Yiyun Li - The Vagrants

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The Vagrants: краткое содержание, описание и аннотация

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Brilliant and illuminating, this astonishing debut novel by the award-winning writer Yiyun Li is set in China in the late 1970s, when Beijing was rocked by the Democratic Wall Movement, an anti-Communist groundswell designed to move China beyond the dark shadow of the Cultural Revolution toward a more enlightened and open society. In this powerful and beautiful story, we follow a group of people in a small town during this dramatic and harrowing time, the era that was a forebear of the Tiananmen Square uprising.
Morning dawns on the provincial city of Muddy River. A young woman, Gu Shan, a bold spirit and a follower of Chairman Mao, has renounced her faith in Communism. Now a political prisoner, she is to be executed for her dissent. Her distraught mother, determined to follow the custom of burning her only child’s clothing to ease her journey into the next world, is about to make another bold decision. Shan’s father, Teacher Gu, who has already, in his heart and mind, buried his rebellious daughter, begins to retreat into memories. Neither of them imagines that their daughter’s death will have profound and far-reaching effects, in Muddy River and beyond.
In luminous prose, Yiyun Li weaves together the lives of these and other unforgettable characters, including a serious seven-year-old boy, Tong; a
crippled girl named Nini; the sinister idler Bashi; and Kai, a beautiful radio news announcer who is married to a man from a powerful family. Life in a world of oppression and pain is portrayed through stories of resilience, sacrifice, perversion, courage, and belief. We read of delicate moments and acts of violence by mothers, sons, husbands, neighbors, wives, lovers, and more, as Gu Shan’s execution spurs a brutal government reaction.
Writing with profound emotion, and in the superb tradition of fiction by such writers as Orhan Pamuk and J. M. Coetzee, Yiyun Li gives us a stunning novel that is at once a picture of life in a special part of the world during a historic period, a universal portrait of human frailty and courage, and a mesmerizing work of art.

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“My mother sent me to the denunciation ceremony.”

“Did you see the woman?”

“No.”

“Of course not, because you don't belong to any work unit,” Bashi said. He walked closer and put his hat on Nini's head. It was too big for her. He adjusted the hat but it still sat low on her eyebrows. “You look like a girl soldier in a movie,” said Bashi.

“Which movie?”

“I don't know. Every movie has a girl soldier. The Guerillas, The Tale of a Red Heart, The Pioneers. Have you seen them?”

Nini shook her head.

Bashi clicked his tongue and made a sound of being surprised. “One of these days I'll take you to a movie.”

Nini had never been to a movie theater. Once in a while, her parents would go to see a film with their work units; her two sisters went with their school too. In the summer, a white screen would be set up in an open field by the Muddy River, and every other week a film would be shown, but Nini was always the one left with the baby at home. They would stay in the yard as long as they could, listening to the faint music coming from the river, until swarms of mosquitoes came and buzzed around them.

Bashi watched Nini closely. “Why, you don't want to see a movie with me?”

“But you'll still give me the coal even if you take me to a movie?” Nini asked.

“Coal? Yes, anytime,” Bashi said, and circled an arm around Nini's shoulder. Taken aback, she struggled slightly, and Bashi let her go with a chortle. “Why don't we find a log and sit down,” Bashi said, directing Nini upstream. She tried to catch up with his long stride; when Bashi realized this, he slowed down.

“Do you know who I saw today?” he asked.

“No.”

“Do you want to know?”

Nini hesitated and said yes.

“I saw the counterrevolutionary.”

Nini stopped. “Where is she?”

“Dead now.”

“Did you see her alive?”

“I wish I had. No, she was dead already,” Bashi said, and twisted Nini's left arm gently behind her back. “They bound her arms this way, so her middle finger was pointing at her heart. And bang,” he said, pushing his index finger into Nini's back.

Nini shuddered. She withdrew her arm, and hid her bad hand in her sleeve. “Where is she now?” she asked.

“Why?”

“I want to see her.”

“Everybody wants to see her. But believe me, there's nothing to see. She is as dead as a log. Heavier than a log, in fact. Do you know how I got to know this?”

“No.”

“Because I just helped this man move her body off the island. Oh, she's heavy, believe me.”

“Is she with the man?”

“He's digging a grave for her.”

“Where are they?”

