Yiyun Li - The Vagrants

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The Vagrants: краткое содержание, описание и аннотация

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Brilliant and illuminating, this astonishing debut novel by the award-winning writer Yiyun Li is set in China in the late 1970s, when Beijing was rocked by the Democratic Wall Movement, an anti-Communist groundswell designed to move China beyond the dark shadow of the Cultural Revolution toward a more enlightened and open society. In this powerful and beautiful story, we follow a group of people in a small town during this dramatic and harrowing time, the era that was a forebear of the Tiananmen Square uprising.
Morning dawns on the provincial city of Muddy River. A young woman, Gu Shan, a bold spirit and a follower of Chairman Mao, has renounced her faith in Communism. Now a political prisoner, she is to be executed for her dissent. Her distraught mother, determined to follow the custom of burning her only child’s clothing to ease her journey into the next world, is about to make another bold decision. Shan’s father, Teacher Gu, who has already, in his heart and mind, buried his rebellious daughter, begins to retreat into memories. Neither of them imagines that their daughter’s death will have profound and far-reaching effects, in Muddy River and beyond.
In luminous prose, Yiyun Li weaves together the lives of these and other unforgettable characters, including a serious seven-year-old boy, Tong; a
crippled girl named Nini; the sinister idler Bashi; and Kai, a beautiful radio news announcer who is married to a man from a powerful family. Life in a world of oppression and pain is portrayed through stories of resilience, sacrifice, perversion, courage, and belief. We read of delicate moments and acts of violence by mothers, sons, husbands, neighbors, wives, lovers, and more, as Gu Shan’s execution spurs a brutal government reaction.
Writing with profound emotion, and in the superb tradition of fiction by such writers as Orhan Pamuk and J. M. Coetzee, Yiyun Li gives us a stunning novel that is at once a picture of life in a special part of the world during a historic period, a universal portrait of human frailty and courage, and a mesmerizing work of art.

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TEACHER GU STARTED the fire and poured water on the leftover rice. He watched the yellow flame lick the bottom of the pot, the murmuring of the water inside soothingly hypnotic. A grain of sand is as complete as a world, he said to the fire, his voice audible only to his own ears. The thought that someone sitting above the clouds could gaze into this small cocoon in which he and his wife were trapped in pain comforted him; their suffering to the eyes above could be as tiny and irrelevant as the piece of coal in his own eyes, a burning ember that would soon cool into a gray ball of ash.

The water boiled, and the lid of the pot let out sighs of white steam. Teacher Gu stirred the rice and sat down at the table. There was no sound from the bedroom, and he wondered if his wife had been falling into sleep; she had been escorted back by two policemen earlier, and they had made some harsh threats before taking off her handcuffs. He had worried that she would become hysterical, but she had kept herself still until the moment Nini arrived, the last person in the world who should be receiving his wife's anger.

Teacher Gu's hands probed around on the table as if they belonged to a blind man. Over the years he had developed a habit of busying his hands with anything they could reach, a sign of some disturbing psychological problem perhaps, but Teacher Gu tried not to dwell on it. Apart from a bowl of leftover soup, the table was empty. Another broken ritual, Teacher Gu thought, gone with Nini and the folding of a paper frog out of the calendar. It had started when Shan was fourteen, a young Red Guard ready to rip the world apart. He had folded paper compulsively, his busy fingers saving him from the sorrow of watching his daughter transform before his own eyes into a coldhearted stranger. At breakfast on an early summer day when Shan had given a speech on how he should bow to the revolutionary youths instead of resisting with his silence, he made the paper frog jump and it landed in his wife's unfinished porridge. Neither Mrs. Gu nor Teacher Gu removed the frog, and he knew then that they would never laugh together as a family again. On the same morning, when Shan's young revolutionary friends came over, she suggested that they go out and “kick the bottoms of some counterrevolutionaries.” So easily she had let these vulgar words slip out, this daughter whom he had taught to recite poetry from the Tang dynasty since she was very young. Later, someone came to his school with the news that besides booting some people's bottoms, Shan had also kicked the belly of a woman eight months pregnant. Teacher Gu hid himself in his office and wrote a long essay, a meditation on the failing of poetry as education in an unpoetic age. Upon finishing and rereading the essay, he tossed it into the fire and braced himself to face his wife, with whom he shared the responsibility of having brought a near murderer into this world.

