John Barth - The Sot-Weed Factor

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The Sot-Weed Factor: краткое содержание, описание и аннотация

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Considered by critics to be Barth's most distinguished masterpiece,
has acquired the status of a modern classic. Set in the late 1600s, it recounts the wildly chaotic odyssey of hapless, ungainly Ebenezer Cooke, sent to the New World to look after his father's tobacco business and to record the struggles of the Maryland colony in an epic poem.
On his mission, Cooke experiences capture by pirates and Indians; the loss of his father's estate to roguish impostors; love for a farmer prostitute; stealthy efforts to rob him of his virginity, which he is (almost) determined to protect; and an extraordinary gallery of treacherous characters who continually switch identities. A hilarious, bawdy tribute to all the most insidious human vices,
has lasting relevance for readers of all times.

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"I say, friend, have you heard of Eben Cooke, that was wont to call himself Laureate of Maryland?"

"Eben Cooke?" The man's face brightened. "Why, that I have, sir; he's the wight that runs the Cooke's Point whorehouse with Bill Smith."

The poet's heart tingled; it appeared that his inference had some truth in it. "Aye, that's the man. But you've ne'er laid eyes on him, have you?"

"Indeed, Sir Benjamin, I've met the man but once, some days since — "

Ebenezer frowned, for he had been about to reveal himself. "You say you've met him?"

"Aye, that I did, sir, just once, in the very spot thou'rt standing now. An average-looking fellow he was, naught to set him off. Folks claimed he was looking for a wench that had run off from Malden — one o' the friskers, don't ye know — but I'll own he made no mention of't to me."

The innkeeper grinned. " 'Twas the Virgin he was after, we all knew well, and had he come a few days sooner we'd have steered him to her. But by then she was Lady Rumbly, don't ye know, and de'il the man of us would lead him to Billy's wife, for all she's a simple whore. 'Twas lucky Sir Harry wasn't about. ." In defense of his characterization of Miss Bromly, which Ebenezer questioned, the innkeeper reaffirmed his conviction that she was a fugitive prostitute from Malden. The poet did not insist the contrary, both because he wished not to alienate the innkeeper and because he was suddenly struck by an alarming notion: could it be that the Church Creek Virgin was not really Miss Bromly at all, but poor Joan Toast? Certain features of the story definitely argued for the notion: the girl's competent defense of her chastity (had not Joan, on the night he abandoned her, proposed a life of mutual celibacy in London?), her general independence and toughness of spirit (which surely did not suggest the demure Miss Bromly), her understandable confusion of Billy Rumbly with Henry Burlingame, and, alas, even her final succumbing to abduction by an Indian. But perhaps the most revealing detail of all was that hysterical moment when "Miss Bromly" had insisted that her name was Anna Cooke: that Joan, driven mad with despair, should identify herself not only in the tavern but in her own mind with the person whose ring she wore, the person of whom she could very probably have learned to be supremely jealous — this struck him with a force like that of certainty, and his conscience groaned at the blow.

But his immediate objective, however trifling by comparison, made it necessary to postpone these reflections. He changed his mind about revealing his true identity and came to his point by a different route. " 'Tis not really Eben Cooke I am concerned with; I merely wished to test whether thou'rt a man of the world, so to speak. Now I am a stranger to this province, friend, but 'tis said a bachelor need no more sleep alone here than in London, thanks to a string of gay establishments like Malden. 'Tis only natural a man should wonder whether a genial house such as this. ."

He allowed the innkeeper to complete the clause; the fellow's eyes were merry, but he shook his head.

"Nay, worse luck, Sir Benjamin; old Sir Harry ne'er durst make a regular stews o' the place for fear some clever Jack might roger Henrietta for a whore."

The poet reluctantly abandoned his theory — somewhat relieved, however, that the inn was not really a brothel, for he scarcely knew how he would have retreated otherwise from his inquiry.

"All the same, I'd not have ye think there's no sport to be had in Church Creek," the innkeeper continued. "How would it strike ye if I should say that the lady ye must apply to is the selfsame lady ye rode in with this noon?"

