Yiyun Li - The Vagrants

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The Vagrants: краткое содержание, описание и аннотация

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Brilliant and illuminating, this astonishing debut novel by the award-winning writer Yiyun Li is set in China in the late 1970s, when Beijing was rocked by the Democratic Wall Movement, an anti-Communist groundswell designed to move China beyond the dark shadow of the Cultural Revolution toward a more enlightened and open society. In this powerful and beautiful story, we follow a group of people in a small town during this dramatic and harrowing time, the era that was a forebear of the Tiananmen Square uprising.
Morning dawns on the provincial city of Muddy River. A young woman, Gu Shan, a bold spirit and a follower of Chairman Mao, has renounced her faith in Communism. Now a political prisoner, she is to be executed for her dissent. Her distraught mother, determined to follow the custom of burning her only child’s clothing to ease her journey into the next world, is about to make another bold decision. Shan’s father, Teacher Gu, who has already, in his heart and mind, buried his rebellious daughter, begins to retreat into memories. Neither of them imagines that their daughter’s death will have profound and far-reaching effects, in Muddy River and beyond.
In luminous prose, Yiyun Li weaves together the lives of these and other unforgettable characters, including a serious seven-year-old boy, Tong; a
crippled girl named Nini; the sinister idler Bashi; and Kai, a beautiful radio news announcer who is married to a man from a powerful family. Life in a world of oppression and pain is portrayed through stories of resilience, sacrifice, perversion, courage, and belief. We read of delicate moments and acts of violence by mothers, sons, husbands, neighbors, wives, lovers, and more, as Gu Shan’s execution spurs a brutal government reaction.
Writing with profound emotion, and in the superb tradition of fiction by such writers as Orhan Pamuk and J. M. Coetzee, Yiyun Li gives us a stunning novel that is at once a picture of life in a special part of the world during a historic period, a universal portrait of human frailty and courage, and a mesmerizing work of art.

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“That's all right,” the voice that belonged to the older of the two men said. “Let's give him a minute. It's not like he can run away from us.”

“No, I won't run away from you,” said Bashi. “You have my word—I'll only be a minute.”

“What do you mean by that? We're coming in with you.”

“But my grandma hasn't invited you.”

“We'll be good houseguests.”

The gate opened and the three men came into the yard. Nini, squatting behind a jar in the storage cabin, remembered Little Sixth fast asleep in the bedroom, and her heart began to pound. “Do you smell that?” she heard Bashi say, after the door was open.

“What's the smell?”

“My grandmother's floral water,” Bashi said. “How long has it been since I smelled it? The last time she used it I was still a child going into the street without my pants.”

The two men coughed uneasily and one of them said, “Now hurry up.”

“You're not coming in with me? Perhaps my grandma knew you were coming and prepared some food for you.”

“Let's go now,” one man ordered suddenly with a sharp voice. “I'm tired of your superstitious nonsense.”

“Are you scared, comrade?” Bashi said, but his laughing was interrupted when one of the men yanked him back and made him stumble down the steps. He cried out loudly, but the two men grabbed him and dragged him out the door. “Nana,” called out Bashi. “Did you hear the gentlemen? I need to be away for a night. No need to worry, Nana. I'll be back in a blink and you be good and stay here. Don't ever think of being naughty and following the gentlemen here, all right? I don't want you to get lost.”

Someone cursed and then Bashi screamed in pain. Nini squatted in the darkness and cried. She heard the neighbors’ gates open with creaks and then close. After a while, she came out of the storage cabin. A crescent moon was halfway up the sky, reddish gold. The gate to the alley was open just a crack. Nini walked quietly to the gate and looked out. The neighbors had returned home, every gate closed in the alley. She pushed Bashi's gate, inch by inch, until it shut soundlessly. There was no ghost in the world, she thought; the old woman was buried, cold in the dirt, and she would not come to rescue Bashi or be offended by Nini. They were at the mercy of strangers, as always.

THE WATER DRIBBLED in a slow, hesitant rhythm, as the raindrops had done many years earlier in his grandparents’ garden, dripping from the tips of the banana leaves to a small puddle beneath. Any moment now his nanny would come, and he would have to shut his eyes, but she was always able to tell that he'd been crying. Look at your pillowcase, his nanny would say, and stroke his wet eyelashes with a finger, the light from the red lantern in her other hand warm on his face, but they were never able to expel his gloom, just as he was never able to find an explanation for his tears. Young Master has been crying again, he heard her say to his grandparents after she walked out of the bedroom, and his grandmother would explain, once again without losing her patience, that children cried so that all the sadness they had to carry from their last lives would leave with the tears.

