Yiyun Li - The Vagrants

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The Vagrants: краткое содержание, описание и аннотация

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Brilliant and illuminating, this astonishing debut novel by the award-winning writer Yiyun Li is set in China in the late 1970s, when Beijing was rocked by the Democratic Wall Movement, an anti-Communist groundswell designed to move China beyond the dark shadow of the Cultural Revolution toward a more enlightened and open society. In this powerful and beautiful story, we follow a group of people in a small town during this dramatic and harrowing time, the era that was a forebear of the Tiananmen Square uprising.
Morning dawns on the provincial city of Muddy River. A young woman, Gu Shan, a bold spirit and a follower of Chairman Mao, has renounced her faith in Communism. Now a political prisoner, she is to be executed for her dissent. Her distraught mother, determined to follow the custom of burning her only child’s clothing to ease her journey into the next world, is about to make another bold decision. Shan’s father, Teacher Gu, who has already, in his heart and mind, buried his rebellious daughter, begins to retreat into memories. Neither of them imagines that their daughter’s death will have profound and far-reaching effects, in Muddy River and beyond.
In luminous prose, Yiyun Li weaves together the lives of these and other unforgettable characters, including a serious seven-year-old boy, Tong; a
crippled girl named Nini; the sinister idler Bashi; and Kai, a beautiful radio news announcer who is married to a man from a powerful family. Life in a world of oppression and pain is portrayed through stories of resilience, sacrifice, perversion, courage, and belief. We read of delicate moments and acts of violence by mothers, sons, husbands, neighbors, wives, lovers, and more, as Gu Shan’s execution spurs a brutal government reaction.
Writing with profound emotion, and in the superb tradition of fiction by such writers as Orhan Pamuk and J. M. Coetzee, Yiyun Li gives us a stunning novel that is at once a picture of life in a special part of the world during a historic period, a universal portrait of human frailty and courage, and a mesmerizing work of art.

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Nini nodded. She did not know if she wanted to hear more of Bashi's plan. The old woman, no more than five feet away, distracted her.

“So here's how it will work. Dogs are not old women and they don't take a liking to ginseng roots, right? What is to a dog as a ginseng root is to an old granny?”

Nini looked at Bashi, perplexed.

“Think, girl. A sausage, or a ham, no? Dogs like meat, so do you and I, but we are smarter than dogs,” said Bashi. “This is what I'm going to do: I will give the dog a sausage a day until he wags his tail at me whenever he sees me, and then, bang, a sausage cured with pesticide. The poor dog will never imagine that his only friend in this world has killed him. How does that sound?”

Nini fidgeted. It seemed that Bashi could sit here talking to her, or to himself, all morning. If she did not return in time to cook before her parents came home for lunch, as she hadn't the night before for dinner, her mother would let that bamboo broomstick rain down on her back again.

Bashi looked at her. “Don't you like my plan?”

“It's not good to think of other things before taking care of your grandmother,” she said. “I don't have all day to sit here talking to you.”

“The business of the living comes before that of the dead,” Bashi said. “But you're right. I need your help to get her into the casket before you leave.”

“You don't want to hire some professionals?”

“I'd have to burn her for them to be hired,” Bashi said. “It's all right. We can do it ourselves.” He pulled a trunk from the corner of the bedroom. “I think she got everything ready here. Find what you need and dress her up well. I'll get the casket.”

Bashi left for the storage cabin before Nini replied. She opened the trunk. Silk and satin clothes lined the inside in orderly layers: coats, jackets, blouses and pants, shoes, and caps. She touched the one on the top with her good hand and her chapped palm caught a thread. What a waste, to bury such fine clothes with a dead woman, Nini thought. She rubbed her hands on the outside of her pants hard before she touched the clothes again. Piece by piece she took them out of the trunk and piled them neatly next to the old woman on the bed. When she reached the bottom of the trunk, she saw several envelopes, each bearing a number. She opened the first one and saw a stack of bills, mostly of ten or five yuan. Nini had never seen so much money. She bit her lips and looked around. When she was sure Bashi was not in sight, she put the money back into the envelope, folded the envelope once in the middle, and slipped it into her pocket.

“The casket is too heavy for me,” Bashi said when he came in a moment later. “I wonder if the carpenters put some lead in it. Let's not worry about that part now.”

