Peter Nadas - A Book of Memories

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This extraordinary magnum opus seems at first to be a confessional autobiographical novel in the grand manner, claiming and extending the legacy of Proust and Mann. But it is more: Peter Nadas has given us a superb contemporary psychological novel that comes to terms with the ghosts, corpses, and repressed nightmares of Europe's recent past. "A Book of Memories" is made up of three first-person narratives: the first that of a young Hungarian writer and his fated love for a German poet; we also learn of the narrator's adolescence in Budapest, when he experiences the downfall of his once-upper-class but now pro-Communist family and of his beloved but repudiated father, a state prosecutor who commits suicide after the 1956 uprising. A second memoir, alternating with the first, is a novel the narrator is composing about a refined Belle Epoque aesthete, whose anti-bourgeois transgressions seem like emotionally overcharged versions of the narrator's own experiences. A third voice is that of a childhood friend who, after the narrator's return to his homeland, offers an apparently more objective account of their friendship. Together these brilliantly colored lives are integrated in a powerful work of tragic intensity.

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A purplish-blue rose.

But I didn't want to touch it, somehow I had to dismiss this image, too; how lovely it would be, I thought, to come to rest in some calm, luminous space — and then, quite gently, my bride floated into my cocoon. The moment she whipped off her hat and veil (rather roughly, I thought) and her massive red tresses fell to her shoulders, she breathed with bestial eagerness into my face, but instead of'the aroma of her breath, I got a whiff of something unpleasant, foul almost.

Somewhere nearby a door was slammed shut.

I sat up in bed, awake and maybe a little alarmed.

The bedroom door was open, and I could see the bluish shine of the white furniture in the living room.

And there was no window through which to see the crowns of the pine trees, the curtains were drawn, there was no sound of wind, only the murmur of the sea coming from afar, because my room faced the park.

It was as if the door of the public lavatory that slammed shut became, in my wakeful state, the final chord of a dream that had just ended.

But I heard hurried, retreating footsteps out in the corridor, and in the adjacent room someone cried out, or screamed, sounding much too loud— or the walls were too thin — and then came a heavy thud, as if a large object or a body had fallen on the floor.

I listened for more, but heard nothing.

I was too frightened to move; the creaking of the bed, the swishing of the sheets might have obliterated the moment, a careless rustle made by moving the eiderdown might have covered up the noise of murder — but what followed was silence.

And I couldn't be sure I wasn't dreaming all of this, because we often dream of waking up, but it's not a real awakening, only a new phase of sleep, a slide downward, a descent to greater depths; and it's also true that the cry, the scream, and the thud of the falling body sounded familiar, reminding me again of Father; my eyes were open, I could still see him writhe in his sleep, start up, and then fall from the sofa onto the light-streaked floor; at the time, twenty years ago, he took his afternoon naps on the sofa that at night was my bed, and in those days we rented the very same place from which these peculiar noises were now coming, so it was quite possible that I wasn't actually experiencing these things but dreaming them anew, which was all the more likely, because the event that had put an end once and for all to the beautiful days at Heiligendamm had come to mind again just before I went to bed, as I was closing the terrace door.

Back then, on warm nights we would leave not only all the windows but the terrace door wide open, which made me especially glad, because it meant that shortly after my parents had finally closed their bedroom door, I could carefully get out of bed and, pretending to have overcome all my fears, steal out onto the terrace.

At times like that the terrace seemed menacingly empty, wide, enormous, reaching far into the park; on moonlit nights it was like a sharp wedge between the trees, on moonless nights it blended in more softly, almost as if it were afloat among the gently swimming shadows of the pointed pines, and if I kept watching this, this and nothing else, it would seem as if I were not here at all but aboard a ship quietly plowing the waves; but before stepping out on the terrace I always had to make sure I'd be alone, for it happened once that I hadn't noticed the lady who was our next-door neighbor standing in a corner of the terrace leaning on the balustrade, looking alternately like an apparition or a shadow depending on the moon, and if she was there I couldn't go out, for while we did have a secret nighttime understanding that never dared to test the light of day, I was afraid she might report me to my parents, and though her closeness at times felt wonderful and in a way I even longed for it, the nocturnal escapes were truly pleasurable only if I could be alone and picture the ship sailing away with me.

The first time I ventured out carelessly, in my stunned surprise I was rooted to a spot in the middle of the terrace, for she was there; the moon was out, thin and feeble behind a motionless cloud, and she was standing in the densely blue, glimmering night, her face turned toward the moon, and I believed her to be a ghost, a creature about whose peculiar nature I had been instructed by Hilde, our maid, who told me that ghosts had to be beautiful, "stunningly, stunningly beautiful"; and indeed, the sheer, flowing robe covering her graceful body, the silvery sheen of her waist-length hair seemed to bear this out; she was beautiful as she stood there— firm, yet also as if her feet were hardly touching the ground, as if her eyes were open but her eyeballs were missing from their sockets; when the cool night breeze touched my face I knew it was her breath, an exhalation that would be followed by an inhalation, and then with her next breath she would suck me in, draw me into her hollow body, and carry me off.

It wasn't fear that made me immobile or, if it was, it had to be fear of such a high degree that the senses are transported into the dimension of rapture, fear of such intensity that the body seems to break free of itself; I had no feeling in my hands or feet, thus had no means to move, yet without having to think about it I was aware of my entire life, all ten years of it, which I now would have to part with to slip into another form; only much later, when in love, did I experience anything resembling this feeling, but still, this extraordinary state of being seemed natural then, not only because Hilde's tale had warned me about its coming but because I myself had wished for it.

Of course, this mixture of sublime dread and vehement longing could last but for an instant; I realized quickly that it had been only an illusion, no matter how real it felt; "Why, this is Fräulein Wohlgast, our neighbor," and Fräulein Wohlgast, whose name came up often during our evening walks, was someone I myself frequently observed conversing with Mother at mealtimes; besides, this ghost business had begun to sound a little suspicious, even to me, ever since the time I thought I did see some sort of apparition and Father reacted by nodding somberly, almost gravely, but with the sardonic satisfaction of a man blessed with a sense of humor: of course, the ghost was most certainly there, in the sedge, where else would it be, hadn't I said I'd seen it? Father went on to say that he couldn't see a thing and he was straining his eyes to the limit, though now, just this instant, he thought he heard something, no, it was nothing, which didn't mean it wasn't there a moment ago; it was the very nature of ghosts to be here now and there the next minute, that was the way they were, sometimes they became visible, but mostly they stayed invisible; and I might be interested to know that it was also part of their nature not to appear for just anyone but only for very special persons, so I should be flattered and honored; and he, too, was happy that a ghost had favored his son with an appearance, for he, Father, was sorry to acknowledge that he hadn't experienced this sort of infernal pleasure for a long, long time, his ghosts had simply evaporated, vanished, which he regretted no end, and felt the poorer and emptier for it; in fact, he'd almost forgotten about their existence and eerie ways, but to see if there was any resemblance between his past experiences and my present ones, he asked me to describe, as accurately as possible, the outward appearance of my ghost.

That day we took a longer walk than usual, so the appearance of the ghost aside, it was itself out of the ordinary, because on our afternoon walks we never ventured beyond the immediate vicinity of the spa, and this area was no larger than the park itself, beyond which lay untouched landscape, the black-pebbled seashore, the craggy, precipitous rocks, and, in the opposite direction, the marsh, with a murky, opaque pond in the middle of it called the Snail Garden, and even farther, on dry land, the fabulously scarifying beechwood grove called the Great Wilderness.

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