“On the other side of the woods. It's quite a task to dig a hole now. They shouldn't really execute someone in this cold season. Summer would be much easier for everyone. I told the man not to waste his time. Old Hua and his wife would never dig a hole in the winter. But the man said he would take care of it and told me to go home first. Of course I didn't want to stay with the poor man and watch him work. Maybe we could go there tomorrow morning and see if he's got a hole the size of a bowl by then.”

“Can we go there now?”

“Why?”

“I want to see her.”

“But there's nothing to see. She's in a couple of sacks now.”

Nini looked upstream. The fire in their stove would be dead by the time she returned home. It would take her another fifteen minutes to start the fire, and dinner would be late. Her mother would knock her on the head with her hard knuckles. Bashi might change his mind and never give her the coal again. Still, she pushed away Bashi's hand and started to walk toward the woods.

“Hey, where are you going?”

“I want to see the body.”

“Don't leave me here. I'm going with you,” Bashi said, putting his hand back on Nini's shoulder. “The man who's burying her, you know, he is not easy to talk to, but he's a friend of mine. Ask him anything and he'll do it for you.”

“Why?” Nini asked.

“Silly, because you're my friend, no?”

THE WIND PICKED UP after sunset, and Bashi realized that he had left his hat on Nini's head. He chuckled when he thought about her serious little face. She rarely smiled, but her eyes, even the bad one with a droop, would become larger with attention when he was talking to her. He didn't know how much she understood of the rules between boys and girls, or how much she had heard about his reputation, but she had not said anything when he put a hand on her shoulder.

Before they parted, Bashi had asked Nini to come out again the next day, and she had neither agreed nor refused. The old bastard Kwen must have frightened her out of her poor soul, Bashi thought. He picked up a rock from the ground. It was suppertime now, the street deserted except for the leftover announcements, swept up and swirling about in the wind. Bashi looked around, and when he saw nobody in sight, he aimed the rock at the nearest streetlamp. It took him three tries to break the bulb.

Kwen had not behaved like a friend at all when Bashi and Nini had found him. It had taken them a while, and only when he saw a trail left by the body on the dead leaves did Bashi realize that Kwen had moved it farther, into another patch of woods. Kwen was half rolling, half carrying a big boulder toward the body, which was already partly covered by stones of different sizes. It was unrealistic of the parents to expect him to bury her underground in this weather, Kwen said when they approached him.

“As if I hadn't told you,” Bashi observed.

“Could you shut up just for once?” Kwen said.

That was not a way to speak to a friend, especially in front of his new companion, but Bashi tried not to protest. “If you're worried about wild dogs, you could cover the body with some heavy branches. Old Hua does that,” Bashi said. “You don't need to move all those stones.”

“I thought you were a smart man, and knew not to interfere with other people's business.”

“Just a friendly suggestion,” said Bashi.

Kwen looked at Bashi sharply. “I'd appreciate it if you'd leave me alone.”

“Don't worry. Your secret sits well with me,” said Bashi, running his finger along his mouth and making a zipping sound. He walked closer to Kwen. “But my friend there, she wants to have a look at the body.”

“Why?”

“Who doesn't want to see?”

Kwen shook his head and said it was not possible.

“Come on,” Bashi said, patting Kwen on the shoulder as he had seen men do to each other. “The girl only wants a quick look. It won't hurt anyone. I'll move the stones and I'll put them back. You can stand here and supervise us. It won't take more than a minute.”

Kwen brushed Bashi's hand away. Bashi made a face at Nini, hoping she would understand that brusqueness was normal between men. Wouldn't he want to help a friend to impress his girl? Bashi said in a low voice; she's just a girl to whom nobody paid any attention, and why not make her happy for a day Bashi whispered. Kwen shook his head, and when Bashi pressed again and insisted that he himself would open the sack for the girl, Kwen looked at Bashi with cold eyes. “You'd better leave before my patience runs out.”

“What's the matter with you?” Bashi said. “It's only a counter revolutionary's body, not your mother's.”

With a curse Kwen told Bashi to shut up. Bashi was shocked. He had thought that Kwen was fond of him; only an hour earlier Kwen had been the storyteller. Nini stared at them, and it hurt Bashi to see her unblinking eyes stay on his own face, hot and probably red as a beet now. “Fuck you, “ Bashi said to Kwen. “Fuck your sisters and your mother and your aunts and grandmas and all your dead female ancestors in their tombs.”

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