Richard Ford - Let Me Be Frank With You

“My wife doesn’t like it down here.” Arnie/Tapper snuffles his big, as-yet-unaltered schnoz, then folds his thick arms — not easy in his severely tailored mafia coat. He’s staring again up at his house, as if it was where it belonged. I’m supposed to know he means his new wife, not the nice, plump-pastie Ishpeming girl I met at the closing, who seemed pleased with life. He shakes his head. “She won’t even come down here.”

“A reason to cut it loose,” I say. Tapper’s already sadly fading back where he came from. His service rendered.

“Oh yeah.” Arnie’s voice is lonely. He’s still leaning on my car door, blocking me. A gull has spied us and begun a savage, rhythmical screeching. Get off the beach, you assholes! It’s ours! We want it back. You did your worst. BEAT IT! “What’s the most mysterious thing you know, Frank?” Arnie says, and looks speculative, his lacquered cheeks fattened. He’s ready for our conversation to be over, he just doesn’t know how to end it — his brain speeding ahead to thoughts of growing his fish business, luring his diplomat daughter home to run things, getting his young wife to take more interest in his interests, having things work out better than his makeover makes him feel. His wrecked house, I’m certain, will be gone by New Year’s.

“I don’t know, Arnie. What universe is our universe inside of? Why do so many people have pancreatic cancer all of a sudden? How does a thermos work? I could come up with several.”

Arnie unfolds his crossed arms, pushes his palms back through his hair, both sides, Biden-like, clears his throat, then steps away from my car as if he’s realized he was keeping me out of it (my chance now to get out of the chill). Arnie has creases deep as the Clipperton Trench in both his big earlobes. Possibly he feels dark intimations, but wouldn’t recognize them.

I inch forward. My neck is already stiffening up after my partial tumble. I’ve strained something. Arnie’s standing back as if he’s sold my car to me and is watching me enjoy it for the first time. I’m trying not to be in a rush to get in. Precisely what’s happening here between us, I don’t really know. A small-scale mystery in itself.

“Did you ever meet Obama, Frank?” Arnie’s harsh mouth is raveled by a look of familiar distaste. Why he’d ask this is beyond me.

“Never have, Arnie. No.” My hand’s on the door handle, squeezing it. “He’s not really my kinda guy.”

“You voted for him, didn’t you?”

“Both times. I think he’s great.”

“Yeah, yeah. I figured.”

My guess is Arnie did, too, but can’t admit it.

Over the berm, from where saw and hammering noises have previously floated, the scratchy radio comes on again, at first too loud, then softer. You’re once, twice, three times a la-a-dee.. . Who sings that? Peabo Bryson? Ludacris? “Eees like, okay, Serena Williams if she was a man,” a man’s Spanish-spiced voice begins into the cold air over the music. “Se-re-na Williams eees a man!” another male voice says back. “Nooo! Hom-braaay! ” They all crack up. Life’s good if you’re them.

“You’re taller than you used to be, aren’t you, Frank?” Arnie’s coming toward me now, a smile opening on his strange, half-woman face — as if he knows he’s wasted my time but means to make it right before all is lost, the beach returned to the dominion of the gulls, all trace of us gone.

“I have the personality of a shorter man, Arnie.” I’m trying to get in my car before Arnie gets closer. I fear an embrace. It could damage my neck and render me an invalid. Bonding heads the list of words I’ve ruled out. Emerson was right — as he was about everything: an infinite remoteness underlies us all. And what’s wrong with that ? Remoteness joins us as much as it separates us, but in a way that’s truly mysterious, yet completely adequate for the life ongoing.

Arnie (the idiot) does indeed mean to clap his surprisingly long, leather-cased, net-minder arms around me and pull me — like a puck — into his bosom. A save. I have nowhere to escape to, but try to duck my head as he engulfs me, awfully.

“Enough,” I say, my mouth muffled against his goddamn mobster coat, which smells like the inside of his Lexus but also like some epicene men’s fragrance Arnie no doubt sprays on, après le bain , with his Russian wife keeping stern watch, tapping her toe like Maggie to Jiggs.

“It is rough, Franky,” Arnie mumbles, wanting me not to feel as bad as I feel about whatever he thinks I feel bad about (being hugged). Clearly he’s here for me (also on the inventory). A harsh shiver caused by the ocean’s chill rattles my ribs — though Arnie may think I’ve shuddered, possibly even sobbed. Why would I? My house hasn’t been ruined. I try to pull away. My back is against the metal door frame so that if I try any harder I’ll hurt my neck even more; or worse, fall back in my car with Arnie on top of me, drive the shifter into my C-4 so that the next thing I know the EMS will have me on a board, hauling me back across to Toms River Community, where I’ve been before and do not ever want to see again. There’s nothing I can do — the familiar dilemma for people my age. So what I do — an act of pure desolation — is hug Arnie back, clap my arms around his leathery shoulders and squeeze, as much to save myself from falling. It may not be so different from why anybody hugs anybody. Arnie’s hugging me way too hard. My eyes feel bulgy. My neck throbs. The empty space of car seat yawns behind. “Everything could be worse, Frank,” Arnie says into my ear, making my head vibrate. He is surely right. Everything could be much worse. Much, much worse than it is.

LAST TUESDAY I READ A PIECE IN THE NEW YORK TIMES about how it would feel to be tossed out into airless space. This was a small box on a left-hand inside page of the Tuesday Science section, items that rarely venture into the interesting, personal side of things — the stuff a short story by Philip K. Dick or Ray Bradbury would go deeply into with profound (albeit totally irrelevant) moral consequences. These Times stories are really just intended to supply lower-rung Schwab execs and apprentice Ernst & Young wage slaves with oddball topics to make themselves appear well-read to their competitor-colleagues during the first warm-up minutes in the office every morning; then possibly to provide the whole day with a theme. (“Careful now, Gosnold, or I’ll toss that whole market analysis right out into airless space and you along with it…” Eyebrows jinked, smirks all around.)

Nothing’s all that surprising about being tossed out into airless space. Most of us wouldn’t stay conscious longer than about fifteen seconds, so that other sensate and attitudinal considerations become fairly irrelevant. The Times writer, however, did note that the healthiest of us (astronauts, Fijian pearl divers) could actually stay alive and alert for as long as two minutes, unless you hold your breath (I wouldn’t), in which case your lungs explode — although, interestingly, not your skin. The data were imprecise about the quality of consciousness that persists — how you might be feeling or what you might be thinking in your last tender moments, the length of time I take to brush my teeth or (sometimes, it seems) to take a leak. It’s not hard, though, to imagine yourself mooning around in your bubble hat, trying to come to grips, not wanting to squander your last precious pressurized seconds by giving in to pointless panic. Likely you’d take an interest in whatever’s available — the stars, the planets, the green-and-blue wheel of distant Earth, the curious, near-yet-so-far aspect of the mother ship, white and steely, Old Glory painted on the cowling; the allure of the abyss itself. In other words, you’d try to live your last brief interval in a good way not previously anticipated. Though I can also imagine that those two minutes could seem like a mighty long time to be alive. (A great deal of what I read and see on TV anymore, I have to say, seems dedicated to getting me off the human stage as painlessly and expeditiously as possible — making the unknown not be such a bother. Even though the fact that things end is often the most interesting thing about them — inasmuch as most things seem not to end nearly fast enough.)