John Barth - The Development

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The Development: краткое содержание, описание и аннотация

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From one of our most celebrated masters, a touching, comic, deeply humane collection of linked stories about surprising developments in a gated community.
“I find myself inclined to set down for whomever, before my memory goes kaput altogether, some account of our little community, in particular of what Margie and I consider to have been its most interesting hour: the summer of the Peeping Tom.” Something has disturbed the comfortably retired denizens of a pristine Florida-style gated community in Chesapeake Bay country. In the dawn of the new millennium and the evening of their lives, these empty nesters discover that their tidy enclave can be as colorful, shocking, and surreal as any of John Barth’s fictional locales. From the high jinks of a toga party to marital infidelities, a baffling suicide pact, and the sudden, apocalyptic destruction of the short-lived development, Barth brings mordant humor and compassion to the lives of characters we all know well. From “one of the most prodigally gifted comic novelists writing in English today” (Newsweek), The Development is John Barth at his most accessible and sympathetic best.

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" Very strange," Peter obligingly tells the table. "I suppose we've all gotten crank letters now and then — get-rich scams in Liberia and like that? — but this one was really different." To begin with, he explains, it wasn't a photocopied typescript like the usual mass-mailed scam letter, but a neatly handwritten appeal on two sides of a legal-size ruled sheet, with occasional cross-outs and misspellings. Polite, articulate, and addressed to "Dear Friend," it was or purported to be from a seventeen-year-old Ugandan girl, the eldest of five children, whose mother had died in childbirth and whose father had succumbed to AIDS. Since their parents' death, the siblings have been lodged with an uncle, also suffering from AIDS and with five children of his own. Those he dresses properly and sends to school, the letter writer declares, but she and her four brothers and sisters are treated harshly by him and his wife, who "don't recognize [them] as human beings." Dismissed from school for lack of fee money and provided with "only two clothes each" to wear and little or nothing to eat, they are made to graze the family's goats, feed the pigs, and do all the hard and dirty housework from morning till night. In a few months, when she turns eighteen, she'll be obliged to become one of some man's several wives, a fate she fears both because of the AIDS epidemic and because it will leave her siblings unprotected. Having (unlike them) completed her secondary education before their father's death, she appeals to her "dear Friend" to help her raise 1,500 euros to "join university for a degree in education" and 1,200 euros for her siblings to finish high school. Attached to the letter was a printed deposit slip from Barclays Bank of Uganda, complete with the letter writer's name and account number, followed by the stipulation "F/O CHILDREN."

"How she got my name and address, I can't imagine," Pete concludes to the hushed and attentive table. "If it was in some big general directory or academic Who's Who, how'd she get hold of it, and how many hundreds of these things did she write out by hand and mail?"

"And where'd she get paper and envelopes and deposit slips and postage stamps," Lisa Bergman wonders, "if they're so dirt poor?"

"And the time to scribble scribble scribble," Paul Ashton adds, "while they're managing the goats and pigs and doing all the scut-work?"

Opines Rob the Accountant, "It doesn't add up."

"It does seem questionable," Sandy Becker agrees.

"But if you could see the letter!" Debbie protests. "So earnest and articulate, but so unslick! Lines like 'We do not hope that our uncle will recover.' And 'I can't leave my siblings alone. We remained five and we should stick five.'"

Taking her hand in his again and using his free hand to make finger quotes, Pete adds, "And, quote, 'Life unbearable, we only pray hard to kind people to help us go back to school, because the most learnt here is more chance of getting good job,' end of quote."

"It's heartbreaking," Shirley Green acknowledges. "No wonder you-all have so much of it memorized!"

"But the bottom line is," Chuck Becker declares, "did you fall for it? Because, believe me, it's a goddamn scam."

"You really think so?" Dave Bergman asks.

