David Markson - Reader's Block

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In this spellbinding, utterly unconventional fiction, an aging author who is identified only as Reader contemplates the writing of a novel. As he does, other matters insistently crowd his mind — literary and cultural anecdotes, endless quotations attributed and not, scholarly curiosities — the residue of a lifetime's reading which is apparently all he has to show for his decades on earth. Out of these unlikely yet incontestably fascinating materials — including innumerable details about the madness and calamity in many artists' and writers' lives, the eternal critical affronts, the startling bigotry, the countless suicides — David Markson has created a novel of extraordinary intellectual suggestiveness. But while shoring up Reader's ruins with such fragments, Markson has also managed to electrify his novel with an almost unbearable emotional impact. Where Reader ultimately leads us is shattering.

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No survivor could recall having ever seen a single bird flying near any of the Nazi death camps.

Arbeit macht frei.

Mozart, the Ave, verum corpus.

A street in Paris, the late 1890s:

Madame Melba, you don’t know who I am? I’m Oscar Wilde, and I’m going to do a terrible thing. I’m going to ask you for money.

Dostoievsky was an anti-Semite.

Who does walk the winter beach at water’s edge in the distance far ahead of Protagonist?

Emma Bovary.

Anna Karenina.

Othello.

Jocasta.

Brünnhilde.

Hedda Gabler.

Romeo and Juliet.

Werther.

Dido.

Cio-Cio-San.

Antigone and Haemon.

Miss Julie.

Axel Heyst.

Quentin Compson.

Aïda.

Inspector Javert.

Mynheer Peeperkorn. Leo Naphta.

Smerdyakov.

Rudolf Virag.

Edna Pontellier.

Hero.

Manrico’s Leonora.

Cheri.

Goneril.

Richard Cory.

McWatt.

Tosca.

Stavrogin. Kirillov.

Martin Eden.

Hurstwood.

Pyramus and Thisbe.

Roithamer.

Pierre Glendinning.

Winnie Verloc.

George Wilson.

Hedvig Ekdal.

Christine Mannon. Orin Mannon.

Willy Loman.

Senta.

Peter Kien.

Maggie Johnson.

Peter Grimes.

Bess, the landlord’s black-eyed daughter.

Svidrigailov.

James O. Incandenza.

Konstantin Treplev.

Bartleby.

Septimus Smith.

Deirdre.

Seymour Glass.

Ophelia.

Samson.

Eustacia Vye.

Phaedra.

Alcestis.

Launcelot.

Shakespeare’s daughters. His last surviving grandchild, Susanna’s daughter Elizabeth, would live until 1670.

But leaving no further descendants.

A daughter of Dante’s, called Antonia, went into a nunnery at his death.

And adopted the name Sister Beatrice.

Virtually every second book in every library in the world is irreparably deteriorating because of brittle paper and acid content.

Jesus? he murmured, Jesus — of Nazareth? I cannot call him to mind.

Protagonist’s children?

With Reader well aware that he has categorically not thought that through either.

As with how much monumentally else?

Nine hundred and sixty Jews committed suicide at Masada, in 73 A.D., rather than surrender to the Roman legions that had lately sacked Jerusalem.

Two small rough orange stones.

Ivan Ilych’s life had been most simple and most ordinary and therefore most terrible.

Time hath, my lord, a wallet at his back,

Wherein he puts alms for oblivion.

Virgil died at fifty. Shakespeare was fifty-two. Dante, fifty-six.

Petrarch, seventy, died at his desk. Having been reading.

Yis-ga-dal v’yis-ka-dash sh’may rab-bo.

At modest estimate, at least 40 percent of the entire population of Europe was annihilated during the four years of the Black Death.

His inevitable portage of cartons? Beside a stairway to no passage?

In accommodations at a derelict graveyard? Where nobody comes, where nobody calls?

Now are fields of corn where Troy once was.

Dead?

She?

I would give you some violets, but they withered all, when my father died.

Vanishing point.

Toward what final grievous contemplation amid the disarray?

The sun will run out of hydrogen and commence to die in approximately one billion, one hundred million years.

In the interim, what more for the elderly man in the house at the beach but to saunter out among the sandpipers and the gulls one afternoon, and stand for a time abstractedly in late autumn solitude, and then walk unremarkably into the sea?

In the interim, what more for the elderly man in the house at the cemetery but to pause at his accustomed window one afternoon, and gaze for a time abstractedly at the ranks of still white stone beyond, and then turn unremarkably to the gas?

And Reader? And Reader?

In the end one experiences only one’s self.

Said Nietzsche.

Nonlinear. Discontinuous. Collage-like. An assemblage.

Wastebasket.

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