Richard Ford - Let Me Be Frank With You

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A brilliant new work that returns Richard Ford to the hallowed territory that sealed his reputation as an American master: the world of Frank Bascombe, and the landscape of his celebrated novels The Sportswriter, the Pulitzer Prize and PEN/Faulkner winning Independence Day, and The Lay of the Land.
In his trio of world-acclaimed novels portraying the life of an entire American generation, Richard Ford has imagined one of the most indelible and widely-discussed characters in modern literature, Frank Bascombe. Through Bascombe — protean, funny, profane, wise, often inappropriate — we’ve witnessed the aspirations, sorrows, longings, achievements and failings of an American life in the twilight of the twentieth century.
Now, in Let Me Be Frank with You, Ford reinvents Bascombe in the aftermath of Hurricane Sandy. In four richly luminous narratives, Bascombe (and Ford) attempts to reconcile, interpret and console a world undone by calamity. It is a moving and wondrous and extremely funny odyssey through the America we live in at this moment. Ford is here again working with the maturity and brilliance of a writer at the absolute height of his powers.

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Our mission, of course, occasionally fails. One young sailor from Piscataway, three days out of Kandahar, stuffed the exhaust pipes of his Trans-Am with stolen copies of We Salute You’ s and slipped the surly bonds in the Washington Crossing State Park parking lot — a note taped to the steering wheel saying “Here’s the future. Get ready for it.” There’s nothing you can do when someone’s ready to go, though possibly a handshake didn’t hurt.

MY CAR CLOCK NOW SAYS ELEVEN FIFTEEN. THE striper guy is stowing his gear in his bucket and notching his hook to his rod handle. The tide’s come in. He’s fished with his back to the mayhem ashore as if it wasn’t there.

The tiny, distant beach figures with the trotting dog alongside have come clearly into view. They turn out to be the Glucks, unsociable neighbors from when I lived here. Arthur’s a defrocked Rutgers professor (plagiarism — the usual “overlookings” and “carelessnesses”). He’s trudgering along with his plump wife, Allie Ann, and an all-but-immobilized, low-riding fat brown dog I’d have sworn they had ten years ago, which would make it eighteen. “Poot.” The Glucks, who must be in their late eighties, are preserved not much better than their dog and are walking with old-age difficulty along the tide-narrowed beach, arms looped, chins lowered, dressed like Eskimos, leaning into each other so that they look like one lumpy human package. Are they here, I wonder, to survey the ruins? Their house has vanished. Or did they get away (like me) and buy into staged-retirement in Somerville that buses them to the Whole Foods, keeps Columbia-trained M.D.s onsite 24/7, and lets them keep their ’95 Electra ’til the State takes the keys. I’d rather jump in my watery basement hole than talk to them. What rueful recognitions would glint in their beady eyes? “Oh, yes of course, Mr. Bascombe. Of course, of course, OF COURSE!” How many old acquaintances, neighbors, former teachers, fellow marines have we all caught a glimpse of in an unexpected place and dived in an alley rather than face for a second? All because: (1) We don’t want to; (2) There’s too much unsaid that doesn’t need to be said — a Chinese wall of words that would fall on top of us and we’d die; (3) We know others feel the very same way about us . We’re, most of us, the last persons anyone in his right mind wants to talk to on any given day, including Christmas.

I ease down in my seat and raise my window in case the Glucks see me. But they don’t so much as glance at my car, parked fifty meters from where their house once staunchly stood. They plod along the empty beach like specters, their dog at their knees. Where would they be going but back into the fog?

And then all of a sudden, I don’t want to be here anymore — at all. Whatever inland protections I’ve come armed with have worn away and rendered me — a target. Of loss. Of sadness. The thing I didn’t want to be and explicitly why I haven’t ventured down here in these last weeks, and shouldn’t have now. I have these sensations more than I like to admit, since they make me feel that something bad is closing in — like the advance of a shadow across a square of playground grass where I happen to be standing. When the shadow covers the last grass blade, the air goes suddenly chill and still, and all is up for me. Which will ultimately be only true. So who’d blame me for feeling it now, and here?

But I’m ready to cease and desist. Being here makes me feel guilty-without-context. Like being present when someone you know, but don’t know well, all at once falls into a pit of despair and starts blubbering, and you can’t do anything except wish the hell he or she would stop. I feel not a straw of blame for anything hereabouts, yet somehow feel implicated by everything’s dilapidation and sad future. This is more than I bargained for — much more — yet doesn’t seem actually to be anything. Just stupid, stupid, stupid. I am. Again.

