Peter Nadas - A Book of Memories

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This extraordinary magnum opus seems at first to be a confessional autobiographical novel in the grand manner, claiming and extending the legacy of Proust and Mann. But it is more: Peter Nadas has given us a superb contemporary psychological novel that comes to terms with the ghosts, corpses, and repressed nightmares of Europe's recent past. "A Book of Memories" is made up of three first-person narratives: the first that of a young Hungarian writer and his fated love for a German poet; we also learn of the narrator's adolescence in Budapest, when he experiences the downfall of his once-upper-class but now pro-Communist family and of his beloved but repudiated father, a state prosecutor who commits suicide after the 1956 uprising. A second memoir, alternating with the first, is a novel the narrator is composing about a refined Belle Epoque aesthete, whose anti-bourgeois transgressions seem like emotionally overcharged versions of the narrator's own experiences. A third voice is that of a childhood friend who, after the narrator's return to his homeland, offers an apparently more objective account of their friendship. Together these brilliantly colored lives are integrated in a powerful work of tragic intensity.

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Our silly searches were also dictated by a singular feeling, hinting and intimating that despite our environment's aggressively maintained appearance of wholesome well-being, something was not quite right: we looked for reasons and explanations and, finding none, discovered the frightful agony of doubt, became well acquainted with a feeling which, in a way, was the emotional form of the day's historical reality.

But how could we have understood, how could our childish minds have conceived that in our feelings the most complete form of truth was made manifest to us? we were after something more tangible, something to hold in our hands, and that is how our feelings were guarding us against our feelings.

We couldn't have known yet that destiny, which would eventually also reveal to us the palpable contents of our feelings and explain in retrospect the connection between seemingly disparate emotions, always travels in roundabout ways, arriving secretly, inconspicuously, and quietly, and one need not rush it; it cannot and should not be rushed.

It arrives one afternoon very late in the winter, almost like all other winter afternoons, announcing itself in the form of a strange overcoat with an unpleasant, musty smell, shabby-looking, and only one of its buttons resembles the buttons on Krisztián's coat, maybe its color is also like that of his coat.

The dark coat on the rack could mean only one thing: a guest had arrived, an unusual guest, because it is a stern-looking coat, quite unlike those that usually hang on the rack; it cannot be the doctor's or a relative's, which would have a different smell; this is more like a coat emerging from the depths of imaginings, from the distance of anxieties, from oblivion; I heard no strange noises or anyone talking, everything seemed as usual, so I simply opened the door to Mother's room and, without fully comprehending my own surprise, took a few steps toward the bed.

A strange man was kneeling in front of the bed, holding Mother's hand and bending over it as it lay on the coverlet; he was crying, his shoulders and back shaking, and while he kept kissing the hand, with her free hand Mother held the man's head, sinking her fingers into the stranger's short-cropped, almost completely white hair, as if wanting to pull him closer by his hair, but gently, consolingly.

This is what I saw when I walked in, and like a knife tearing into my chest the thought hit me: So it's not just János Hamar, there was another one! oh, the hatred welling up in me! but I did take a few more steps toward the bed, driven now by hatred, too, and saw the man lift his head from Mother's hand, not too quickly, while Mother abruptly let go of his hair, leaned forward, raising herself slightly off her pillows, threw me a quick glance, and, terrified that I might have just discovered her repulsive secret, told me to leave the room.

Rut the man told me to come closer.

They spoke simultaneously, Mother in a choking, faltering voice, at the same time her hand rushing to her neck to pull together her soft white robe so I would not see that her nightgown was open, too, and then I knew immediately what they had been doing; she had shown him, she'd shown her breast to the stranger, her breast that had been cut off, she had shown him the scar; the stranger spoke in a kind, soft voice, as if he were truly glad to see me come in now, unexpectedly, at the wrong moment; in the end, embarrassed and confused by the contradictory signals, I stayed where I was.

A slender shaft of late-afternoon sunlight pierced the window, outlining with wintry severity the intricate patterns of the drawn curtains on the lifeless shine of the floor; and it seemed that everything was booming, even the light; outside, the drainpipes were dripping, melted snow from the roof sloshed and gurgled through the eaves so loudly it sounded amplified; leaving Mother and the stranger in the shade, the shaft of light reached only as far as the foot of the bed, where a small, poorly tied package lay; as the man straightened himself, wiped the tears from his eyes, smiled, and stood up, I already knew who he was, though I didn't want to know; his suit also seemed strange, like his coat on the rack outside, a lightweight, slightly faded summer suit; he was very tall, taller than the János Hamar preserved in my memory, the man my turbulent feelings did not want to recognize, these booming emotions were trying to protect other emotions; he was very tall, his face pale and handsome, both his suit and white shirt wrinkled.

He asked me if I recognized him.

I was watching a red spot on his forehead and saw that although he had wiped his eyes, one of them still had tears in it, and I said no, I didn't recognize him; I didn't want to, and somehow there was something totally unfamiliar about him, though the real reason I said no was that I still wanted to hold on to the lie with which my parents for years had eliminated him from my life; I hoped that insisting on this lie would keep him away from Mother.

But my adored mother did not or, rather, would not understand my insistence, and she lied again, she felt she had to, and with her lie she pushed me away, crushed me; she pretended to be quite surprised that I didn't recognize this man; she was doing this for his benefit, with this pretended surprise trying to suggest that it was only my forgetfulness, and not them, she and Father, to blame for erasing this man from my memory; the excitement of her own lie dried and choked her voice; it was repulsive to listen to it then; today, however, having recovered from the shame of my powerlessness and from the deep wounds of childhood injuries, I rather admire her self-discipline; after all, I did come in at the most dramatic moment of their reunion; what else could she have done but seek refuge in a familiar role; she felt she ought to play the mother now, a mother speaking to her son; she very quickly wanted to change back into being a mother, her face underwent a complete alteration as a result of this mental exercise: a strikingly beautiful, red-haired woman was sitting in that bed, her cheeks flushed, her slightly trembling, nervous fingers playing with the cord on her bedjacket — she seemed to be choking herself with them; this woman seemed a stranger, her voice phony, as she refused to believe I'd so quickly forgotten this man, the man I hated, but her lovely green eyes, narrowing and fluttering, betrayed how completely defenseless she was in this painful and embarrassing situation.

And this, in fact, made me happy; I'd have loved to come right out and say she was lying, shout to the whole world that she was lying, deceiving everyone, but I couldn't say anything, because I was stifled by the constant booming in my ears, and tears that wanted to spill from my eyes were trickling down my throat.

But the stranger, who sensed nothing of what was happening between me and Mother, burst into a loud resounding laugh and, as if coming to my aid and neutralizing the tone of resentment in Mother's voice, said, "It's been five years, after all," which made it clear to me how long had passed since his disappearance, and now I was touched and consoled by his voice and by his laughter, he seemed to be laughing off those five years, making light of it all; as he began walking toward me, he indeed became familiar; I recognized his easy, confident stride, his laugh, the candor of his blue eyes, and, most of all perhaps, the trust I could not help having in him; my defensive and self-protective attitude was gone.

He embraced me and I had to surrender; he was still laughing and saying that it was five years, not exactly a short time; his laughter was meant more for my mother, who kept on lying, saying they had told me he was abroad, which of course wasn't at all what they had really told me: only once did I ever ask them where János was, and it was she, not Father, who said that János Hamar had committed the greatest possible crime and therefore we must never talk about him ever again.

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