A perfect cycle it was, Teacher Gu thought, one's life starting with the pain carried from the previous life, growing up to shed the burden only to accumulate fresh pain for the next life. Slowly the world came back to him, and with great effort he turned on the bedside light. He was in his shirt and underwear. His jacket and pants-soiled by his vomit, he supposed—had been washed and now hung on the clothesline, dripping into a small puddle on the cement floor. Gousheng had left a pot of tea by his bedside, still warm to the touch. How long had he been unconscious? Teacher Gu opened his mouth but no sound came from his scratchy throat. So this was what he was reduced to, an old man hung over, from nothing other than his own illusion of staying alive. Staying alive had been his faith since his divorce, and for this he had given up dignity, hope, anger, and his loved ones; but where did this faith lead him except back to this cycle that no one could escape?

Dearest love, my mind is as clear as a mirror wiped spotless under the silver light of a full moon, Teacher Gu wrote, and put it with other notes to his first wife in a large envelope. For the last time he spelled out her name and address, and then screwed the cap carefully back on his Parker and inserted it, with his letters, in the envelope.

Underneath the bed was the old wooden chest where his wife had kept their precious possessions, and it cost Teacher Gu a great effort to drag it out. There was a Western-style suit in the chest. The suit had belonged to her grandfather, Teacher Gu told Shan the night before she and her comrades planned to come and cleanse him of his bourgeois possessions; the umbrella next to the suit, a souvenir of his parents’ love story. He would appreciate it if she could spare the few things he had kept from his parents. At the time, Shan sneered at his pleading, but the next day she decided to overlook the suit and the umbrella while she threw the other stuff into the fire, including her mother's silk blouses and Teacher Gu's college graduation robe.

Teacher Gu buttoned the suit and tidied his hair; it was one's responsibility to leave the world as a clean person.

The distance to the mailbox was longer than he'd thought, and twice he had to stop and catch his breath. The letter weighed no more than his own heart, and no sound came back when he dropped it into the metal box.

A dog barked; a feral cat whined and another answered in a shriller voice; a child cried in a nearby house and a mother sang a lullaby; the world was a beautiful place under the spring sky with the new moon surrounded by silver stars and a gentle breeze combing its unseen fingers through the long branches of the willow trees. Teacher Gu listened. His heart was a bottomless well; each small sound, a sigh and a whisper and the flapping of the most tender wings, was welcomed with deep-felt serenity.

“Where are you going?” two men said, stopping Teacher Gu as he was leaving the alley.

“The Muddy River,” Teacher Gu replied.

The men looked at each other and told Teacher Gu he was not allowed to go there. Why? Teacher Gu questioned, but the men only shrugged and said nobody was allowed to move around town after eight o'clock. They pointed to where he'd come from and ordered him to go back home. Elsewhere similar requests were made, the curfew enforced by workers from another town.

Beware, Teacher Gu said, full of sympathy for these people who lived in blind faith and who would die, one day, without a single light shining into their souls. Butchers one day and the next day you will be the meat on the cutting board, he said to the men; your knives that slit open others’ throats will one day slit your own.

The two men, infuriated, pushed Teacher Gu and threatened to place him under arrest. Their mouths opened and closed with useless words and empty warnings. You stupid human beings, Teacher Gu said; with the resolution to meet the water that would carry him away, he struck at them with his cane and ordered them to let him pass. It did not take long for the men to pin the old man to the ground. Cold as water, the thought of relief passed through him like a whisper as he moved his head slightly so his cheek would hurt less from the smashed glasses.

Unknown to Teacher Gu's fading consciousness were the screams and howls of tortured flesh, muffled by unfeeling walls as well as unfeeling hearts. Tong's father, beaten into a stupor, for a moment was lost in one of his drunken dreams in which, behind his warm eyelids, his mother stirred a single egg, but the beat-beat of the bamboo chopsticks on the china bowl was then disturbed by the heavy thumping of boots on his head. Not far away, in another room, a man, father of two daughters who had once been among the girls dreamed of by Bashi, cried on the cold cement floor after having pressed a bloody fingerprint onto the confession thrust at him. Cautious man as he was, he had never been near any leaflet, but in Bashi's made-up and unsubstantiated account the man had turned up at the rally with a white flower.

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