Christopher Beha - Arts & Entertainments - A Novel

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Handsome Eddie Hartley was once a golden boy poised for the kind of success promised by good looks and a modicum of talent. Now thirty-three, he has abandoned his dream of an acting career and accepted the reality of life as a drama teacher at the boys' prep school he once attended. But when Eddie and his wife, Susan, discover they cannot have children, it's one disappointment too many.
Weighted down with debt, Susan's mounting unhappiness, and his own deepening sense of failure, Eddie is confronted with an alluring solution when an old friend-turned-Web-impresario suggests Eddie sell a sex tape he made with an ex-girlfriend, now a wildly popular television star. In an era when any publicity is good publicity, Eddie imagines that the tape won't cause any harm — a mistake that will have disastrous consequences and propel him straight into the glaring spotlight he once thought he craved.
A hilariously biting and incisive takedown of our culture's monstrous obsession with fame,
is also a poignant and humane portrait of a young man's belated coming-of-age, the complications of love, and the surprising ways in which the most meaningful lives often turn out to be the ones we least expected to lead.

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Hal never fell behind. If he wasn’t there already, he wasn’t coming. Eddie continued walking, his sense of isolation more acute now that its source had revealed itself. He hadn’t meant to be banishing himself from the show. He’d only meant to take control of the story. Moody’s decision to cut him loose didn’t make sense. Eddie was a bit uncooperative, but he was also the most interesting thing about the show. He imagined asking Moody about the decision, and just as he had the idea he stopped at a streetlight to find Moody next to him. For a moment he thought he was imagining it.

“What’s going on?” Moody asked lazily, as though they were old friends who’d just bumped into each other.

Eddie tried to take the same tone.

“I’m leaving Melissa.”

“So I gathered. I was hoping there might be something I could do to help you reconcile. Every relationship has its rough patches.”

“It’s too late. We’re done.”

The unlit cigarette bobbed in the corner of Moody’s mouth as he sighed contemplatively.

“Can I give you a ride?”

“Do you have someplace in mind?”

“I assumed that you did. You packed those big bags. I imagine you’re taking them somewhere. I’m just offering you a lift.”

He waved to a black town car creeping along beside them, which pulled over at his signal.

“I think I’d like to walk,” Eddie said.

“There’s nothing sinister going on here,” Moody insisted. “I’ve done a lot for you, and I’d just like ten minutes of your time.”

Eddie might have kept walking if he had anywhere to go. The trunk popped open and Moody took the bags. Eddie took a seat in the back of the car while Moody walked around to the other door. A tinted glass divider separated them from the driver, and the windows — also tinted — were closed. It was like leaving one world for another.

“Where can I take you?” Moody asked as the car pulled through the light. He smiled at the searching look on Eddie’s face. “You didn’t think it out beyond leaving the hotel?”

“I guess not.”

“It’s not too late to turn around. We’re making great television.”

“If I go back to Susan it would make great television, too.”

“You can’t do that right now, I’m afraid.”

“Why not? We both know Melissa is going to wind up with Patrick. Why do you need to drag things out when everyone knows how it’s going to end?”

“Dragging things out is the whole point, Eddie. That’s all life is: dragging things out when everyone knows how it’s going to end.”

“Don’t you think it’s good for the story arc — for me to get back to Susan before the kids are born? People are feeling pretty sad about what happened to Justine. It would be nice to have a wholesome development.”

“You’re a villain right now, the object of everyone’s anger and sadness about Justine’s death, the emblem of everything that’s wrong with us. I can’t send you back to Susan. What’s wholesome about that? You need to be punished, so everyone feels like they’ve learned something. Maybe there’s some justice in the world and we aren’t as broken as we thought we were in our most cynical moments.”

“And how is that supposed to happen?”

“I was hoping I wouldn’t have to tell you. You do so much better when you don’t know. To begin with, you go back to Melissa and forbid her from seeing Patrick or her mother. Over the next few episodes, you become more and more controlling and paranoid.”

“Until she leaves me.”

“That’s right. None of this magnanimous older brother stuff.”

“And why would I do that?”

“We were hoping you would do it without meaning to. Let’s face it, Eddie, your judgment isn’t always superlative. But we’re obviously past that now. I’d love to appeal to your better nature, tell you to do it because it’s what’s best for everyone, but I’m going to try the mercenary route instead. You’re going to do it because I’m going to pay you half a million dollars to do it.”

“I’ve got triplets,” Eddie said. “You’re going to have to do better than that.”

“The half a million is for you,” Moody told him. “That’s the first part of the deal. The second part is that I’ll take care of your wife and kids.”

“But I won’t be there?”

“It’s possible that you’ll work your way back. Right now Rex seems like a much more solid bet.”

“I want to be there when those kids are born.”

“Where’s your sense of justice, Eddie? If you get the big reward, what does that say about the ways of the world?”

“I don’t want to be a villain anymore. I want my life back.”

“You can’t have it,” Moody said. “I bought it, and it belongs to me.”

“It doesn’t,” Eddie said. “What you have is just a fiction. It’s pictures, it isn’t the real thing.”

“If you believed that, you wouldn’t be running away. The pictures are the real thing. This is the life you wanted. You don’t get to have it both ways. I bought everything. After it’s all played out, I can get some good work for you. I’m sure we can find you a fine story arc. You can be on TV as long as you want.”

“But I have to give up my family first?”

“You already gave them up, Eddie. You signed everything over to me for a thousand dollars a week. This isn’t a choice I’m offering you, some Faustian bargain. We struck that bargain months ago.”

“I can tear the whole thing down,” Eddie said. “I don’t care about some nondisclosure agreement. You can sue me if you want, because I’ve got nothing.”

For the first time that Eddie had ever seen, Moody lit the cigarette he kept forever in his mouth. It was the only sign that Eddie had made an impression.

“How much do you know about my background?” Moody asked after taking a long first drag.

“I read that you used to be some kind of priest, that you escaped from a monastery.”

“That’s slightly overdone,” Moody said. “I was never ordained. And I didn’t live at a monastery. I was staying at a retreat house in Minnesota, run by the Order of St. Clement. Spent the summer there after my first year at the seminary. I understand you went to Catholic school. Have you ever been in a place like that?”

“We did an overnight retreat each year up in Westchester. Mostly I remember being bored.”

“Imagine that, but for a few months. There were about a dozen permanent residents. Maybe another dozen visitors like me, on retreats. Not all seminarians — some parish priests and some laymen just looking to recharge, I suppose. The entire time I was there, I felt intensely lonely. There wasn’t anyone in particular I was missing. I wasn’t especially close with my family. I didn’t have many friends. I kept to myself anyway, so I thought this would be just the thing for me. But I was miserable. Then this film crew arrived. For years the order had been sending a priest around to parishes throughout the state, asking for money and recruiting people to come on retreats, but that was too expensive. They wanted to make a video to send around instead. When the crew got there, something lifted for me.”

He paused as if he had offered Eddie a kind of riddle.

“So you had some contact with the outside world. A bit of normal conversation.”

“It wasn’t really that. The film crew didn’t talk with us. They were big on that. They didn’t want to alter what they were observing. What lifted me was the idea that there was an audience. All my life I’d wanted to do good. I’d been an altar boy. I’d studied theology in college and gone to the seminary, where I was first in my class. But none of it mattered once no one was watching. If I believed in God, I would have believed that he was watching, right? But it turned out I didn’t. Somehow I got that far along without even asking myself the question.”

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