Yiyun Li - A Thousand Years of Good Prayers

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Brilliant and original,
introduces a remarkable new writer whose breathtaking stories are set in China and among Chinese Americans in the United States. In this rich, astonishing collection, Yiyun Li illuminates how mythology, politics, history, and culture intersect with personality to create fate. From the bustling heart of Beijing, to a fast-food restaurant in Chicago, to the barren expanse of Inner Mongolia,
reveals worlds both foreign and familiar, with heartbreaking honesty and in beautiful prose.
“Immortality,” winner of The Paris Review’s Plimpton Prize for new writers, tells the story of a young man who bears a striking resemblance to a dictator and so finds a calling to immortality. In “The Princess of Nebraska,” a man and a woman who were both in love with a young actor in China meet again in America and try to reconcile the lost love with their new lives.
“After a Life” illuminates the vagaries of marriage, parenthood, and gender, unfolding the story of a couple who keep a daughter hidden from the world. And in “A Thousand Years of Good Prayers,” in which a man visits America for the first time to see his recently divorced daughter, only to discover that all is not as it seems, Li boldly explores the effects of communism on language, faith, and an entire people, underlining transformation in its many meanings and incarnations.
These and other daring stories form a mesmerizing tapestry of revelatory fiction by an unforgettable writer.

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It is a difficult time for the young man. Upon seeing his face, some of us break into uncontrollable wails, and he himself has to spend hours crying with us. It must have tired him. For a year he stays in his own room, and the next time we see him, walking toward the town center with a small suitcase, he looks much older than his age of twenty-eight.

“Is there anything wrong?” we greet him with concern. “Don’t let too much grief drag you down.”

“Thank you, but I am in a fine state,” the young man replies.

“Are you leaving for somewhere?”

“Yes, I am leaving.”

“Where to?” We feel a pang of panic. Losing him at this time seems as unbearable as losing the dictator one year ago.

“It’s a political assignment,” the young man says with a mysterious smile. “Classified.”

Only after he is driven away in a well-curtained luxury car (the only car most of us have ever seen in our lives) do we catch the news that he is going to the capital for an audition as the dictator’s impersonator. It takes us days of discussion among ourselves to figure out what words like “audition” and “impersonator” mean. In the end the only agreement we come to is that he is going to become a great man.

Now that he has disappeared from our sights, his mother becomes the only source for stories of him. A proud mother as she is, every time we inquire of her regarding his whereabouts, she repeats the story of how she gazed at the late dictator’s face day and night when her son was growing inside her. “You know, it’s like he is the son of our great leader,” she says.

“Yes, all of us are sons of our great leader,” we nod and say. “But surely he is the best son.”

The mother sighs with great satisfaction. She remembers how in the first few years after her son was born, women of her age produced baby after baby, putting framed certificates of mother heroes on their walls and walking past her with their eyes turning to the sky. Let time prove who is the real hero, she would think and smile to herself.

Then she tells us about her son, every bit of information opening a new door to the world. He rode in the first-class car in a train to the capital, where he and other candidates have settled down in a luxury hotel, and are taken to the dictator’s memorial museum every day, studying for the competition.

“Are there other candidates?” we gasp, shocked that she may not be the only woman to have studied the dictator’s face during pregnancy.

“I am sure he is the one they want,” the mother says. “He says he has total confidence, when he looks at the leader’s face, that he is going to be the chosen one.”

In the years to come, some among us will have the chance to go to the capital and wait in a long line for hours to take a look at the dictator’s face. After his death, a memorial museum was built in the center of our nation’s capital, and the dictator’s body is kept there in a crystal coffin. Let our great leader live for ten thousand years in the hearts of a hundred generations is what the designer has carved into the entrance of the museum. Inside the entrance we will pay a substantial fee for a white paper flower to be placed at the foot of the crystal coffin, among a sea of white flowers. For a brief moment, some of us will wonder whether the flowers are collected from the base and resold the next day, but instantly we will feel ashamed of ourselves for thinking such impure thoughts in the most sacred place in the world. With the flowers in hand we will walk into the heart of the memorial, in a single hushed file, and we will see the dictator, lying in the transparent coffin, covered by a huge red flag decorated with golden stars, his eyes closed as if in sleep, his mouth in a smile. We will be so impressed with this great man’s body that we will ignore the unnatural red color in his cheeks, and his swollen neck as thick as his head.

