Peter Nadas - A Book of Memories

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This extraordinary magnum opus seems at first to be a confessional autobiographical novel in the grand manner, claiming and extending the legacy of Proust and Mann. But it is more: Peter Nadas has given us a superb contemporary psychological novel that comes to terms with the ghosts, corpses, and repressed nightmares of Europe's recent past. "A Book of Memories" is made up of three first-person narratives: the first that of a young Hungarian writer and his fated love for a German poet; we also learn of the narrator's adolescence in Budapest, when he experiences the downfall of his once-upper-class but now pro-Communist family and of his beloved but repudiated father, a state prosecutor who commits suicide after the 1956 uprising. A second memoir, alternating with the first, is a novel the narrator is composing about a refined Belle Epoque aesthete, whose anti-bourgeois transgressions seem like emotionally overcharged versions of the narrator's own experiences. A third voice is that of a childhood friend who, after the narrator's return to his homeland, offers an apparently more objective account of their friendship. Together these brilliantly colored lives are integrated in a powerful work of tragic intensity.

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And if in the midst of this constant state of turmoil she could retain a modicum of sanity, then she could feel that maybe she had chosen this impossible predicament because she didn't really want him anymore, she wanted something else, equally impossible; and that really put her at a loss, for that couldn't possibly be happening to her, she really was too old for that kind of perfect impossibility.

She didn't want anything anymore.

Not even to die.

Why did her life fall apart and why couldn't she put it back together, or rather, why did all the pieces she still had left add up to nothing.

Even as she was talking she felt her talking was nothing, her words were nothing, it was only habit that made her say these nothings out loud.

And now she was going to stop altogether, we should really get going.

And I should get up, too.

She wasn't talking loudly, and I can't even say there was passion or excitement caused by suppressed tension in her voice, yet she wiped away invisible drops of perspiration above her lips.

And in that gesture there was something an old person would do, which younger people wouldn't be caught doing, for they wouldn't find it aesthetic.

I stood up, our faces were again very close, she smiled.

Well, I had never seen her in an open-air performance before, she said, and tilted her head to the side.

This last, awkward attempt at ending things and distancing herself sobered me up, perhaps because it was so awkward and self-conscious, because she seemed to have bitten into herself and, though painful, that prevented her from revealing a far greater pain; once again I was aware of the coolness of the air, the pungent autumn fragrance of the pine trees, the reassuring smallness of our bodies that only moments earlier seemed magnified in the vastness of the flat landscape.

And I felt an increasingly impatient urge to leave the place, get back to her car, lock ourselves in its safe, confining space; at the same time, from so close, her gestures and words suggested unmistakably that I was treading on very dangerous ground if I gave her the impression I was trying to hold her back, since, in reality, with my sheer presence I was hoping to thrust her toward something; the wish to murder her that had flashed through my mind moments earlier was more than an innocent play of my imagination; consciously repressed sexual desires produce such violent impulses; but even if I did reach my goal and manage to get the two of them together, what would I have done with such an impulse— save using it to kill myself.

Or maybe it was the other way around, I thought, inverting cause and effect with a casual shrug of my shoulders: the reason I wanted them to get together, wanted to get away from them and get closer to a woman, any woman, felt a man's body to be insufficient, too little or too much, was that I wanted to kill my love for Melchior; and the reason I couldn't make anything last was that deep in my soul I feared the punishment which others, in their great anxiety about their own sexuality, scrawled as warnings on bathroom walls.

But I couldn't run away, or escape, not yet; there were still words hanging on her lips that she would dare formulate only after turning from the intimate proximity she had created between us to the petty world of practicality full of cold calculations, only after this alluring and circumspect introduction.

I waited, and she could see in my eyes how this waiting was wearing me down; she had the upper hand, she could ask anything, say anything; she was vulnerable only while talking, but what she told me made me the more vulnerable of the two of us.

This mutual vulnerability began to affect us: the emotions emerging from a consciously controlled desire, my defenselessness, and my secret wish to reach her through the very man she loved drove me to the edge of helplessness and ridiculousness, to the verge of tears — yes, my futile exertion sent tears to my eyes, and she, pressing her advantage, stroked my face, kindly and with restrained excitement, as if making herself believe that it was her story that had moved me so, and didn't or wouldn't see that the tears had just as much to do with helpless, frustrated desire; still, her fingers trembled on my skin, I felt it and so did she, and we both knew that we were entering the time of catastrophe we had dreaded only moments earlier; this meant a renewed fear, or rather a cause for recoiling.

But she managed to grab my arm, as if holding on to her own advantage.

If the ethics of love were not stronger than love's desire, I wouldn't have left time for this move, I would have reciprocated the trembling of her fingers with a kiss on her lips; and if that had happened, she would not have demurred, I'm sure, but would have dissolved her own helplessness on my mouth, but since this didn't happen, her lips quivered for the lack of contact, for the shame of this lack.

Again we had to retreat, because the ethics of love do not tolerate the presence of the slightest foreign element, everything must be directed exclusively at one's partner, and only through one's partner can a third person have any relevance; this retreat again turned me into a means: she held on to me only insofar as she needed to get closer to Melchior, and we once again found ourselves in a rather dark territory where I also had to stick to my objective of reaching her through Melchior.

So, this meant, I stammered, that she didn't love me; in her language this could be expressed by using a more mundane, less emotionally charged word, as if I were to say in Hungarian that she didn't care for me all that much.

But she did love me, she did.

The last syllable was uttered on my neck, blown onto my skin from a kiss of parting and quickly closing lips.

Of course all the feelings we had had until then ceased in the wake of that kiss.

However, we were holding each other, filling up with many little details of ever-intensifying sensations, standing there, our arms entwined, a little lost, stunned by the newness of the other's body, not sure our minds could or even cared to name or analyze this new situation so deprived of logic; and it all turned out as if two coats were embracing, a little too theatrical, a little too rigid; what should have dissolved did not, for no matter how tightly we clung to each other, there was not enough passion in our bodies meant just for the other, or not enough details in the passion each of us had hoped would be exclusively ours, as if no power could dispel or neutralize the sensation that we were just two coats.

In such or similar situations our love experience can rush to our aid; with tiny, slow, cautious, and barely touching kisses I could have opened her lips resting bashfully on my neck; four little kisses like that could have opened her lips, and if at the same time I eased her body away from mine, broke the closeness, then she would again kiss my neck so that the rapid little kisses buried in our necks would rouse our desire for closeness, which could be quenched only by the closeness of lips, and so on, until we reached the state of no-closeness-is-close-enough.

It wouldn't have taken much to find the way to our bodies' biological urges, and without resorting to anything false or vulgar, for we did love each other, after all, and neither the coats nor our own clumsiness hindered us; but if that had happened, we would have transgressed against the ethics of love.

She had to stand on tiptoe to reach me, which I found especially endearing; her lips rested on my neck for a little while longer, waiting, as if wondering whether I would do what experience dictated now; and my mouth was on her neck, waiting for the possibility of a mutual response that would make a third partner vanish; at the same time I felt the wind's gentle little thrusts on my body.

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