Nini's voice quavered when she pointed out the envelopes to Bashi. He checked their contents and whistled. “I thought she saved everything in our bank account,” he said. He pulled out two ten-yuan bills and handed them to Nini.

She shook her head and said she did not want the money.

“Why not? Friends stick together, so why don't we share the good fortune?”

Nini accepted the money. She wondered if the ghost of the old woman was around supervising her afterlife business like old people said, and if so, whether she would be outraged by the envelope in Nini's pocket. But why did she need to worry about a ghost? Nothing could make her life worse than it was now, with Mrs. Gu and Teacher Gu turning their backs on her. Nini pulled back the blanket and peeled off the old woman's pajamas. There was a strange smell, not pungent but oily sweet, and Nini felt nauseated. When her hand touched the old woman's skin, it was leathery and cold. So this was what it would be like when her parents died. The thought made Nini less scared. After all, it would be her job to care for her parents when they got old, and eventually clean them up for burial. She wondered who would see off Teacher Gu and Mrs. Gu. She had more trouble imagining them dead and naked in bed than her own parents. She wished things could be different for the Gus—perhaps the wind would carry them away like smoke before someone's hand touched their skin—but why would she let them off so easily, when they had thrown her out without hesitation?

Bashi loitered on the other side of the curtain without helping Nini. She thought it strange until she realized that perhaps it was not good for a boy to see the naked body of his grandmother. He was a good and honorable person, after all, despite his oddness.

When it came to cleaning the body, Bashi suggested that they use the cold water from the tap in order to spare unnecessary trouble. Nini disagreed. The folded envelope threatened to jump out of her pocket and reveal itself to Bashi and to the world—she wished she had thought of a better way to hide it, in her shoe so she could step on it firmly—and out of guilt, she insisted on starting a fire so she could bathe the old woman with warm water one more time. Bashi followed her to the kitchen, leaned against a cabinet, and watched her stoke the fire. “What a nice granddaughter-in-law you would make!” he said with admiration.

Nini blushed and pretended that she had not heard. Bashi placed a chair by the stove and sat astride it, both arms hugging the back of the chair. “Have your parents arranged someone for you to marry?” he asked.

What a strange question, Nini thought, shaking her head.

“Have you heard of the saying that the bird with the weakest wings needs to take off earlier?”

“No.”

“You should think about it. You don't want to wait too long before looking for a husband.”

Nini said nothing and wondered if Bashi was right. Her parents had no wish to marry her off; they would have no one else to wash them before their burials. Had she been the daughter of Mrs. Gu and Teacher Gu, would they have started to worry about her marriage by now, so that when they exited the world, she would not be left alone?

“I'll keep my eyes open for possible candidates, if you like,” said Bashi.

Nini watched the fire without replying. The water hummed. When he pressed again, she said, “Let's not let your grandma wait too long.”

Bashi laughed. “She won't know now,” he said. He helped Nini carry the kettle to the bedroom and then sat down on his own bed on the other side of the curtain. Nini wiped the old woman gently, trying not to study the dry and creased skin, the eerily long and sagging breasts, the knotted joints. If not for the stolen envelope in her pocket she would have finished the job in a minute or two. When she finally did, she tried to slip the silk clothes onto the body, but the old woman, completely still and stiff, would not cooperate. Nini yanked one of the old woman's arms out of her sleeve when she felt a small crack. She must have broken the old woman's arm, Nini thought, but she did not care anymore. It took her a long time, with her one good hand, to fasten the coiled buttons of the robes. When she finished with the sleeping cap and silk shoes, she said to Bashi, “Now you can come and see her.”

The two of them stood side by side. The old woman looked serene and satisfied in the finest outfit for the next world. After a while, Bashi circled an arm around Nini's shoulder and pulled her closer to him. “What a nice girl you are,” he said.

“I need to go home now,” she said.

“Let's get whatever you need from the storage cabin.”

“Not too much,” Nini said when Bashi put several cabbages in her basket. “Otherwise, my parents would question.”

“I'll walk you home.”

Nini said she would rather he did not walk with her.

“Of course,” Bashi said. “Whatever you prefer. But when do I get to see you again? Can you come this afternoon?”

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