Our young man must have walked the same route and looked at his face with the same reverence. What else has passed through his heart that does not occur to us? we will wonder.

He must have felt closer to the great man than any one of us. He has the right to feel so, chosen among tens of candidates as the dictator’s impersonator. How he beat his rivals his mother never tells us in detail, just saying that he was born for the role. Only much later do we hear the story: our young man and the other candidates spend days in training, and those who are too short or too weak-built for the dictator’s stature (even they, too, have the dictator’s face) are eliminated in the first round, followed by those who cannot master the dictator’s accent. Then there are the candidates who have everything except a clean personal history, like those born to the landlord class. Thanks to the Revolution Committee in our town, which has concealed the history of our young man being the son of an executed counterrevolutionary, he makes it into the final round with three other men. On the final day, when asked to do an improvised performance, the other three candidates all choose to quote the dictator announcing the birth of our communist nation (which is, as you remember, also the beginning of our young man’s own journey), while he, for reasons unknown, says, “ A man cannot conceal his reactionary nature forever, just as a widow cannot hide her desire to be fucked.

For a moment, he is horrified by his blunder, and feels the same shame and anger he once felt as a dead sparrow turned cold between his fingers. To his surprise, he is chosen, the reason being that he has caught the essence of the dictator, while the other three only got the rough shape. The three of them are sent with the rest of the candidates for plastic surgery, for, as our old men have said, there are things that are not allowed to exist in duplicate.

OUR YOUNG MAN becomes the sole face that represents the dictator in the nation, and thus start the most glorious years of his life. Movies about the dictator, starring our young man, are filmed by the government-run movie factories. Back in town, we cram into our only theater and watch the movies, secretly blaming our mothers or wives for not having given birth to a great face.

The marriage of the young man becomes our biggest concern. He is over thirty now, an age generally considered indecent for our young daughters. But who will care about the age of a great man? The old-style ones among us hire matchmakers for our daughters, and send with them expensive gifts to his mother. Others, more modern and aggressive, knock on his mother’s door with blushing daughters trailing behind. Dazed by the choices, his mother goes to the town center and makes long-distance calls to him every other day, reporting yet another suitable candidate. But he is no longer a man of our town. He has been flying all over the nation for celebrations and movies; he has seen more attractive women than our town can provide. Through his apologetic mother, he rejects all of our offers. Accepting that our town is too shallow a basin to contain a real dragon, most of us give up and marry our daughters off to local young men. Yet some among us cling to the nonexistent hope, waiting for the day when he will realize the incomparable beauty and virtue of our daughters. For a number of years, scores of girls in our town are kept untouched by their parents. Too much looking forward makes their necks grow longer each year. It is not an unfamiliar sight to see a girl with a crane-like neck walk past us in the street, guarded by her parents, who have grown to resemble giraffes.

The young man is too occupied with his new role to know such stories. He appears in the national celebrations for all the holidays. His most loyal audience, we sit all night long in front of the television and wait for his appearance. On the screen, men and women sing and dance with hearty smiles on their faces like well-trained kindergarteners. Children four or five years old flirt with one another, singing love songs like joyful parrots. At such moments, those of us who think a little more than others start to feel uneasy, haunted by a strange fear that our people are growing down, instead of growing up. But the worry vanishes when our young man, the dictator’s impersonator, shows up. People on the screen stand up in ovation and hold out their hands to be shaken. Young women with the prettiest faces rush to him with bouquets of flowers. Kids swarm around him and call him by the name of the dictator. Nostalgic tears fill everyone’s eyes. For a moment we believe time has stopped. The dictator is still alive among us, and we are happily living as his sons.

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