"Nay!"

"I swear't!" The innkeeper beamed triumphantly. "Her name is Mary Mungummory, the Traveling Whore o' Dorset — she's but the Mother Superior now, ye understand — and I'll wager the price of admission she can find some manner o' — Hi, there! Speak of the devil!"

Ebenezer followed the man's eyes and saw that Mary had just entered the room and was looking worriedly about. He caught her eye, and as she approached his table the innkeeper excused himself, saluted her cordially, and declared with a wink that Sir Benjamin had business to discuss with her.

"I feigned to mistake this inn for a brothel," Ebenezer explained as soon as they were able to talk, and told her briefly of his hypothesis and its failure.

"I might have spared ye that fiction, had ye asked me," Mary said. "I vow, Mr. Cooke, I don't know what hath possessed poor Roxie!"

"Is she worse, then?"

"She is cousin-german to a Bedlamite!" The miller himself, she went on to say, was no better or worse than before, but Mrs. Russecks, so far from regaining her composure after Ebenezer's departure, had grown steadily more distracted and unreasonable: she fell by turn into fits of cursing, weeping, and apathy; Mary's attempts to divert her with stories of Henry Burlingame and Billy Rumbly had only provoked fresh outbursts; Henrietta herself had been screamed at and banished from the chamber.

"Methinks 'twas not you that set her off," Mary asserted, "else why would she treat Henrietta so harshly? What's more, she seems as wroth with herself as with any soul else; she tears her hair, and rakes her cheeks, and curses the day of her birth! Nay, Mr. Cooke, I am more persuaded than ever 'tis the shock o' the day's events hath fair unhinged her, naught more mysterious; but I fear this night she'll fling away the pins and ne'er hinge back."

Ebenezer was not convinced, but he could offer no more plausible hypothesis. He called for two glasses of beer, and when Mary had finished relating her news to the other patrons, he told her of his firm belief that the Church Creek Virgin was in fact Joan Toast. She scoffed at the notion at first, then listened in amazement, perplexity, and mounting concern.

"There's naught I can say to rebut ye," she admitted finally, "albeit I can't see why she pitched on the name Meg Bromly. Still, 'tis as good as another, I daresay."

"I am convinced 'tis she!" the poet declared, and tears started in his eyes. " 'Sheart, Mary, what miseries have I not brought on that girl? Would God I might fly to her this night and beg for retribution! Would Heav'n — "

An expression of horror on Mary's face arrested him; looking beyond him while he spoke as had the innkeeper, she too had seen someone come in, and her reaction was frightening to behold. Ebenezer's flesh crawled.

"Is't Harry Russecks?" he whispered.

"Dear Christ!" moaned Mary, and, expecting the worst, Ebenezer turned to see for himself. The new arrival was not Harry Russecks, but a slight statured gentleman whom the other patrons rose to greet. The poet's heart sprang up; he moved his mouth to call "Henry!" and realized just in time to check himself that this man was not the "Nicholas Lowe" Burlingame but the Burlingame of St. Giles, grown fifteen years older and tanned by the Maryland sun: that is to say, not Burlingame at all…

" 'Tis my Charley Mattassin come from the dead!" Mary cried aloud.

"Nay, Mary," Ebenezer whispered. " 'Tis Billy Rumbly!"

Everyone in the room was startled by the outburst. Rumbly himself broke off his salutations and looked over with a puzzled smile. Two of his friends murmured something, but he ignored them and came towards the poet's table, where, still smiling, he bowed slightly to Ebenezer and addressed the ashen-faced woman.

"I beg your pardon, madam, but I must know whether you did not speak the name Charley Mattassin just then." His voice, Ebenezer observed, was of the same timbre as Burlingame's, but the accent was more continental than English.

"Thou'rt the breathing image o' thy brother!" Mary replied, and began to weep unashamedly. The other patrons came over to see what was the trouble; Billy Rumbly politely requested that they permit him to learn for himself, and they retired.

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