Richard Ford - The Sportswriter

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As a sportswriter, Frank Bascombe makes his living studying people-men, mostly-who live entirely within themselves. This is a condition that Frank himself aspires to. But at thirty-eight, he suffers from incurable dreaminess, occasional pounding of the heart, and the not-too-distant losses of a career, a son, and a marriage. In the course of the Easter week in which Ford's moving novel transpires, Bascombe will end up losing the remnants of his familiar life, though with his spirits soaring.

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After about a month, a fat letter — the first of several from Peggy Connover — arrived at the house, full of talk about her kids, humorous remarks about her welfare, her weight, her ailments, about Van, whom she’d decided to go back to live with, what plans she was making for their life; but also about stories of mine she’d read in the magazine and had comments on (she liked some but not every one), all of it in the same chatty voice as when we’d talked, closing each time with “Well, Frank, hope to see you again real soon. Love, Peg.” All of which I was happy to hear about, and even answer a time or two, since it pleased me that, as we had never been more than friends, we could still be, with everything hunky-dory. And it pleased me that somewhere out in the remote world someone was thinking of me for no bad reason at all, and even wishing me well.

These, of course, were the letters X found in the drawer of my desk when she was looking for the sack of silver dollars she feared might’ve been stolen. And it was these letters that in some way made our life seem to break apart for her, and made continuing somehow seem impossible (I found it likewise impossible to explain anything then, since much else was wrong already). X believed, I think, when she read Peggy Connover’s letters, that if these chatty, normal over-the-fence-sounding sentiments were hidden there in my drawer (they weren’t hidden, of course), in all probability more letters full of similar good sense and breezy humor were going out (she was right). And that there was none of that around the house for her. And she began to think, then, that love was simply a transferable commodity for me — which may even be true — and she didn’t like that. And what she suddenly concluded was that she didn’t want to, or have to, be married to someone like me a second longer — which is exactly how it happened.

O utside, it is no longer snowing, but the streets impress me as too icy to risk a rental car. Our time in town feels already much too short, and in bad weather even the idea of the botanical garden begins to sink into the unlikely zone — though for Vicki, my guess is, it will make no difference.

I’m sorry, however, to miss a renter. There is nothing quite like the first moments inside a big, strapping fleet-clean LTD or Montego — mileage checked, tank full, seat adjusted, the heavy door closed tight, the stirring “new” smell in your nostrils — the confidence that here is a car better even than the one you own (and even better than that, since you have only to ask for another one if this one craps out). To me, there is no feeling of freedom-within-sensible-limits quite like that. New today. New tomorrow. Eternal renewal on a manageable scale.

I walk down to the snowy cab queue at Larned Street, but as I reach the icy corner I am stopped short and for a moment by a sound. On the chill Saturday morning airs, a faint hsss murmurs up the city streets from the sewers and alleyways, as if a cold wind was thrashing ditch grass somewhere nearby and, out here near the river, on the edge of things, I was in danger. Of what I have no idea. Though what I know, of course, is that I am running a tricky race now with my spirits, trusting my enthusiasm will outstrip the perils of usual, mid western literalness which can gang up against you quick and do you in like a doomed prisoner.

My cab driver is a giant Negro named Lorenzo Small wood, who reminds me of the actor Sydney Greenstreet, and who drives with both arms straight out in front of him. On the dashboard he has an assortment of small framed pictures of babies, two pairs of baby shoes and a mat of white fringe, though he is not much for talking, and we get quickly out into the snowy traffic, weaving around dingy warehouse blocks and old hotels to Grand River, then head for the northwest suburbs. It is faster today, Mr. Smallwood says with humming uninterest, to stay on the “real streets,” and avoid “the Lodge,” where it’s already wall-to-wall assholes heading for their cabins up north.

Strathmore, Brightmoor, Redford, Livonia, another Miracle Mile. We speed through the little connected burgs and townlets beyond the interior city, along white-frame dormered-Cape streets, into solider red-brick Jewish sections until we emerge onto a wide boulevard with shopping malls and thick clusters of traffic lights, the houses newer and settled in squared-off tracts. Outside everyone is “dressed for it,” a point of traditional pride among Michiganders. A freak spring snowstorm means nothing. Everyone still has “snows” on his Plymouth, and a winter face of workmanlike weather how-to. Michigan is a place where every man is handy with a jumper cable, a metal lathe and a snow blower. The mechanical nuts-and-bolts of anything is never a problem here. It’s what’s reliable and appealing in such an otherwise gray and unprepossessing panorama.

Far out crowded Grand River I am struck by what seems like thousands of restaurants, and by how dedicated the population is to going out to eat. As much as cars, meals are what’s on people’s minds. Though there is a small and heart-swelling glory to these places — chop houses, hofbraus, rathskellers, rib joints, cafés of all good quality. Part of life’s essence is here. And on a brooding spring eve, a fast foray out to any one of them can be just enough to make any out-of-the-way loneliness bearable another nighttime through. In most ways, I can promise you, Michigan knows exactly what it’s doing. It knows the enemy and the odds.

Mr. Smallwood pulls into a white enamel drive-in called The Squatter, and asks if I want a sinker. I am full to the gills from breakfast, but while he is inside I step out and give a call back to the Pontchartrain. I have briefly won back some enthusiam for the day — the buzzing in my stomach having subsided — and I want to share it all with Vicki, since there is no telling what new world and circumstances she has waked to, given the night’s shenanigans and the strange, whitened landscape confronting her in the daylight.

“I was just lay in here watching the television,” she says in a bright voice. “Just like you said for me to do in your cute note. I already ordered up a Virgin Mary and a honey pull-apart. There’s nothing on TV yet, though. A movie’s next, supposedly.”

“I’m sorry about last night,” I say softly, my voice taking a sudden decibel dive, so that I can barely make it out myself in the traffic noise on Grand River.

“What happened last night, lessee?” I can hear the TV and the sound of ice cubes in her Virgin Mary tinking against the glass. It is a reassuring sound, and I wish I could be there to snuggle up under the warm covers with her and wait for the movie.

“I wasn’t at my best, but I’ll do better,” I say almost soundlessly. I smell warm hash browns, a waffle, an order of French toast humming out of The Squatter’s exhaust fan, and I am suddenly starving.

“This hotel’s a good place to spend your money,” she says, ignoring me completely.

“Well then, go spend some.”

“I’m watching something real cerebral right now,” she says, distracted. “It’s about how the government takes back fifteen tons of old money every week. Mostly just ones. That’s the work-horse bill. A hundred-dollar bill lasts for years, though it dudn’t in my pocket, I’ll tell you that. They are trying to figure out how to make shingles out of them. But right now all they can make is note pads.”

“Are you having a swell time?”

“So far.” She laughs a happy girlish laugh. I see Mr. Smallwood come rolling out the front of The Squatter, a small white paper bag in one huge hand and a sinker half in his mouth. The snow has already begun to melt to slush in the curb gutters.

“I love you, okay,” I say, and suddenly feel terribly feeble. My heart pounds down on itself like an anvil, and I have that old ague-sense that my next breath will bring down a curtain of bright red over my eyes, and I will slump to the phone booth glass and cease altogether. “I love you,” I hear myself murmur again.

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