sobbing now. A crowd had gathered at the parapet, on which a few candles flickered. “The angel jumped,” somebody said. I held the angel’s mother in my arms and looked down into a zone where, in daylight, one might have seen the gardens of the houses on Twenty-second Street. Now there was nothing to be seen. The angel’s mother had caught her breath and was screaming. I shouted out, “Did anybody see him?” and a futile buzz went around. I instructed the angel’s mother to follow me, but she couldn’t walk, so I picked her up and piggybacked her indoors. She moaned and weakly punched my shoulders as I steadily marched down the candlelit marble staircase, our merged shadow abhorrently stretching and shrinking on the walls. In the lobby I asked, “Did anybody see the angel leave?” and Guillermo at the front desk shook his head. Mrs. Taspinar dropped to her feet and ran out screaming, Mehmet, Mehmet, and I hurriedly followed, catching up with her in front of El Quijote restaurant. She kept screaming, Mehmet, Mehmet. At exactly this moment I heard hooves. I turned toward two stamping horses. Lights came nearer and from their sources emanated a pair of cops who slowly dismounted and began asking questions, and then we heard a voice crying out, and Mrs. Taspinar stopped screaming, and the voice called out again, and she and the flashlights went in the direction of the voice, and there, in the play of the flashlights, was the angel, waving over the crenellated gable of the synagogue that adjoined the hotel. The cops looked up. One of them yelled, “Get down, sir! Get down right now!” The angel retreated, obediently it seemed, and his mother collapsed again, as behind me the horses strained and twitched in a condition of near-matterlessness. I went back into the hotel and Guillermo told me how to get onto the roof of the synagogue. I took his flashlight and ran up several floors and made my way onto the fire escape. Below was the blackbird body, in the cleft between the hotel and the steeply pitching roof of the temple.
“Your mother’s looking for you,” I said.
A cigarette ember brightened his mouth. “You should come down,” he said. He was lying on his back. “It’s very comfortable.”
I lowered a leg and very slowly transferred my body onto the synagogue roof. Taking care to leave a good distance between me and the angel, I lay down on the warm, sloping tiles with my arms and legs spread out in an X.
“Uh, Hans,” the angel said.
“What?” I said.
“Could you turn off that light?”
I pressed the flashlight’s rubber button. I was looking upward. Everything blacked out except stars and a memory of stars.
I was twelve. I was on a summer holiday with my mother and old friends of hers — Floris and Denise Wassenaar, a married couple. We traveled along the south coast of Italy. We drove from place to place, stayed in cheap hotels, and took in sights, an itinerary banged together, from my youthful perspective, with a heavy hammer of boredom. Then, over dinner one night, Floris announced he’d organized a spearfishing expedition. “Just for the men,” he said, ganging up with me. “The women will stay on land, where it’s safe.”
We went out on a wooden motorboat — Floris and I and a local man with dense white body hair. The two men were armed with full-sized spearguns. I was given a smaller speargun requiring only boyish strength to pull back the rubber catapult that fired the spear. For hours the boat bumbled parallel to the shore. We passed two or three headlands and came to a stretch of the coast that was mountainous and truly wild, with no roads for many miles inland. We moored in the beryl of a small bay. There was a beach with white pebbles. A pine forest grew right down to the beach. This was where we would fish and spend the night.
I had never snorkeled before. It was astounding to discover how a simple glass mask made clear and magnified a blue-green water world and its frightening inhabitants: when a ray glided toward me, I scrambled ashore, flippers and all. Snorkeling was hard. Gianni, the Italian, and pale and enormous Floris seemed to be able to hold their breath forever — you needed to, to find the big fish; the big fish lurked in shadows beneath rocks and had to be staked out — but with my small lungs I could only dive for a short while, and shallowly. It hurt my ears to go down deep. As the day wore on, however, a predatory boldness overtook me. A whippersnapper Neptune, I lorded it over the grassy, glistening inlet, sending my matte iron thunderbolt through startled groups of small silver and brown fishes. I grew fierce and began to hunt with intent. Stalking one particular fish, I followed the rocks out of the little bay. The fish twisted into a crevice, and I dived down after it. Then I became aware that the water had become cold and dark.
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