John Barth - The Development

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The Development: краткое содержание, описание и аннотация

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From one of our most celebrated masters, a touching, comic, deeply humane collection of linked stories about surprising developments in a gated community.
“I find myself inclined to set down for whomever, before my memory goes kaput altogether, some account of our little community, in particular of what Margie and I consider to have been its most interesting hour: the summer of the Peeping Tom.” Something has disturbed the comfortably retired denizens of a pristine Florida-style gated community in Chesapeake Bay country. In the dawn of the new millennium and the evening of their lives, these empty nesters discover that their tidy enclave can be as colorful, shocking, and surreal as any of John Barth’s fictional locales. From the high jinks of a toga party to marital infidelities, a baffling suicide pact, and the sudden, apocalyptic destruction of the short-lived development, Barth brings mordant humor and compassion to the lives of characters we all know well. From “one of the most prodigally gifted comic novelists writing in English today” (Newsweek), The Development is John Barth at his most accessible and sympathetic best.

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"Can't wait to hear it," Peter says dryly. "Will Chuck Becker approve?"

"Chuck shmuck," says Paul, who has picked up a few Yiddishisms from the Bergmans. "The folks who brought you your dandy new mailboxes now propose a Rockfish Reach Ad Hoc Search and Rescue Committee. Tell 'em, Peg."

She does, emphasizing her points with a half-eaten brownie. The informal committee's initial members would be the three couples at dinner who seemed most sympathetic to Pete's story and to the possibility that the letter was authentic: themselves, the Bergmans, and of course the Simpsons. Peter would provide them with copies of the letter; Paul Ashton, whose legal expertise was at their service, would find out how they could go about verifying the thing's authenticity, as David Bergman had suggested at the Beckers'. If it turned out to be for real, they would then circulate an appeal through Rockfish Reach, maybe through all of Heron Bay Estates, to raise money toward the girl's rescue: not a blank check that her uncle and aunt might oblige her to cash for their benefit, but some sort of tuition fund that the committee could disburse, or at least oversee and authorize payments from.

"Maybe even a scholarship at Stratford?" Paul Ashton suggests to Peter. "I know you have a few foreign students from time to time, but none from equatorial Africa, I'll bet."

"Doesn't sound impossible, actually," Peter grants, warming to the idea while at the same time monitoring his wife's reaction. " If she's legit, and qualified. Our African-American student organization could take her in."

"And our Heron Bay Search and Rescue Squad could unofficially adopt her!" Lisa Bergman here joins in, whom the Ashtons have evidently briefed already on their proposal. "Having another teenager to keep out of trouble will make us all feel young again! Whatcha think, Deb?"

To give her time to consider, Peter reminds them that there remains the problem of the girl's younger siblings, whom she's resolved not to abandon: "We remained five and we should stick five," et cetera. Whereas if she "went to university" in Kampala for at least the first couple of years, say, she could see the youngsters into high school and then maybe come to Stratford for her junior or senior year…

"Listen to us!" He laughs. "And we don't even know yet whether the girl's for real!"

"But we can find out," David Bergman declares. "And if we can make it happen, or make something like it happen, it'll be a credit to Heron Bay Estates. Make us feel a little better about our golf and tennis and progressive dinners. Okay, so it's only one kid out of millions, but at least it's one. I say let's do it."

"And then Pete and I officially adopt her as our daughter," Debbie says at last, in a tone that her husband can't assess at all, "and we stop eating our hearts out about losing Julie, and everybody lives happily ever after."

"Deb?" Lisa puts an arm around her friend's shoulder.

