Mary Gaitskill - Veronica

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Veronica: краткое содержание, описание и аннотация

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Alison and Veronica meet amid the nocturnal glamour of 1980s New York: One is a young model stumbling away from the wreck of her career, the other an eccentric middle-aged office temp. Over the next twenty years their friendship will encompass narcissism and tenderness, exploitation and self-sacrifice, love and mortality. Moving seamlessly from present and past, casting a fierce yet compassionate eye on two eras and their fixations, the result is a work of timeless depth and moral power.

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Veronica had whole picture books of celebrities in her apartment, thick books by Richard Avedon and Helmut Newton, who were almost celebrities themselves. These books did not bewilder her; she understood them as vessels. I remember a picture of two slender, sinewy women in neon underwear, one bending over with perfectly straight legs and a perfectly straight back while the other one, perfectly erect and frontal, pretended to spank her with a paddle. Veronica’s apartment was a condominium that she worked double shifts for a year to buy, and it wanted very much to be perfectly elegant. It was like an aquarium of gray and chrome waiting for something perfect to be placed in it. These pictures were the first perfect things.

When Alain locked me out and stole my money, I went back home. Eventually, I moved to New York; eventually, I returned to modeling. Eventually, I lived in a big apartment, too. I remember returning home to my big apartment alone and drunk. Moving through rooms, turning on the lights. The buzz of my own electricity loud and terrible in my head. Someday to be cut off. That doesn’t happen when I go home to my place on the canal. I am glad to be there. I always turn on the space heater first thing, a wonderful humming box filled with orange bands of dry heat. Take off my wet shoes, sit in the chair, warming my wet feet. Look out the window, look at the wall. Travel slowly through the wall. My millions of cells meeting all its millions of cells. We swarm together like ants touching feelers. Now I know you. Good, yes, I know you. I have some coffee. Listen to the radio. This afternoon maybe I’ll call my father.

But not yet; I won’t go home yet. I’ll take the bus and go someplace beautiful and I’ll walk until I’m so tired that I won’t be able to stay awake tonight. So tired that my sleep will not be pestered by dreams or fairy tales.

At the end of the Naxos shoot, Lisa was not crying. Her face was ravaged and fevered, but she was erect, and her eyes were full of dull flame. She looked like a different person. She looked amazing. Alex moved about her, quick and silent. If he spoke, he did so in a very low voice, so that only she would hear him.

Everyone was so busy watching that I was the only one who saw the old Greek man. He was staring at Alex with a face of astonished disgust. His expression made me blush, and he wasn’t even looking at me. He took a step toward Alex, as if he meant to hit him. He stopped as if confused and wiped his mouth. He turned and walked away. He did not even come back to get paid.

Here’s the main street. Here’s the bus stop. Here’s a retarded girl coming toward me in a yellow slicker and baggy corduroy pants. She is dainty and shambling, with her big body and small feet, her ragged hems crushed and muddy under her heels. She comes close. Her fat, soft face is thick with feelings too blunt for words. Soft like paws, not nimble like fingers. Paws can read the earth better than fingers. I can feel her reading me, running her senses over the invisible scars left by my appetites, vanities, and passive cruelties. Feeling my secret mouth — still there, even if the fangs have fallen out. Don’t worry about me, I think at her. I am harmless. But she looks wary. She doesn’t answer my hello. She keeps her eyes on me till she’s passed.

When I returned home to New Jersey, everybody met me at the airport. My mother had a fake smile on her face, meant to shield me from her tears. Daphne did not smile. She looked at me calmly, except that her brow was knitted up so high, her eyes were almost popped. My father’s face had the awful tact of a witness to an accident with bloody people sprawled out naked. Sara was the only one who seemed the same. She glanced at me to be sure I was still there, then went back into herself.

I sat in the backseat with my sisters, as if we were children again. For a second, they held apart from me and then we were joined together in the old membrane. My mother had come back to my father just weeks earlier, and the membrane was active and vibrating with recent vigor.

“Do you want anything special to eat?” My father raised his eyes in the rearview mirror but did not look at me.

“I’ve made spaghetti,” said my mother.

“Spaghetti would be good,” I replied.

We drove past low-built gray stores set back in lots half-full of cars and hunks of dirty snow. Their lights were starting to come on. The Dress Barn, Radio Shack, the 99-Cent Store. My mother began to cry; her tears scalded my face.

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The bus is coming. I feel my fever subtly mount. A frowning young man, soft and slumped in his worn jacket, appears out of nowhere and flags the bus. It stops, popping open its door with a spastic rasp. The driver is small and bristling, with a lined face and jug ears. Hard and fiery, with a mouthful of spit waiting to be spat, he glares straight ahead as he pulls the door shut.

That night, I shared the big bed with Daphne. They had moved Sara into a small room in the basement, so we were alone. There was a desk where the maturity bed used to be. I piled my clothes on it until we could figure out what to do with them all. We brushed our hair and changed into flowered gowns. I walked around naked more than I had to. She looked away. We had emotions, but we held them back. Silence and stillness connected us. Silence and stillness were where we understood each other. We could still be children together there, and we were afraid to let adult emotions break it. We got into bed and shut off the light. I turned on my side. Silently, she put her arm around me. I took her hand and kissed it. We laced our fingers together and I kissed her hand again before resting it against my chest.

I sit next to a doughy girl with a stopped-up nose. Who’s the nose of God? The girl sniffs so hard, her head squeaks; she breathes softly through her mouth. Maybe the animals are in charge of smell. Taking everything into their hairy nostrils and translating it with their bodies, patiently putting it through each cell, each organ. Sitting and mulling it over with half-closed eyes. Licking their paws and sending it upward in an invisible skein of knowledge.

I enrolled in the community college. Daphne was already there. Sara had dropped out of school and taken a job at an old people’s home a few blocks over. She didn’t yell anymore. There were no boys to slap her ass. She came home from work and went down into the basement. It was winter and we could hear her hacking cough rise all the way up to the second floor. It was winter and my mother’s skin dried and her face grew thin and shrunken. I might look at her in her rubber boots and her wool cap pulled down over her forehead, the wool darkening with sweat as she worked to scrape ice off the chugging car, and I would think, No sexy pantsuit now. Nobody wants you now! And with that thought, my heart contracted and the world shrank around me so fast that I thought it would crush me. Every morning, my father got up looking like he felt the same way. The expression on his face said that the world shrank around him every day, so close in that it was hard to move. The expression on his face said that he pressed against the hard case of the shrunken world and pushed it back with every step. It was an expression I knew without knowing. I put my forehead down and I helped him push.

Our father dropped Daphne and me off at the college before he went to his job. He let us off at the end of the parking lot and we walked a long concrete path caked with blue-and-gray ice that gleamed on sunny days. The school was small and dingy. The people inside it stared at me like I was a stuck-up bitch. To get away from their stares, I climbed further up my stick. But I didn’t feel stuck-up. I felt scared. I felt like I had to prove I was smart enough to go to college. I worked hard. I wrote poems. The poetry teacher was a little man with sparse hair on his dry head and spotted, trembling hands. But I loved him because he wrote “very good” on my poems. At the end of the day, Daphne and I would sit in the Student Union eating sweetened yogurt and dime doughnuts. Night students came and stood in the cafeteria line. At six o’clock, we walked back down the concrete to meet the car.

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