Laird Hunt - The Impossibly

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The Impossibly: краткое содержание, описание и аннотация

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"The first time we met, it was about a stapler, I think."
Deadpan delivery and a sly eye for detail characterize the anonymous secret agent in Laird Hunt's tense, funny spy noir. When the nameless narrator botches an assignment for the clandestine organization that employs him, everyone in his life — including his new girlfriend — is revealed to be either true-blue, double operative, or both.
With the literary coyness of Paul Auster and the dark absurdity of Kafka, Hunt's debut is a daring, memory-driven narrative that is as fittingly spare as a bare ceiling light — and just as pendulous. On the surface, the narrator is a simple man, fixing his washer and dryer, strolling through city parks, falling in love at an office supply store. But in
the mundane gives way to outrageous misconduct, and with each unexpected visitor or cryptic note, the tension reaches tantalizing heights. As the narrator frugally doles out clues about his dangerous work in an unnamed European city, the reader inevitably becomes confidante and fellow gumshoe. The narrator's final assignment — to identify his own assassin — dismantles the reader's own analysis of the evidence.

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You are.

And where is my body?

It has been removed.

It suddenly occurred to me that I had been speaking aloud, that almost all of the preceding had, in fact, been said loudly enough for the individual with the orange hat and the cracked tooth to hear.

Did you hear me? I said.

Yes, he said.

So you can see I know very little.

Not as little as you should know — one should know very little about these matters, as little as possible.

About what matters?

He laughed. A judgment has been made.

What judgment?

You’ve been disaffirmed.

I’ve already been disaffirmed.

He lifted his gun and aimed it at me.

Yes, knowing very little is best in these matters, he said.

The gun, unless my eyes were deceiving me, probably they were deceiving me, was largely transparent and glowing slightly, and though I wasn’t entirely sure what a gun, or any weapon for that matter, could do to me, given my current condition, I did not feel well enough informed to make the correct decision. And in fact it was just as well that, right before he smiled and pulled the trigger, I allowed myself to fall backward through the wall, because the bullet, itself partially transparent, that issued from the gun and struck me in the neck instead of the heart, did considerable damage and hurt tremendously, as bullets, even beautiful ones, are wont to do.

Shot through the neck and falling backward then, I watched him smiling, his cracked tooth caught in some stray line of light and my friend’s head peeping in through the door, until the wall I had fallen through obscured them.

For a time then I fell — through the floor of the next room then through other floors then through the earth which glowed and seemed warm and then through a shaft and the edge of a platform and onto the rails of a subway line along which I skidded for a time then lay still. I don’t know how long I lay there, but many trains passed through me, causing me only a slight pain, nothing compared to the pain in my neck. It was likely this pain that held me immobile and caused me to focus my thoughts so effectively. I had often done some of my most interesting thinking when in pain and this has remained the case, even all these years later. It was just a moment ago, in fact, when they reset my leg, that several details (of the events I am now relating) both resurfaced and were seen in a fresh alignment that might have helped shed light on what had followed, if only, once the pain lessened, the alignment had not begun to seem less assured. I am still, however, in a position to relate several of these details, and will now do so.

I have killed someone.

Who?

There, on the ground.

Who is it?

My boss.

Which boss?

(No answer.)

Why?

Because of a stapler, because of a shovel and a dark woods, because she was about to have me killed, because …

I was in love once. Or perhaps twice — in a park, and then again on a couch.

The wind and scattered clouds and pigeons, soothing us.

But to return …

Yes?

To what you did.

They were waiting for me. Three of them in my apartment. My boss set me up. I escaped. Went down the back stairs into the alley. My boss was waiting there for them to finish.

So you killed her?

Yes.

With the shovel?

It was still in my hand. I’d been using it in the woods.

Using it for what?

To dig.

To dig what?

(No answer.)

And then they shot you?

A flesh wound, in the neck. Then when they found me again they broke my legs.

Such were the thoughts I had, more or less, as I lay there on the tracks and afterward, and that I have just had again, though of course they must be somewhat different. In fact, given my condition at the time and my condition now, not to mention the considerable interval, it would be irresponsible not to admit the possibility that these memories were inaccurate, i.e., that they did not substantially adhere to the real, or at least to some satisfactory approximation thereof. I learned quite early on (in the bedroom, in the fields) to content myself with approximations and have long taken comfort in them.

Taken comfort.

One comes to whisper that.

At any rate, to resume, it was the thought that I had been in love with someone, this perplexing and galvanizing premise, that caused me at last, as I remember it, the pain in my neck notwithstanding, to stir and, eventually, one or two more trains having passed through me, to stand.

Then I walked along the tracks, through dark tunnels lit occasionally by train lights and yellow soot-covered lanterns. Every few hundred yards the tunnels opened onto platforms where people, collapsed into chairs, slumped against walls, leaning on painted girders, waited in a kind of daze. They were strangely attractive to me these people waiting for trains below the earth, and once or twice as I walked I stopped and considered them. Mostly though I walked, and walked and walked, and stopped walking and rested with my cold feet in a puddle that held some special appeal for the rats. The rats, intent upon their puddle, which probably had a little oil or meat or rotten lettuce in it, paid me very little attention, although one or two of them attempted, in desultory fashion, and with no luck at all, to bite my ankles.

The city, I then discovered, was as intricately articulated below its surface as it was above, and it was not at all unpleasant to walk along, at best a pale blur, and think about love. Or about being in love. At first it troubled me greatly that I couldn’t recall any further details, and that, in fact, some of what I was sure I had just remembered, had already slipped my mind. But this feeling passed quickly enough.

I love you, I said, and the words both warmed and chilled me, as if they were some strange food or drug, or the last faint traces of a dream. I walked and walked and the words “hand in hand” accompanied me, as did the words “I love” so that after a time, when I began to rise up off the tracks, through the damp ceiling and back onto the dark streets, I was not surprised. Nor was I surprised when, still walking, still wrapped in similar thoughts, my mouth making the shape of similar words, I floated up the sides of several buildings and, once, a water tower, where, as the cold wind blew both through and around me, I could just make out the gray-blue light of the approaching dawn.

Green Metal Door (the lost chapter from the original Impossibly)

And as I went upon my way I was slightly glad that I had met him. A droll customer.

— FLANN O’BRIEN, The Third Policeman

THIS OCCURRED QUITE SOME TIME AGO LONG before the events I have set down - фото 9

THIS OCCURRED QUITE SOME TIME AGO, LONG before the events I have set down elsewhere, long before, at any rate, most of them. During that period I was working, principally, in a firm of transaction specialists. I say “principally” because, at the suggestion of a colleague, I had taken on some outside work as an investigator of sorts, setting up shop, as I did so, in an office on the fourth floor of a building on the far side of town. It was not, at the beginning, particularly nice, this office. It was unsettlingly run-down, with cracked paint and exposed pipes and stacks of newspapers and a huge green sofa with a large stain on one of its arms, and it looked out onto a courtyard into which, clearly, several decades of garbage had been dumped. Still, even though at the beginning it wasn’t nice, it did have a sort of anteroom where illustrations could be hung and clients could wait and where a secretary, this was the best part of all, could sit, and it had two of those terrific semitransparent plateglass doors. Once I was settled, I would stand, in fact, for considerable periods of time beside those doors — one leading out into the corridor, the other mediating between my office and the waiting room — considering, as a part of my self-imposed and, admittedly, desultory training, any number of deductive intricacies.

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