Peter Nadas - A Book of Memories

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This extraordinary magnum opus seems at first to be a confessional autobiographical novel in the grand manner, claiming and extending the legacy of Proust and Mann. But it is more: Peter Nadas has given us a superb contemporary psychological novel that comes to terms with the ghosts, corpses, and repressed nightmares of Europe's recent past. "A Book of Memories" is made up of three first-person narratives: the first that of a young Hungarian writer and his fated love for a German poet; we also learn of the narrator's adolescence in Budapest, when he experiences the downfall of his once-upper-class but now pro-Communist family and of his beloved but repudiated father, a state prosecutor who commits suicide after the 1956 uprising. A second memoir, alternating with the first, is a novel the narrator is composing about a refined Belle Epoque aesthete, whose anti-bourgeois transgressions seem like emotionally overcharged versions of the narrator's own experiences. A third voice is that of a childhood friend who, after the narrator's return to his homeland, offers an apparently more objective account of their friendship. Together these brilliantly colored lives are integrated in a powerful work of tragic intensity.

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The moment exceeded our abilities and intentions, alluded to our natural differences and the one and only possibility of reconciling them, and thus, overriding all our efforts to remain composed, terribly embarrassed us both.

She didn't let the embarrassment deepen but quickly removed her hand from my arm, gave her shoulder a funny little shrug — at once a coy gesture of surrender and withdrawal — turned, and, now completely in a different time dimension than the city we'd left behind, but also turning away from the landscape, she continued walking along the trail toward the distant woods.

Table d'Hôte

Despite my valiant protest, my fiery and effervescent senses are at the mercy of raw forces we usually refer to as base or dark and, if I'm permitted a rather common term, downright obscene, and even in more refined terms they are no less than filthy, evil, deserving of the greatest contempt and harshest punishment; let's hasten to add that all this is not without justification, for everything I'll be compelled to talk about now is indeed related to the unclean end products of bodily functions as well as to the relief and gratification accompanying them; but no less justified is the question: do or do not these raw forces live inside us as do our discriminating moral sensibilities, whose inevitable task it is to fight them? but whether I consider the impure a part of me or alien to me, whether I accept the challenge and take up arms against it or with a weary shrug submit to it, it does exist — whatever I do, I cannot but continually feel its undeniable power, like some pornography of divine origin; if I manage to keep it at bay when awake, then it assails me, treacherously, in my dreams, flaunting its infinite power over my body and soul, there is no escaping it, and to try is to fail, as I learned on the night of my arrival in Heiligendamm, and let that be a lesson! no matter how much I was trying to be rid of my many worries that night — my foolish reflections on my artistic work, the dark yet exciting memories of my parents and my childhood, the arduous and unsettling journey, the equally unsettling though tender and touching farewell to Helene — no matter how much I tried to escape into a long, deep, restful, purifying sleep, it startled me again, although this time rather gently, not treating me as cruelly as at other times when it would appear, let's say, in the image of a naked man offering me his erect phallus, but announcing itself in a most innocent dream image, its appearance no more than a gentle reminder of my helplessness.

Loud, strange footsteps were reverberating in a familiar, wet street; the night, mysterious and flecked with the glimmer of gas lamps, enveloped me as smoothly, softly yet firmly, as only a loving woman's embrace or a dream can, and so I sank with it, hardly against my will, surrendering completely to the beauty of the darkness accentuated by the golden halos around the lamps; and since this nocturnal street scene was not far from turning into a person, yes, from becoming Helene herself, although nothing indicated directly that the scene was her embodiment, still, quite freely, without fear or reticence, my senses and emotions blended into and spread throughout this scene as if it were Helene, as though I were belatedly bestowing on her the very feelings which while awake — overwhelmed by the force of circumstances — even at the wildest moments of our ecstasy I was compelled to withhold from her and of course from myself as well.

It was as though the greatest good, the highest, most complete and splendid good was about to overpower me, and I had to hand over everything I had; indeed, it had already taken everything from me, devoured me, I was it and it was me, yet still it had more to give and so did I, much more skill; it was on the way to this good that my strong footsteps were resounding, this was the street of the good, the night, dark, and lights of the good, and I felt that the more I gave the more I had left to give; and it was all very good, even if my footsteps seemed to echo back to me from a cold, hollow space.

But from here I could see it, for the nature of the good now made itself visible; and I simply slipped out, emerged from the bothersome noise of my footsteps, to reach it; now I could feel that there was something better than the good, and whatever was waiting for me could only be better, for if I could walk right through all this good so easily and freely, then redemption, for which I had yearned so while lying at the bottom of my suffering, and that unpleasant clatter of footsteps had to do with suffering, could now come to pass without special fuss or ceremony.

And the love, oh, the love granted me now was great indeed; to love the cobblestones of the street as the cambered light highlighted and absorbed each and every one of them, to love the raindrops ready to fall from the branches, to love those sinister footfalls, too, and the gas jets dancing over the water collected at the bottom of the glass globes, to love the darkness for allowing me to see the light, and the cat that scurried by like an unexpected shadow, to love the soft tracks its paws left behind in the night, to love the glistening surface of the slender, finely wrought lampposts and the sound of that rusty creak the ear could hardly register in this loving daze.

And the eyes searched in vain.

For it was like a bubble, could burst any moment.

The creaking sound grew stronger, and leaving the clatter of my feet behind me on the stones, I was headed toward it; a metal door would make such a rusty sound when creaking in the wind, but there was no wind! I was hoping this would be the last clatter, after which nothing more could disturb the thick silence of the dark, but I was still walking and each step produced a new sound.

And then I saw myself approaching.

How could I spare the darkness from these noises?

There I was, standing behind the steel door blown open by the wind, standing in the stench and following intently the sound of those footsteps.

The wind slammed the door shut with a harsh grating sound, hiding me behind it, but the next instant it flew wide-open and I once more saw myself waiting there.

But where was I, anyway?

The place was not unfamiliar even if I could not locate myself in it exactly, which is why the question: Where? persisted; the possibility of being at once here and there made me so anxious I wanted to cry out, and would have, too, had I not been wary of disturbing the darkness with a loud cry, for I was still walking on the street of the good, and knew I was, I wouldn't let anyone deceive me! yet this street led me straight to that door, the bare trees and the wet lampposts were standing there like road markers, I couldn't change course now, I had to reach the steel door that evoked too much shame, desire, fear, curiosity, and humiliation for it to be unfamiliar; its secrets I would have liked to hide even from myself, yet there I was, in the same old spot, waiting for myself in the heavy stench of tar and urine, and I must have stood there for quite a while, because the foul smell had penetrated not only my clothes — whatever happened to my hat? — but my skin as well, it was emanating from me, even from my hair, so there was no point in slipping away, there was a finality about my being there; I had arrived.

And then somebody, the one ruling over my dream — for in spite of everything I knew this was a dream, no need to get excited, I could wake any minute, though someone in control of the dream wouldn't let me— only I could not remember who this person might be, although his voice sounded familiar as he whispered that he was waiting behind the door, and no matter that I still felt the calm bestowed on me by my contact with the good, there was nothing to be done, nothing, because all that, he whispered right into my ear now, had been only to entice me: the dark was waiting for me.

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