Adam Foulds - In the Wolf's Mouth

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In the Wolf's Mouth: краткое содержание, описание и аннотация

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A new novel by the author Julian Barnes called “one of the best British writers to emerge in the last decade”. Set in North Africa and Sicily at the end of World War II,
follows the Allies’ botched “liberation” attempts as they chased the Nazis north toward the Italian mainland. Focusing on the experiences of two young soldiers — Will Walker, an English field security officer, ambitious to master and shape events; and Ray Marfione, a wide-eyed Italian American infantryman — the novel contains some of the best battle writing of the past fifty years. Eloquent on the brutish, blundering inaccuracy of war, the immediacy of Adam Foulds’s prose is uncanny and unforgettable.
The book also explores the continuity of organized crime in Sicily through the eyes of two men — Angilù, a young shepherd; and Cirò Albanese, a local Mafioso. These men appear in the prologue and in the book’s terrifying final chapters, making it evident that the Mafia were there before and are there still, the slaughter of war only a temporary distraction.
In the Wolf’s Mouth

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‘You are American soldier.’

‘That’s right.’

‘You are young.’

Some kind of shock went through his body, tightening every muscle. His feet pushed down, his hands gripped the cover. When the spasm let go of him, he sank back down, soft and weak. ‘Don’t make me go back. I ain’t going back.’

‘There is a place,’ she said. ‘Do you speak French? French is better.’

‘I don’t speak no French. Are you French?’

‘You put blood everywhere,’ she said. ‘The servant will want to know. But it is fine.’ She stood up from the bed and went over to the dressing table.

‘What?’ His head, as he raised it from the pillow, felt heavy and unstable. She had a small pair of scissors in her hand. Its little silver beak was open.

‘It is fine,’ she said and dashed the scissors against her arm. She looked, unsatisfied, at the result. She did it again. ‘There,’ she said. ‘What an accident.’ She did it one last time and swore, throwing the scissors onto the floor. She held out her left arm and Ray could see blood tapering down to the ends of her fingers, hanging in red droplets. ‘See. Accident, look.’ She shook drops of blood onto the dressing table then walked over to the bed and wiped her hand on the covers and the pillow.

‘There is a place,’ she said in a whisper, leaning over him. ‘But you must make no sound. Why do you cry?’

‘Don’t,’ he said, holding the covers up to his chin. ‘Don’t hurt yourself.’

25

The Americans arrived from Palermo in a jeep. A message from their superiors in Messina had alerted the British in Sant’Attilio that they were coming.

Samuels led in three men, Major Kelly, his subordinate and the local contact. Kelly removed his hat to wipe his forehead and revealed dark red hair, the colour, Will thought, of a red setter’s. This made Will think of dogs and the black Lab, Teddy. How was he getting on back home? Major Kelly said, ‘Good afternoon, gentlemen.’ He wore round spectacles. His skin was pale and blotched by the heat. Despite his American baritone, Major Kelly was clearly an Irishman, his parents or grandparents had been immigrants. Another American pretending to be an American. As an Englishman, Will could see what he was underneath. The underling was of the neat and healthy American type, square-headed with fair eyebrows and blue eyes watching the major to anticipate his needs. The third man was the local, a heavy, middle-aged man with large hands, slow and economical in his movements.

‘Shall we?’ Will said and led on to the room where a table was prepared with glasses, paper, ashtrays, and where the local police chief sat waiting with Sergeant Whelan of the Metropolitan Police Force.

The Sicilian absorbed his surroundings, raising his eyebrows. He reached out and touched the painted walls and felt the doorknob.

‘I won’t keep you long,’ said Major Kelly as he sat down. ‘Gentlemen.’ He nodded at the policemen. ‘I’m sure we’ve all got plenty to do getting Sicily back on her feet. I’m here to introduce you to Mr Albanese who is returning to Sant’Attilio after a long time. His anti-Fascist stance meant he had to flee to the land of freedom some twenty years ago.’

‘How do you do?’ said Will.

