Richard Ford - Independence Day

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The Pulitzer-Prize Winning novel for 1996.In this visionary sequel to
, Richard Ford deepens his portrait of one of the most unforgettable characters in American fiction, and in so doing gives us an indelible portrait of America. Frank Bascombe, in the aftermath of his divorce and the ruin of his career, has entered an "Existence Period," selling real estate in Haddam, New Jersey, and mastering the high-wire act of normalcy. But over one Fourth of July weekend, Frank is called into sudden, bewildering engagement with life.
is a moving, peerlessly funny odyssey through America and through the layered consciousness of one of its most compelling literary incarnations, conducted by a novelist of astonishing empathy and perception.

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“Trust’s for the birds,” I say, my arms still around her. I live for just these moments, the froth of a moment’s pseudo-intimacy and pleasure just when you don’t expect it. It is wonderful. Though I don’t believe we have accomplished much, and I’m sorry.

“Well,” Sally says, regaining her footing and pushing my cloying arms off in a testy way without turning around, making for the door, her limp now detectable. “Trust’s for the birds. Isn’t it just. That’s the way it has to be, though.”

“I’m pretty hungry,” I say.

She walks off the porch, lets the screen slap shut. “Come in then and eat your bow ties. You have miles to go before you sleep.”

Though as the sound of her bare feet recedes down the hall, I am alone in the warm sea smells mixed with the driftwood smoke, a barbecue smell that’s perfect for the holiday. Someone next door turns on a radio, loud at first, then softer. E-Z Listn’n from New Brunswick. Liza is singing, and I myself drift like smoke for a minute in the music: “Isn’t it romantic? Music in the night … Moving shadows write the oldest magic … I hear the breezes playing … You were meant for love … Isn’t it romantic?”

A t dinner, eaten at the round oak table under bright ceiling light, seated either side of the vase sprouting purple irises and white wisteria and a wicker cornucopia spilling summery legumes, our talk is eclectic, upbeat, a little dizzying. It is, I understand, a prelude to departure, with all memory of languor and serious discussion of love’s particulars off-limits now, vanished like smoke in the sea breeze. (The police have since arrived, and the firemakers hauled off to jail the instant they complained about the beach being owned by God.)

In the candlelight Sally is spirited, her blue eyes moist and shining, her splendid angular face tanned and softened. We fork up bow ties and yak about movies we haven’t seen but would like to (Me— Moonstruck, Wall Street; she— Empire of the Sun , possibly The Dead); we talk about possible panic in the soybean market now that rain has ended the drought in the parched Middle West; we discuss “drouth” and “drought;” I tell her about the Markhams and the McLeods and my problems there, which leads somehow to a discussion of a Negro columnist who shot a trespasser in his yard, which prompts Sally to admit she sometimes carries a handgun in her purse, right in South Mantoloking, though she believes it will probably be the instrument that kills her. For a brief time I talk about Paul, noting that he is not much attracted to fire, doesn’t torture animals, isn’t a bed-wetter that I know of, and that my hopes are he will live with me in the fall.

Then (from some strange compulsion) I charge into realty. I report there were 2,036 shopping centers built in the U.S. two years ago, but now the numbers are “way off,” with many big projects stalled. I affirm that I don’t see the election mattering a hill of beans to the realty market, which provokes Sally to remember what rates were back in the bicentennial year (8.75 %), when, I recall to her, I was thirty-one and living on Hoving Road. While she mixes Jersey blueberries in kirsch for spooning over sponge cake, I try to steer us clear of the too-recent past, talk on about Grandfather Bascombe losing the family farm in Iowa over a gambling debt and coming in late at night, eating a bowl of berries of some kind in the kitchen, then stepping out onto the front porch and shooting himself.

I have noticed, however, throughout dinner that Sally and I have continued to make long and often unyielding eye contact. Once, while making coffee using the filter-and-plunger system, she’s stolen a glimpse at me as if to acknowledge we’ve gotten to know each other a lot better now, have ventured closer, but that I’ve been acting strange or crazy and might just leap up and start reciting Shakespeare in pig Latin or whistling “Yankee Doodle” through my butt.

Toward ten, though, we have kicked back in our captain’s chairs, a new candle lit, having finished coffee and gone back to the Round Hill. Sally has bunched her dense hair back, and we are launched into a discussion of our individual self-perceptions (mine basically as a comic character; Sally’s a “facilitator,” though from time to time, she says, “as a dark and pretty ruthless obstructor”—which I’ve never noticed). She sees me, she says, in an odd priestly mode, which is in fact the worst thing I can imagine, since priests are the least self-aware, most unenlightened, irresolute, isolated and frustrated people on the earth (politicians are second). I decide to ignore this, or at least to treat it as disguised goodwill and to mean I, too, am a kind of facilitator, which I would be if I could. I tell her I see her as a great beauty with a sound head on her shoulders, who I find compelling and unsusceptible to being made up in the way I explained earlier, which is true (I’m still shaken by being perceived as a priest). We venture on toward the issue of strong feelings, how they’re maybe more important than love. I explain (why, I’m not sure, when it’s not particularly true) that I’m having a helluva good time these days, refer to the Existence Period, which I have mentioned before, in other contexts. I fully admit that this part of my life may someday be — except for her — hard to remember with precision, and that sometimes I feel beyond affection’s grasp but that’s just being human and no cause for worry. I also tell her I could acceptably end my life as the “dean” of New Jersey realtors, a crusty old bird who’s forgotten more than the younger men could ever know. (Otto Schwindell without the Pall Malls or the hair growing out my ears.) She says quite confidently, all the while smiling at me, that she hopes I can get around to doing something memorable, and for a moment I think again about bringing up the Marine cuff links and their general relation to things memorable, and possibly dropping in Ann’s name — not wanting to seem unable to or as if Ann’s very existence were a reproach to Sally, which it isn’t. I decide not to do either of these.

Gradually, then, there comes into Sally’s voice a tone of greater gravity, some chin-down throatiness I’ve heard before and on just such well-wrought evenings as this, yellow light twiny and flickering, the summer heat gone off, an occasional bug bouncing off the front screen; a tone that all by itself says, “Let’s us give a thought to something a little more direct to make us both feel good, seal the evening with an act of simple charity and desire.” My own voice, I’m sure, has the same oaken burr.

Only there’s the old nerviness in my lower belly (and in hers too, it’s my guess), an agitation connected to a thought that won’t go away and that each of us is waiting for the other to admit — something important that leaves sweetly sighing desire back in the dust. Which is: that we’ve both by our own private means decided not to see each other anymore. (Though “decided” is not the word. Accepted, conceded, demurred — these are more in the ballpark.) There’s plenty of everything between us, enough for a lifetime’s consolation, with extras. But that’s somehow not sufficient, and once that is understood, nothing much is left to say (is there?). In both the long run and the short, nothing between us seems to matter enough. These facts we both acknowledge with the aforementioned throaty tones and with these words that Sally actually speaks: “It’s time for you to hit the road, Bub.” She beams at me through the candle flicker as though she were somehow proud of us, or for us. (For what?) She’s long since taken off her turquoise bracelets and stacked them on the table, moving them here and there as we’ve talked, like a player at a Ouija board. When I stand up she begins putting them on again. “I hope it all goes super with Paul,” she says smilingly.

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