Yiyun Li - Gold Boy, Emerald Girl

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In these spellbinding stories, Yiyun Li, Hemingway Foundation/PEN Award winner and acclaimed author of
and
, gives us exquisite fiction filled with suspense, depth, and beauty, in which history, politics, and folklore magnificently illuminate the human condition.
In the title story, a professor introduces her middle-aged son to a favorite student, unaware of the student’s true affections. In “A Man Like Him,” a lifelong bachelor finds kinship with a man wrongly accused of an indiscretion. In “The Proprietress,” a reporter from Shanghai travels to a small town to write an article about the local prison, only to discover a far more intriguing story involving a shopkeeper who offers refuge to the wives and children of inmates. In “House Fire,” a young man who suspects his father of sleeping with the young man’s wife seeks the help of a detective agency run by a group of feisty old women.
Written in lyrical prose and with stunning honesty,
reveals worlds strange and familiar, and cultures both traditional and modern, to create a mesmerizing and vibrant landscape of life.

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A Man Like Him

THE GIRL, UNLIKE most people photographed for fashion magazines, was not beautiful. Moreover, she had no desire to appear beautiful, as anyone looking at her could tell, and for that reason Teacher Fei stopped turning the pages and studied her. She had short, unruly hair and wide-set eyes that glared at the camera in a close-up shot. In another photo, she stood in front of a bedroom door, her back to the camera, her hand pushing the door ajar. A bed and its pink sheet were artfully blurred. Her black T-shirt, in sharp focus, displayed a line of white printed characters: MY FATHER IS LESS OF A CREATURE THAN A PIG OR A DOG BECAUSE HE IS AN ADULTERER.

The girl was nineteen, Teacher Fei learned from the article. Her parents had divorced three years earlier, and she suspected that another woman, a second cousin of her father’s, had seduced him. On her eighteenth birthday, the first day permitted by law, the daughter had filed a lawsuit against him. As she explained to the reporter, he was a member of the Communist Party, and he should be punished for abandoning his family, and for the immoral act of having taken a mistress in the first place. When the effort to imprison her father failed, the girl started a blog and called it A Declaration of War on Unfaithful Husbands.

“What is it that this crazy girl wants?” Teacher Fei asked out loud before reaching the girl’s answer. She wanted her father to lose his job, she told the reporter, along with his social status, his freedom, if possible, and his mistress for sure; she wanted him to beg her and her mother to take him back. She would support him for the rest of his life as the most filial daughter, but he had to repent — and, before that, to suffer as much as she and her mother had.

What malice, Teacher Fei thought. He flung the magazine across the room, knocking a picture frame from the bookcase and surprising himself with this sudden burst of anger. At sixty-six, Teacher Fei had seen enough of the world to consider himself beyond the trap of pointless emotions. Was it the milkman, his mother asked from the living room. Milkmen had long ago ceased to exist in Beijing, milk being sold abundantly in stores now; still, approaching ninety, she was snatched from time to time by the old fear that a neighbor or a passerby would swipe their two rationed bottles. Remember how they had twice been fined for lost bottles, she asked as Teacher Fei entered the living room, where she sat in the old armchair that had been his father’s favorite spot in his last years. Teacher Fei hadn’t listened closely, but it was a question he knew by heart, and he said yes, he had remembered to pick up the bottles the moment they were delivered. Be sure to leave them in a basin of cold water so the milk does not turn, she urged. He stood before her and patted her hands, folded in her lap, and reassured her that there was no need to worry. She grabbed him then, curling her thin fingers around his. “I have nothing to say about this world,” she said slowly.

“I know,” Teacher Fei said. He bent down and placed her hands back in her lap. “Should I warm some milk?” he asked, though he could see that already she was slipping away into her usual reverie, one that would momentarily wash her mind clean. Sometimes he made an effort, coaxing her to walk with baby steps to exercise her shrinking muscles. A few years ago, the limit of her world had been the park two blocks down the street, and later the stone bench across the street from their flat; now it was their fifth-floor balcony. Teacher Fei knew that in time he would let his mother die in peace in this flat. She disliked strangers, and he couldn’t imagine her in a cold bed in a crowded hospital ward.

Teacher Fei withdrew to the study, which had been his father’s domain until his death. His mother had long ago stopped visiting this room, so Teacher Fei was the one who took care of the books on the shelves, airing the yellowing pages twice a year on the balcony, but inevitably some of the books had become too old to rescue, making way for the fashion magazines that Teacher Fei now purchased.

The black-clad girl taunted him from the magazine lying open on the floor. He picked her up and carefully set her on the desk, then fumbled in the drawer for an inkpot. Much of the ink in the bottle had evaporated from lack of use, and few of the brushes in the bamboo container were in good shape now. Still, with a fine brush pen and just enough ink on the tip, he was able to sketch, in the margin of the page, a scorpion, its pincers stabbing toward the girl’s eyes. It had been six years since he retired as an art teacher, nearly forty since he last painted out of free will. Teacher Fei looked at the drawing. His hand was far from a shaking old man’s. He could have made the scorpion an arthropod version of the girl, but such an act would have been beneath his standards. Teacher Fei had never cursed at a woman, either in words or in any other form of expression, and he certainly did not want to begin with a young girl.

LATER, WHEN MRS. Luo, a neighbor in her late forties who had been laid off by the local electronics factory, came to sit with Teacher Fei’s mother, he went to a nearby Internet café. It was a little after two, a slow time for the business, and the manager was dozing off in the warm sunshine. A few middle school students, not much older than twelve or thirteen, were gathered around a computer, talking in tones of hushed excitement, periodically breaking into giggles. Teacher Fei knew these types of kids. They pooled their pocket money in order to spend a few truant hours in a chat room, impersonating people much older than themselves and carrying on affairs with other human beings who could be equally fraudulent. In his school days, Teacher Fei had skipped his share of classes to frolic with friends in the spring meadow or to take long walks in the autumn woods, and he wondered if, in fifty years, the children around the computer would have to base their nostalgia on a fabricated world that existed only in a machine. But who could blame them for paying little attention to the beautiful April afternoon? Teacher Fei had originally hired Mrs. Luo for an hour a day so that he could take a walk; ever since he had discovered the Internet, Mrs. Luo’s hours had been increased. Most days now she spent three hours in the afternoon taking care of Teacher Fei’s mother and cooking a meal for both of them. The manager of the Internet café had once suggested that Teacher Fei purchase a computer of his own; the man had even volunteered to set it up, saying that he would be happy to see a good customer save money, even if it meant that he would lose some business. Teacher Fei rejected the generous offer — despite his mother’s increasing loss of her grip on reality, he could not bring himself to perform any act of dishonesty in her presence.

Teacher Fei located the girl’s blog without a problem. There were more pictures of her there, some with her mother. Anyone could see the older woman’s unease in front of the camera. In her prime she would have been more attractive than her daughter was now, but perhaps it was the diffidence in her face that had softened some of the features which in her daughter’s case were accentuated by rage. Under the heading “Happier Time,” Teacher Fei found a black-and-white photo of the family. The girl, age three or four, sat on a high stool, and her parents stood on either side. On the wall behind them was a garden, painted by someone without much artistic taste, Teacher Fei could tell right away. The girl laughed with a mouthful of teeth, and the mother smiled demurely, as befitting a married woman in front of a photographer. The father was handsome, with perfectly shaped cheekbones and deep-set eyes not often found in a Chinese face, but the strain in his smile and the tiredness in those eyes seemed to indicate little of the happiness the daughter believed had existed in her parents’ marriage.

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