Major Kelly glanced up, surprised at the interruption. ‘Good, good. Get to know each other,’ he said and went on, ‘Mr Albanese has been of great aid to us, providing a good deal of useful information. He’s well connected here, of course, his family and so forth, and despite his long absence will be able to help you in the business of defascistification.’ Major Kelly whistled. ‘That’s a hell of a word. A man ought to be allowed a drink before he attempts it.’

‘Quite,’ Will said, thinking that of course Kelly, being an Irishman, would welcome that arrangement.

Albanese spoke suddenly. ‘Hey. You got a cigarette?’

‘Oh, surely.’ Will patted his pockets. ‘I’ve got some somewhere.’

‘Here.’ Samuels leaned across the table and offered his open packet, cigarettes steepled towards Albanese.

‘Thanks.’ The Sicilian then accepted a light offered by Kelly’s subordinate. ‘You Italian?’ Albanese asked.

‘Me?’ Samuels pointed at himself. ‘No. No, I’m from London.’

‘You look like you could be Italian.’

‘He’s a Jew,’ Will explained.

‘Is that right?’

Samuels nodded.

‘I knew Jews in New York. Smart guys. You got people there?’

‘Some, I think. My mother’s brother went there. We don’t hear very much from them.’

‘You should go over and find him. Family, you know. And maybe you’ll like it.’

‘Perhaps one day I will. The rest of them, who aren’t in England, are in Poland. I’d like to go and find them too.’

‘So,’ Will interrupted, ‘you live here? In Sant’Attilio?’ But Albanese hadn’t finished.

‘It was a Jewish guy made this suit.’

Will smirked at that. ‘It’s a beautiful suit.’

‘The best.’

‘So you live here in Sant’Attilio?’ Will repeated.

‘That’s right. My wife. My family.’

‘So, you’ll be on hand.’ Albanese said nothing. ‘You’ll be nearby.’

Albanese exhaled smoke and shaped the tip of his cigarette against the glass of the ashtray.

‘Whatever you need. A lot of these Fascists, they’ll act like they’ve done nothing. And you won’t know who they are, who’s innocent, who’s guilty. But I can help you. I can show you around, make friends for you, make you at home.’

‘Allow me to introduce you …’

‘I allow you. You’re allowed.’ Albanese interrupted and turned his smiling face around the company, looking for amusement at his joke.

‘This is Sergeant Whelan. He’s come from the Metropolitan Police in London to help with the re-establishment of law and order here.’

‘And this is Captain Michele Greco of the local police. Did you two ever meet?’

‘No. I don’t think we did.’

‘No, we haven’t met.’ Greco wriggled upright in his seat. Albanese said something to him in Italian and the two men exchanged words too rapidly for Will to understand. The up and down melody of the language threw up quick crenellations of sound. Afterwards, Albanese said in English. ‘We are going to work great together. Greco here understands me. He knows I am a man of respect.’ Albanese translated that phrase into Italian and Greco, frowning, confirmed this with an inclination of his head.

‘That sounds like what I wanted to hear,’ announced Major Kelly. ‘And with that, I shall return to Palermo. Gentlemen.’

Outside, Cirò detained the Americans with questions to which he already knew the answers, long enough for people to see them together. He wore his new hat. He shook their hands and gave them advice. He patted the younger one on the shoulder. On the other side of the road, three young boys sat with their arms folded.

While the jeep bounced away, Cirò beckoned the boys over. They sauntered across, loose and casual, not too interested, but Cirò could see the dissembled haste, the urgency: they were coming like cats at feeding time.

‘Here, ever seen these?’ Cirò pulled out of his pockets some American coins. ‘They’re from America, the US. You want them? You can have them. I’ve got plenty more.’

Cirò walked away, up to the square and past the church, past Tinu, and up the narrow street under lines of laundry hung in careful mirroring patterns — socks, underwear, vests, shirts, nightshirts, shirts again, vests, underwear and socks — to the house where he now lived.

He found Teresa and kissed her on the back of the neck. She sank heavily in his arms. ‘You can’t wear black for much longer. One more week. People will understand. It’s different because I’m back.’

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