"Of course it is! Some sharpster with seven wives and Internet access for tracking down addresses sets his harem to scribbling out ten copies per wife per day, carefully misspelling a few words and scratching out a few more, just to see who'll take the bait. Probably some midlevel manager at Barclays with a PC in his office and a fake account in one of his twelve daughters' names."

"How can you be so sure? " Lisa Bergman wants to know.

With the air of one accustomed to having his word taken, "Take my word for it, sweetie," their host replies. Down-table to his wife then, "Better get the crabcakes started, Sandy?" And to the Simpsons, "Please tell me you didn't send 'em a nickel."

"We didn't," Debbie assures him. "Not yet, anyhow. Because of course we're leery of the whole thing too. But just suppose, Chuck and everybody — just suppose it happens to be authentic? Imagine the courage and resourcefulness of a seventeen-year-old girl in that wretched situation, with all that traumatic stuff behind her and more of it waiting down the road, but she manages somehow to get hold of a bunch of American addresses and a pen and paper and stamps and deposit slips, and she scratches out this last-chance plea for a life … Suppose it's for real?"

"And we-all sit here in our gated community," Lisa Bergman joins in, "with our Lexuses and golf carts and our parties and progressive dinners, and we turn up our noses and say, 'It's a scam; don't be suckered.'"

"So what should we do?" Paul Ashton mildly challenges her. "Bet a hundred bucks apiece on the very long shot that it's not a shyster?"

"I'm almost willing to," Shirley Green admits. Her husband shakes his head no.

"What we ought to do," Dave Bergman declares, "is go to some trouble to find out whether the thing's for real. A lot of trouble, if necessary. Like write back to her, telling her we'd like to help but we need more bona fides. Find out how she got Pete's name and address. Ask the American consulate in Kampala or wherever to check her story out. Is that in Uganda?"

"You mean," his wife wonders or suggests, "make a community project out of it?"

Asks Debbie, "Why not?"

"Because," Rob Green replies, "I, for one, don't have time for it. Got a full plate already." He checks his watch. "Or soon will have, won't we, Shirl?"

"Same here," Dave Bergman acknowledges. "I know I ought to make time for things like this, but I also know I won't. It's like demonstrating against the war in Iraq, the way so many of us did against the war in Vietnam? Or even like working to get out the vote on Election Day. My hat's off to people who act that strongly on their convictions, and I used to be one of them, but I've come to accept that I'm just not anymore. Morally lazy these days, I guess, but at least honest about it."

"And in this case," Chuck Becker says with ruddy-faced finality, "you're saving yourself a lot of wasted effort. Probably in those other cases too, but never mind that."

"Oh my goodness," his wife exclaims. "Look what time it is! I'll do the crabcakes, Chuck'll get the veggies, and Paul, would you mind refreshing everybody's drinks? Or we'll never get done before it's time to move on to Rob and Shirley's!"

3. Dessert

The Greens' place on Shoreside Drive, toward which all three dozen progressive diners now make their well-fed way from the several entrée houses to reassemble for the dessert course, is no more than a few blocks distant from the Becker and Simpson residences on Cattail Court — although the attractively winding streets of Heron Bay Estates aren't really measurable in blocks. Chuck and Sandy Becker, who had earlier walked from their house to Pete and Debbie Simpson's (practically next door) for the appetizer course, and then back to their own place to host the entrée, decide now to drive to the final course of the evening in their Cadillac Escalade. The Greens themselves, having left the Beckers' a quarter-hour earlier to make ready, drove also, retrieving their Honda van from where they'd parked it in front of the Simpsons'. The Ashtons, Paul and Peggy, walk only far enough to collect their Lexus from the Simpsons' driveway and then motor on. Of the five couples who did their entrée at 911 Cattail Court, only the Simpsons themselves and the Bergmans decide that the night air is too inviting not to stroll through it to Rob and Shirley's; they decline the proffered lifts in favor of savoring the mild westerly breeze, settling their crabcakes and vegetables a bit before tackling the dessert smorgasbord, and chatting among themselves en route.

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