How Shan had escaped the consequences of her action was beyond Teacher Gu's understanding. His wife began to break down and weep often, first thing in the morning or sometimes in the middle of a savorless meal. What wrong had she done to deserve Shan? his wife asked him. Was heaven punishing them because they had both been married before and thus brought impurity to their marriage? This notion was superstitious nonsense, Teacher Gu wanted to remind his wife, but she was lost too, led astray by the belief that she herself was responsible for the crimes committed by their daughter. In his quiet disapproval she grew into an ordinary, witless woman, trying to find a reason for every calamity and failure, as if the world were explainable and life would have to make sense for one to continue living.

Teacher Gu shook his head. He was no better than she, he told himself. He was a man who had foolishly let himself be deceived by his own wishes. When he had first met his wife, she had just stopped belonging to her previous husband, as one of his five wives. She was the only one to leave the family of her own will when the newly established Communist government banned polygamy; the other wives had to be dragged away from the family by government officials. She was the first one to enroll in Teacher Gu's class for illiterate women-she was eighteen that year, her hair black and smooth as silk, her cheeks peach-colored, and her eyes two deep wells of sad water. She was born with an ill-favored face, people in town warned Teacher Gu when he decided to marry her. Look at her cheekbones, which are too high, her lips, which are not full enough, people said. He shrugged off their comments. Ill-fortuned she was, losing her parents at twelve, sold to a husband by her uncle at fourteen, serving a man forty years her senior as half wife and half handmaiden, but Teacher Gu did not want to listen to any of the talk. Husband and wife were birds of the same fate—so said the ancient poems. Wasn't it why they had become husband and wife in the first place? The day they got married, his first wife sent a telegram to him; keep each other alive with your own water, said the message. He hid the telegram, even though his new wife was not yet able to read all the characters in it. He never told her about the blessing, nor the fable behind those few words—two fish, husband and wife, were stranded in a puddle; they competed to swallow as much water as they could before the puddle vanished in the scorching sun so that they could keep each other alive in their long suffering before death by giving water to their loved one.

It was not a surprise that Teacher Gu and his first wife, being in love, had wished to be the two fish in the story, nor was it a wonder that this wish, along with other dreams and plans, was left unspoken at the end of their marriage. Nothing went wrong except, as she put it in her application for divorce, their marriage could not live up to the demands of the new society, she as a model Communist Party member, he a counterrevolutionary intellectual once serving in the Nationalist government as an education expert. She stayed in the university after the divorce, the first female mathematics professor in the tri-province area, later promoted to be president of a prestigious college in Beijing; he, the founder of the first Western-style high school in the province, was demoted to the local elementary school. If husband and wife were indeed birds of the same fate, he was not a good match for his first wife. He wished her better fortune in finding a husband appropriate for her position, someone approved by the party, or, even better, someone assigned by the party. But she remained single, childless. He never gathered enough courage to ask why. They exchanged a letter or two each year, saying little, because he felt that he had nothing, or too much, to say. Her letters were plain greetings for him and his family, and he dared not imagine her anguish beneath the calm politeness.

Teacher Gu's first marriage had lasted three years, and what he remembered, afterward, was many of their intellectual talks. Even on their honeymoon they had spent more time reading and discussing Kant than enjoying the beach resort. Early in his second marriage, he would sometimes watch his young wife asleep at night and hope that she would eventually offer more than her physical beauty, that he would be able to share his intellectual life with her—he was then thirty-two, still too young to understand how limitless men's desires were, or the absurdity of such greed.

When he had finally come to terms with what he could expect from his young wife, he did not love her less. He felt more responsible for her, not only as a husband and a man, but also as a parent and educator. He had always thought of her as his first child, before Shan and the other children they could not save—their firstborn, a baby boy, had lived for three days, and when Shan was two they had made one more effort that ended with a miscarriage. They gave up after that, counting it their blessing that they had Shan, a healthy, strong, and beautiful girl.

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