Peter Nadas - A Book of Memories

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This extraordinary magnum opus seems at first to be a confessional autobiographical novel in the grand manner, claiming and extending the legacy of Proust and Mann. But it is more: Peter Nadas has given us a superb contemporary psychological novel that comes to terms with the ghosts, corpses, and repressed nightmares of Europe's recent past. "A Book of Memories" is made up of three first-person narratives: the first that of a young Hungarian writer and his fated love for a German poet; we also learn of the narrator's adolescence in Budapest, when he experiences the downfall of his once-upper-class but now pro-Communist family and of his beloved but repudiated father, a state prosecutor who commits suicide after the 1956 uprising. A second memoir, alternating with the first, is a novel the narrator is composing about a refined Belle Epoque aesthete, whose anti-bourgeois transgressions seem like emotionally overcharged versions of the narrator's own experiences. A third voice is that of a childhood friend who, after the narrator's return to his homeland, offers an apparently more objective account of their friendship. Together these brilliantly colored lives are integrated in a powerful work of tragic intensity.

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We didn't look at each other after that; we wouldn't have dared.

Hands is what we were then, because it seems that the pain was serious, after all; offended and hurt, her hand wanted to pull out of mine, but my gentleness wouldn't let it, and with diminishing force we glided down from the peak of her little pain to a quiet reconciliation, which was so final that all previous struggle and play lost their meaning.

We continued on Karthauzi Road, and though I had no set route in mind, I led her instinctively and confidently in a direction I felt proper, which would take us to my uncertain, distant destination, which I'd picked out with a rather childish self-assurance; still, I don't regret my impulsiveness; but for her hand, the feeling that we could not change the situation would have paralyzed me; if I had been alone, if her hand hadn't forced me to take responsibility for my impulsive, senseless adventure, I would certainly have turned back at some point, the remembered warmth would have lured me back to the place whither, in my right mind, I could never have returned; but with her hand in mine, there was no turning back; and now, as I reminisce and follow the two of them with my sentences, I can only keep nodding like an old man: yes, let them go on, good luck to them; their foolishness, I must admit, is very dear to me.

Above us, on the still snowy embankment, two lit-up but nearly empty cars of the cogwheel train passed by; only a few people were trudging along the road, meaningless shadows of the world we had left behind.

We carried our shared warmth in our clasped hands. When the two hands rested motionless in each other for a little too long, it seemed, not only because of the cold but also because of having grown used to each other, that one hand began to lose the other; it was time to change position, but carefully, so the new hold wouldn't upset the peace and calm of the old one.

At times our two hands fit so well, found such a natural and balanced position, that it was hard to tell which one was mine or where exactly was hers, whether I was holding hers or the other way around, which caused the vague fear that I might lose my hand in hers, a fear that then became the reason for shifting position.

The strange shadows were gone, we were alone; the crunching of our hurried, perhaps too hurried, steps echoed into the ill-lit road, into the darkness the moonlight conjured out of the bare trees; we heard dogs barking, sometimes in the distance, sometimes close by; in the air — so cold that the fine hairs in our noses froze with every breath, a very pleasant sensation — we could smell the acrid smoke of chimneys; on the left side of the road, in the gardens below, snow was glimmering in large patches; the smoke was coming from these mostly darkened villas.

There was a full moon that night, and walking up the Swiss Steps we came face-to-face with it; there it was, glowing at the top of the steps, as if its motionless round visage had been waiting just for us.

This interminably long set of steps confused our hands; on the flat road our steps had automatically assumed a harmonious rhythm, but now either I pulled her or she pulled me, and it wasn't even the stairs disrupting the rhythm, for we still managed to stay together on them, but the interim landings; every third stair was followed by a landing that took four steps to cross; on one of these, in the middle of taking the four flat steps — I was actually counting them — she asked me where I wanted to go.

She didn't ask where we were going but where I wanted to go, and asked it as if the question were part of her heavy breathing, and therefore the wording didn't seem crucial, so I didn't have to stop.

To my aunt, I said.

Which wasn't quite true.

But luckily she didn't ask me anything else, and we kept climbing the stairs, still not looking at each other, which was just as well.

Perhaps a half hour went by, and when we reached the top we looked down, as involuntarily one always does from the top.

And as we did, to see how far we had come, our faces brushed against each other, and I could see that she wanted to know, but I had nothing to say, or rather, it would have been too complicated to tell her, and then, both at once, we let go of each other's hand.

I started walking, she followed me.

Rege Street is mildly steep here; I quickened my pace, fleeing from having to explain things; and then, after a few steps taken in this state of nervous estrangement, she reached out her hand to me.

She reached after me because she already knew, and I could feel it from her hand, that she would leave me, and my hand did not want to make her stay, it wanted to let her go.

We kept walking on the treeless hilltop, past the hotel's long wire fence, and where the fence ended, the city's last lamppost waited for us with its yellow light in the blue darkness, as if illuminating thé outer limits of our possibilities; the road ended there, only a trail led farther, nothing but a few lonely oaks and sparse shrubs; and after we left this last yellow light behind us, I sensed that at any moment my hand might let go of hers.

We walked on like this for another half hour, maybe a little less.

We were inside the deep Wolf Valley, whose high rims were covered with untouched, bluish snow; snow crackled and crunched under our feet; and there it finally happened.

She stopped; I immediately let go of her hand, but she held on to my open palm and looked back at me.

She kept looking, but could not see what she wanted to see, couldn't see the lights we had left behind; we were deep inside the valley.

She said I should go back with her.

I said nothing.

Then she let go of my hand.

She said I should put on her cap, but I shook my head; it was silly, but I didn't want to wear a red cap.

Then at least I should take her gloves, she said, and pulled them out of her pocket.

I took them from her and put them on; they were knitted woolen gloves, nice and warm, and red, but that I didn't mind.

This frightened her, and she started begging and pleading; it wasn't for her sake but for her parents', and no, it wouldn't be a sign of weakness; she said all sorts of things, speaking quickly and quietly, but the valley snapped up even these tiny sounds.

The echoing sounds made me shiver, and I felt that if I let a single sound escape me and it echoed like that, I'd have to turn back myself.

She was scared, she said, scared to go back alone; I should walk her back a little way.

A little way, way, said the valley quietly.

Quickly I started off, to continue, to make her stop talking, but after a few steps I stopped and turned around; perhaps like this, from here, it might be easier for both of us.

We stood like that for a long time, from the distance we couldn't see each other's face anymore, it was much better this way.

For me it was better if she went back, yes, to let her go, and perhaps she sensed that for me it wasn't at all a bad thing if she went back; she began to turn away, slowly, and then she turned around completely and began to run; she was sliding on the snow, looked back and ran, and then I kept looking at her for as long as my eyes saw what they wanted to see; maybe she turned around again, or stopped, or walked faster, or ran, a dark little spot hovering over the blue snow, until she disappeared altogether, though I still seemed to be seeing her.

For a while I still heard her steps in the snow, and then I only thought I heard them; they were no longer footsteps but the cold breeze fingering branches, echoes of creaking, snapping sounds, secret crackles; still, I wouldn't move from my spot, waited for her to be gone, walking her back in my mind, away from here, wanting her to disappear completely.

A tiny, cold scraping in my throat still hoped she'd turn around; and if she did, then she should reappear just about… no, not yet; now, now the little spot should appear! but nothing did.

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