"Alternatively," Debbie suggests to them then, "we could start a Dick and Susan Felton Let's Get It Over With Club, and borrow the Barneses' new garage for our first meeting. Meanwhile, let's enjoy the party, okay?" And she moves off toward where the Pitts, the Hardisons, and a few others are chatting beside the lighted pool. To their friends Peter turns up his palms, as best one can with a cup of decaf in one hand and it's saucer in the other, and follows after his wife, wondering and worrying what lies ahead for them — tonight, tomorrow, and in the days and years beyond. They have each other, their work, their colleagues and friends and neighbors, their not-all-that-close extended family (parents dead, no siblings on Debbie's side, one seven-years-older sister of Peter's out in Texas, from whom he's been more or less distanced for decades), their various pastimes and pleasures, their still prevailingly good health — for who knows how much longer? And then. And then. While over in Uganda and Darfur, and down in Haiti, and in Guantánamo and Abu Ghraib and the world's multitudinous other hellholes…

"They had nothing like this back in Blue Crab Bight, man!" he hears Joe Barnes happily exclaiming to the Greens. "Just a sort of block party once, and that was it."

"Feltons or no Feltons," Judy Barnes adds, "we've made the right move."

Nearby, florid Chuck Becker is actually thrusting a forefinger at David Bergman's chest: "We cut and run from I-raq now, there'll be hell to pay. Got to stay the course. "

"Like we did in Nam, right?" unintimidated Dave comes back at him. "And drill the living shit out of Alaska and the Gulf Coast, I guess you think, if that's what it takes to get the last few barrels of oil? Gimme a break, Chuck!"

"Take it from your friendly neighborhood realtor, folks," Jeff Pitt is declaring to the Ashtons: "Whatever you have against a second Bay bridge — say, from south Baltimore straight over to Avon County? — it'll raise your property values a hundred percent in no time at all, the way the state's population is booming. We won't be able to build condos and housing developments fast enough to keep up!"

Peggy Ashton: "So there goes the neighborhood, right? And it's bye-bye Chesapeake Bay…"

Paul: " And bye-bye national forest lands and glaciers and polar ice caps. Get me outta here!"

Patsy Hardison, to Peter's own dear Deborah: "So, did you and Pete see that episode that Tom mentioned before, that he and all the TV critics thought was so great and I couldn't even watch? I suspect it's a Mars-versus-Venus thing."

"Sorry," Debbie replies. "We must be the only family in Heron Bay Estates that doesn't get HBO." Her eyes meet Peter's, neutrally.

Chuckling and lifting his coffee cup in salute as he joins the pair, "We don't even have cable, " Peter confesses. "Just an old-style antenna up on the roof. Now is that academic snobbishness or what?" He sets cup and saucer on a nearby table and puts an arm about his wife's waist, a gesture that she seems neither to welcome nor to resist. He has no idea where their lives are headed. Quite possibly, he supposes, she doesn't either.

Up near the house, an old-fashioned post-mounted school bell clangs: The Greens use it to summon grandkids and other family visitors in for meals. Rob Green, standing by it, calls out, "Attention, all hands!" And when the conversation quiets, "Just want to remind you to put the Rockfish Reach sunset cruise on your calendars: Saturday, July fifteenth, Heron Bay Marina, seven to nine P.M.! We'll be sending out reminders as the time approaches, but save the date, okay?"

"Got it," Joe Barnes calls back from somewhere nearby: "July fifteenth, seven P.M."

From the porch Chuck Becker adds loudly, "God bless us all! And God bless America!"

Several voices murmur "Amen." Looking up and away with a sigh of mild annoyance, Peter Simpson happens at just that moment to see a meteor streak left to right across the moonless, brightly constellated eastern sky.

So what? he asks himself.

So nothing.

Us/Them

TO HIS WIFE, his old comrades at the Avon County News, or his acquaintances from over at the College, Gerry Frank might say, for example, "Flaubert once claimed that what he'd really like to write is a novel about Nothing." In his regular feature column, however — in the small-town weekly newspaper of a still largely rural Maryland county — it would have to read something like this:

FRANK OPINIONS, by Gerald Frank

Us/Them

The celebrated 19th-century French novelist Gustave Flaubert, author of Madame Bovary, once remarked that what he would really like to write is a novel about Nothing.

After which he might acknowledge that the same was looking to be the case with this week's column, although it's author still hoped to make it not quite about Nothing, but rather ("as the celebrated Elizabethan poet/playwright William Shakespeare put it in the title of one of his comedies") about Much Ado About Nothing.

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