George Saunders - CivilWarLand in Bad Decline - Stories and a Novella

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CivilWarLand in Bad Decline: Stories and a Novella: краткое содержание, описание и аннотация

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Funny, sad, bleak, weird, toxic — the future of America as the Free Market runs rampant,the environment skids into disarray, and civilization dissolves into surreal chaos. These wacky, brilliant, hilarious and entirely original stories cue us in on George Saunder's skewed vision of the legacy we are creating. Against the backdrop of our devolvement, our own worst tendencies and greatest virtues are weirdly illuminated.

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“Gracious!” Krennup says jovially once Kenny’s out of earshot. “Did I ever take that asshole to the cleaners! At any rate, welcome to Missouri. You must be stiff as a board. Want out of that contraption? How about a little exercise and some lunch?”

I nod. He unstraps me, then flattens me with one blow of the oar. I struggle to my feet and he knocks me down again. He asks what I like best about myself and hits me until I admit I like nothing. Then he asks what I want from life and keeps hitting until I admit I want nothing. He asks what I treasure and love above all else and I say Connie. He hits. I say Connie. He hits. Finally I admit I love nothing. Wonderful, he says, then hits me once just for fun. Who is this Connie slut? he asks. Nobody, I say. Wrong answer, he says, she’s a worthless dirtbag and you despise her. All right, all right, I say, she’s a worthless dirtbag and I despise her. Then he hits me three times quick for selling Connie out so easily. He tells me to bark like a dog. I bark like a dog. He tells me to call him Most High and eat a handful of dirt. I do so. He fits me with a new Flawed bracelet and asks me who took off my old one. I immediately implicate Doc Spanner. He scribbles Docs name down and pledges to get it to the proper authorities.

“Now,” he says. “I should tell you that, appearances notwithstanding, I am neither an angry nor a cruel man. I do not dislike you and, if truth be told, do not for an instant buy into the idea that you and your kind are somehow inferior to me, or deserving of subjugation. Nevertheless, you will observe me to be, to say the least, the proverbial harsh taskmaster. Why? you might ask. In a word: Carlotta Bins. The most beautiful woman in Missouri, who because of my rough-hewn appearance has declared herself out of my reach, unless I impress her in some less aesthetic-based arena. And I have chosen my arena, and it is to be slave trading, which will garner me money, money, money, which will translate into power, power, power, and houses, houses, houses, and a wardrobe suitable for my lady, the charmed, raven-tressed, irrepressible Carlotta. And you, sir, you are important to me, wildly important, in that the price I get for you will enter my coffers, where it will sit garnering interest until such time as it is part of an absolutely undeniable nest egg. In keeping with my stated intentions, you will spend this evening in unpleasant solitude, thereby becoming further distanced from your true self and more amenable to my every whim. This regimen of daytime beatings and lonely nights will continue until such time as there is nothing remaining of your free will and you have become the oft-cited putty in my hands, after which we will set out for Sarcoxie, where I will sell you and others of your ilk at tremendous markup.”

He helps me up and guides me to a dank cage at tree line. He throws in some moldy ancient airline peanuts, then jabs me with the oar for not saying thanks. Finally he goes away. I sit ashamed in my cage. Who am I? I would have done anything to stop the hitting. Anything. So much for human dignity, I think, a few whacks in the ribs and you’re calling a fat guy God and eating soil at his request. He was hitting me, I think: me. A nice guy. A friendly guy. The guy voted Least Likely to Object for three years running. Who in the world is he to be hitting me?

I long for a kind word, for a meal, for my bunk and locker, for Bounty Land.

At dawn Krennup’s leaning against my cage with a doughnut in his mouth. He sets his coffee down and opens the door and tells me to step out. I do so. He cracks me in the back of the legs until I’m on my knees, then tells me to get up because I’m on the clock. Then he knocks me down again and with his foot on my chest explains that per Federal Mandate 12 I’m to be compensated for my involuntary servitude. However I’m also to be charged for my food and water and for every minute he has to spend reprimanding me or beating me senseless or even thinking about me. Whatever money is left, which invariably will be exactly nothing, will be deposited in his bank account, for disbursement whenever he sees fit, which will typically be never.

He asks do I understand. Before I can answer he whacks me. After he whacks me I say I understand and it’s all fine with me. He whacks me for volunteering information he didn’t request, then ties me to a post near six Porta Pottis slanting like bad lime-green teeth. Every half hour he comes out and beats me up. I get no food. I get no water. Whenever I fall asleep he sends over a lackey to burn me with a match. He parades his other Flaweds by and they make fun of my claws and spit on me and tell me to quit being snotty and join the club so we can head west. I humiliate myself by telling them I’d very much like to join the club and begging Krennup to untie me. Finally after three days he does. I’m so happy I try to hug him and he knocks me down in the dirt with his oar and says my cheekiness has just earned me two additional days.

And when those two days are up I don’t hug or thank him, I meekly shuffle, I flinch, I hear voices, I drool, I follow him into the trailer and stand on a milk crate in a crap-coated stall, where four elderly Flaweds check me for body lice, then dress me in coarse baggies and lead me to a wagon driven by Mollie, a hag whose Flaw is a colossal turkeyneck.

She gives me a friendly smile while smearing antibiotic on her wattles, then hops down and adds me to a line of thirty Flaweds chained to the back of the wagon.

And off we go.

We plod through Eureka and Pacific, camp in a foundry parking lot, get up at the crack of dawn and start south again, past porches overgrown with lilac and piles of junk bikes being sold piecemeal for shack frames. It’s Sullivan, Rolla, Hazelgreen, and Sleeper, where a field behind a former mall is full of singing teens digging roots by torchlight. The days are a blur of fences, distant hills, senior citizens selling moist towelettes on the shoulder. The air smells of fried chicken and coffee, there are laughing girls on porches, tumbling puppies chasing ducks, long tables of steaming food in the sunlight, but none of it’s for us. We get eight Sterno-warmed pork nuggets and a sip of water a day. We get Mollie chirping about the beauty of the land while rubbing bagbalm into our shacklesores. You’d think we’d devise an escape plan or share childhood memories while developing bonds of camaraderie to last a lifetime. But no. We slander one another. We bicker. We victimize an asthmatic ex-database guru from Detroit by stealing his nuggets whenever he has a coughing fit.

By Lebanon I’m bleeding at the claws and Krennup’s composing love songs to Carlotta while slugging brandy on the back of the wagon. We double-time through Marshfield and Strafford and get pelted with eggs by frat boys in Springfield and drenched to the bone in Mt. Vernon while waiting for Krennup to come out of a tavern. When he does it’s with a mob of drunks and he makes me show my feet so they can compare my claws with an almond held by the tallest drunk, and the drunks conclude that every one of my claws is indeed bigger than the almond and give Krennup a dollar each, then tromp inside cackling while I stand barefoot in the freezing rain.

Next morning he wakes us before dawn and marches us out to the Sarcoxie slavemart, a fenced-in mudpatch behind a firebombed Wendy’s.

“Best foot forward, folks,” he says, giving Mollie a playful tug on the wattles. “The sooner I sell you misanthropes, the sooner I get home and wow Carlotta with the profits.”

All morning I stand on a stump as buyers file by. They take souvenir photos of my claws, using pens and matchbooks for scale. They note the cracked flesh and the swelling and doubt aloud my ability to handle fieldwork. They ask can I cook. I say no. They ask can I build furniture or supervise a cleaning staff or create interesting pastries. I say no no no. By dinnertime it’s just me and a set of Siamese twins and a few double amputees sitting hopefully on crates.

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