Though should I just sit — motor thrumming, hoping the continental edge will re-buoy me? Should I turn on the Fanfare again (Obama used it for his Lincoln Memorial speech, where it worked)? Should I climb out into the foggy chill and have a poke round my old edifice, possibly spy something I left a decade back? A plastic laundry hamper? A bicycle pump with Bascombe painted on in red nail polish? What the fuck am I supposed to do? Anyone else would drive off. I’m worried, of course, about picking up a roof tack in my radials.

OUTSIDE MY CAR WINDOW, ARNIE URQUHART, OR A man I take to be him, stands, talking, silenced by my closed glass. (Where’s the Lexus hidden?) He’s pointing beyond the berm and the ruin of my old house — his old house — a stack of sticks rained down from the sky. Conceivably I’ve fallen into a carbon monoxide fugue. Has he been here long? Have we had our meeting already? Have I made everything right by him, the way I once did?

Arnie seems to me to be talking about the Twin Towers, which is possibly why he’s pointing north. I used to believe I could see them from my deck, though it was only clouds and light playing tricks. “It must’ve taken some real nuts to do that,” Arnie’s saying, as I lower my window. We’re suddenly very close to each other. “That huge skyscraper just coming right at you, three hundred miles a fuckin’ hour. Fascinating, really.” I can’t open my door because Arnie’s in the way. A current of damp, foggy ocean air sifts around me where I’ve been warm in here. When I was in college in Ann Arbor, I loved the cold. But no more. “We bring our disasters down to our own level, don’t we, Frank,” Arnie’s saying. “But those poor people really couldn’t. So we’re lucky down here in a way. You know?” Arnie turns toward the wrecked corpse of his house. “Remember that place? Boy, oh boy.” Out of the ocean’s hiss, a foghorn moans. Surprising it would be working when nothing else is.

“Nature always has another thing to do to us, I guess, Arnie.” It’s my best go-to Roethke line and fits most human situations. Arnie and I traded stories about poor old Ted when I sold him the house.

“Take the lively air, Frank.” Arnie says and begins walking toward the uprooted house, as if he’s abandoned all thought of me. “Climb the hell out and tell me what I’m supposed to do with this wreck.” He’s talking into the breeze. “I’d say I have a problem here, wouldn’t you?”

Arnie Urquhart is changed and changed dramatically from the last time I saw him — at the closing, a decade ago. Every year he’s sent me a Christmas card, each one with a shiny color photo showcasing several smiling, healthy-as-all-get-out humans, grouped either on a dense, oak-shaded lawn, grass as green as Augusta, a big, white, rambling red-shuttered house in the background; or the same bunch in cabana attire, tumbled together on the sand, all grins, with a sparkling ocean behind and a golden retriever front and center. I assumed the beach picture to be taken more or less where we are at present, depicting the righteous outcome of things when life goes the way it ought to. At one point a smiling brown face became part of the Christmas showcase (female, pretty, young, in some kind of ethnic or tribal costume). Then two years later that face was replaced by an even more broadly smiling blond girl who I thought (for some reason) was Russian. I might’ve noticed the change in Arnie’s looks right then, if I’d been looking closely. But I was never bored enough.

But sometime in the decade Arnie’s undergone considerable “work.” The Arnie Urquhart I sold my house to — age fifty-four — was a stout, balding, round-belly, thick-knuckled old Wolverine net-minder and only son of a crusty Eastport lobsterman. Arnie had made it off the boat on his hockey skills, then studied history and became a scholar. After graduation, he drove dutifully back to Eastport to be stern-man for his ailing pop, but got “kicked off by the ole man for my own good.” After which, he picked up an MBA at Rutgers, worked a decade in institutional provisioning, then went out with his own ideas and made a ton of money running a fancy fish boutique, catering to big-money types in Bernardsville and Basking Ridge. With his Maine-boy solidity, athlete’s doggedness, and a lifetime gnosis regarding fish, Arnie (who was a quick read) figured out that what he was selling was authenticity— his (as well as Asian Arowana and Golden Osetra). The Schlumberger and Cantor-Fitzgerald bosses all adored him. He showed up personally in the van with his sleeves rolled up, meaty forearms bared, grinning and ready to give great service at a top price. He toted trays, set out canapés, made tireless trips back to the shop, saw to it that every single fishy thing was better than perfect. He reminded his rich customers of the get-your-hands-dirty (and smelly) New England work ethic that made this republic great, powerful, and indomitable and always would, and that they’d gone to Harvard, Yale, and Dartmouth to make sure they never got any closer to than the length of Arnie’s sweaty arm.

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