Peter Nadas - A Book of Memories

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This extraordinary magnum opus seems at first to be a confessional autobiographical novel in the grand manner, claiming and extending the legacy of Proust and Mann. But it is more: Peter Nadas has given us a superb contemporary psychological novel that comes to terms with the ghosts, corpses, and repressed nightmares of Europe's recent past. "A Book of Memories" is made up of three first-person narratives: the first that of a young Hungarian writer and his fated love for a German poet; we also learn of the narrator's adolescence in Budapest, when he experiences the downfall of his once-upper-class but now pro-Communist family and of his beloved but repudiated father, a state prosecutor who commits suicide after the 1956 uprising. A second memoir, alternating with the first, is a novel the narrator is composing about a refined Belle Epoque aesthete, whose anti-bourgeois transgressions seem like emotionally overcharged versions of the narrator's own experiences. A third voice is that of a childhood friend who, after the narrator's return to his homeland, offers an apparently more objective account of their friendship. Together these brilliantly colored lives are integrated in a powerful work of tragic intensity.

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Now that I'm aware of how he perceived me, and what a lasting impression I had made on him — which I never could have sensed — I feel rather sad. As if I had missed out on something I couldn't possibly have wished for. And that, of course, is flattering to me. He could allow himself the luxury of being hypersensitive. And that, of course, is something for which he is to be envied. At the same time, my sadness is free of any kind of reproach, accusation, self-accusation, free of any kind of guilt. I must have been more interesting, more attractive, and also more slippery, rougher, meaner, and altogether more sinister as a child than I am as an adult. It had to turn out like that. I had to push and cajole and continually twist arms just to secure the bare necessities of life, and in this unrelenting struggle, in this ruthlessly pragmatic personal cold war, I must have appeared more resourceful, more pliable, and more versatile than I did later on when, wearying of the struggle for basics, I could finally carve out what seemed like a secure niche for myself.

By the age of thirty he turned into a dangerously open person and I into a dangerously closed one, though we both became vulnerable. He found a love he hoped would fill a painful gap in his life, and this hope compelled him to tread on unfamiliar ground. I, on the other hand, recovering from the weariness of constant struggle, had to realize that in my hopelessness I had chosen the most common route to escape my miseries, and having run as far as I could, I was just short of turning into an alcoholic. He told me once, not long after our reunion, that men stuck in their assigned sexual roles were prone to grow fetid, both physically and spiritually.

Looking at the course of my life and career, I don't feel out of place in this country. If my friend was the exception, then I am the norm; together we make up the rule. And I make this distinction not to flaunt my own ordinariness, my limited perception, my poorly functioning memory, and in this way, somehow, still to place myself above him whom I've called exceptional; no, with my description I don't mean to label either one of us, to shift the blame for my insensitivity and obtuseness; all I want to do, in my own way, is to take a good look at our common life experiences.

I am an economist, and for the last few years I have been working in a research institute. My work in the main consists of gathering data, analyzing recurring and, on occasion, atypical patterns in one particular sphere of the national economy. I try to isolate the unique features of a specific set of phenomena. I'd like to do the same regarding this manuscript. Creative writing is not my forte. I never tried my hand at poetry. I played soccer, I rowed, I lifted weights. Ever since I stopped spending my evenings drinking, I run considerable distances every morning. The only kind of writing I do is occasional articles for professional journals. I suspect that as a consequence of my social origins and upbringing, my life, from earliest childhood, has been guided by a desire to examine given peculiarities most painstakingly, with the greatest degree of detachment.

Already as a young child I had to think carefully about the ways of thinking, or rather to be careful and not necessarily really think the things I said out loud. The reason I don't describe this intellectually demanding self-manipulation in terms that would suggest any kind of emotional involvement is that I am quite aware that concealed behind my perceptiveness and discernment — developed in circumstances I mentioned above— lie a good deal of resignation and self-discipline, all dictated by necessity.

When young, all living things are passionate, and their passionate hope of mastering the world is what makes them attractive. How passionate that hope is, how and to what extent it is realized, is what determines the distinction they make between what is ugly and what is beautiful, and how they call the good beautiful and the bad ugly. By now, however, nothing in me would make my view of things an aesthetic one. Whatever I see or experience, however intimate, I do not judge as beautiful or ugly, for I simply do not see them as such. At most I feel a quiet gratitude, reminiscent of warmth, for things I find favorable, but even that feeling cools very quickly.

I may have been filled with passion at one time, and it may be gone now. It's possible that something is already missing, gone from me forever. And it's also possible that this missing trait, or its excess, for all I know, is what made me appear cold and aloof even as a child. I can't claim that too many people love me, but most consider me a fair-minded person. Yet in view of my friend's poignant analysis, I am compelled by fair-mindedness to ask whether I may not appear to be fair-minded because I always manage to keep my distance from my own endeavors as well as from the people who love me, so that I can avoid having to identify with them while still retaining my control over them.

I am not fortunate enough to be the ideal embodiment of any one life principle. I might have become a most vicious cynic if not for the continually recurring absence or surfeit of emotions from which I suffer terribly.

A few days before my high school final exams, I decided to demolish the tile stove in my room, and I did manage to take it halfway apart. I got home from my girlfriend's house very early in the morning. I always had to sneak out of her place to make sure her unsuspecting parents would know nothing about my being there all night. I was alone in our house; my mother had gone to visit relatives in Debrecen. That stove had been bothering me for a long time. I felt it was in the wrong place, and I didn't really need it. At night it poured all its heat on my head, and I couldn't open my door all the way because of it. So I took a big hammer, and could have also used a chisel, but all I could find was a cramp iron, which served the same purpose. I began to take the thing apart. The broken tiles I threw out the window into the garden. But dismantling the stove's inside ducts proved to be more complicated than I had thought. And since I had made no preparations at all for this messy job, my room began to fill up with dust, debris, and soot. Soon everything was covered: the carpet, the upholstery, the books, my notebooks, and my carefully worked-out answers to previous finals that were lying on my desk. When I stopped for a while, coming out of the hypnotic pull of my feverish activity, and looked about, I couldn't see the mess around me as an inevitable natural by-product of this kind of work; I saw it as sheer, repulsive, unbearable filth, the boring filth of infinite emptiness. This feeling assailed me as suddenly as had the idea of dismantling the stove. I was staring into the sooty, stinking, mangled body of a once useful man-made structure. I must have been halfway through when I stopped. I thought I was sleepy and tired. I closed the window, threw off my clothes, and climbed into bed. But I couldn't fall asleep. I tossed and turned for a while, tried to curl up, but I couldn't roll or fold myself up, couldn't make myself as small as I would have liked to. I don't remember thinking about anything else. And I don't know if I'd call my awful wish about shrinking a thought. I had to get up, because it was impossible to lie there awake without being able to fulfill this wish. And without giving myself time to weigh the situation properly, I began to swallow, almost indiscriminately, the pills I found in my mother's medicine cabinet.

I needed a lot of sleeping pills and tranquillizers. After a while I could no longer swallow without water.

Today it seems that I may be the one remembering the incident, but not the one it happened to. First I drank the water from a vase, then from the little trays under the houseplants. Why I didn't just go into the kitchen is still beyond me. I was overcome by nausea. And dry retching. As if I had no more saliva in my mouth. I would have been afraid to throw up on my mother's furniture. I fell on my knee, and with my hands clasped on the back of my neck I laid my head on the edge of the sofa. I tried with all my strength to calm my heaving stomach. I don't remember anything else. If my mother, prompted by an odd premonition, had not returned a day earlier than planned, I wouldn't be here to talk about this. My stomach was pumped, the tile stove reassembled.

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