Charles D'Ambrosio - The Dead Fish Museum

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The Dead Fish Museum: краткое содержание, описание и аннотация

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“In the fall, I went for walks and brought home bones. The best bones weren’t on trails — deer and moose don’t die conveniently — and soon I was wandering so far into the woods that I needed a map and compass to find my way home. When winter came and snow blew into the mountains, burying the bones, I continued to spend my days and often my nights in the woods. I vaguely understood that I was doing this because I could no longer think; I found relief in walking up hills. When the night temperatures dropped below zero, I felt visited by necessity, a baseline purpose, and I walked for miles, my only objective to remain upright, keep moving, preserve warmth. When I was lost, I told myself stories. .” So Charles D’Ambrosio recounted his life in Philipsburg, Montana, the genesis of the brilliant stories collected here, six of which originally appeared in
. Each of these eight burnished, terrifying, masterfully crafted stories is set against a landscape that is both deeply American and unmistakably universal. A son confronts his father’s madness and his own hunger for connection on a misguided hike in the Pacific Northwest. A screenwriter fights for his sanity in the bleak corridors of a Manhattan psych ward while lusting after a ballerina who sets herself ablaze. A Thanksgiving hunting trip in Northern Michigan becomes the scene of a haunting reckoning with marital infidelity and desperation. And in the magnificent title story, carpenters building sets for a porn movie drift dreamily beneath a surface of sexual tension toward a racial violence they will never fully comprehend. Taking place in remote cabins, asylums, Indian reservations, the backloads of Iowa and the streets of Seattle, this collection of stories, as muscular and challenging as the best novels, is about people who have been orphaned, who have lost connection, and who have exhausted the ability to generate meaning in their lives. Yet in the midst of lacerating difficulty, the sensibility at work in these fictions boldly insists on the enduring power of love. D’Ambrosio conjures a world that is fearfully inhospitable, darkly humorous, and touched by glory; here are characters, tested by every kind of failure, who struggle to remain human, whose lives have been sharpened rather than numbed by adversity, whose apprehension of truth and beauty has been deepened rather than defeated by their troubles. Many writers speak of the abyss. Charles D’Ambrosio writes as if he is inside of it, gazing upward, and the gaze itself is redemptive, a great yearning ache, poignant and wondrous, equal parts grit and grace.
A must read for everyone who cares about literary writing,
belongs on the same shelf with the best American short fiction.

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They could hear Greenfield calling for quiet as the filming was set to begin. RB peered through the hole he’d made in the plywood.

“This shit’s tame,” he said after a while. “I thought there’d be monkeys in it.” He closed his pocketknife. “Still, there’s boys and girls inside about to get their rocks off. And you out here sicker than a dog.”

“I think I’ll head home,” Ramage said.

“Have a look.”

Ramage pressed his eye to the peephole and saw Desiree naked on the bed. She was alone on the set and seemed not to know where to place her hands; she leaned forward, resting her elbows on her knees.

“You look bored,” Greenfield was telling her. “You got a dick in your mouth but you got a face like a postal clerk.”

“Scolding me doesn’t put me in much of a mood,” Desiree said.

“You’re a professional,” Greenfield said. “You get paid to be in the mood.”

“No monkeys,” Ramage said to RB. He looked out over the town. “I think I’ll head home.”

“You said that.”

Ramage stood, steadying himself with the handrail. The gray overcast sky tumbled and spun and his stomach heaved. He buckled and was seated again, throwing up between his legs. He propped his arms on his knees and spat chunks through the grated metal landing. RB closed his hand over Ramage’s, and Ramage slowly turned his palm up and clasped hold of RB, weaving their fingers together, holding on tighter as each new wave of nausea hit.

“Spooky?”

“Yeah?”

“I could give a rat’s ass where you been. Crazy or whatever, locked up, I don’t mind. It’s nothing to me.”

“Thanks.”

“But you’re different. You changed.”

“Different?”

“You used to be somebody else.”

He woke with a parched mouth and put his head under the faucet and desperately lapped at the water like a poisoned animal. He undressed and was asleep again when a knock on the door woke him. He wound a sheet over his shoulders and slipped the chain off and found Desiree standing under the walkway light. Night had fallen; he had to ask what time it was.

“Ten-thirty,” she said.

“Man alive,” Ramage said.

Desiree wore jeans and a white T-shirt. She’d let her hair loose from its usual hard, lapidary style, and an archaeology of treatments showed, strata of blond and silver, a bedrock of dark brown at the roots.

Ramage asked, “How was work?”

“Greenfield’s got notions,” she said.

“I heard him go off.”

“There wasn’t any call for him to humiliate me in front of everybody.”

She slipped off her sandals and walked barefoot across the gold carpet. She poured rum into a plastic cup and sipped from her drink, then tipped out a little more rum and sat on the bed beside Ramage, her legs raised. Their knees touched. Ramage felt the faint pressure and in silence he ran his finger back and forth along her pants seam, tracing the outline of her leg as it rose and fell from her hip to her ankle. She primped the flat airless pillows beneath her head; she ran her tongue over her lips and her mouth settled into a pout as she stared at the ceiling. Ramage wished for ice but he was too tired to dress and search for some. Desiree balanced the plastic cup on her stomach, over her belly button. Ramage kissed her woodenly and touched her breasts; he faked the kiss a moment longer and slipped his hand under her shirt. Beneath her breasts, two faint surgical scars, like the twin curved lines of a cartoon bust, were clearly visible. He traced his finger along the pink welted tissue. The cakey foundation she had applied to cover the scars for the shoot came off on Ramage’s finger in a kind of powdery dust the color of putty. He looked at his finger; he wiped it clean on the bedsheet. She reached for his crotch. His penis curled like a burnt match between his legs.

“I knew a guy killed himself,” she said, sitting up. “I always wondered why.”

“It’s not that interesting.”

“Come on, if we hung out tonight, and then you were dead tomorrow, you wouldn’t want me to feel anything?”

“Nothing.”

“Not even weird? You wouldn’t want me to feel a little weird?”

“I don’t know.”

“That guy used to come to our shows. I had this rock band. I was sixteen. He was a fan. He shot himself in the parking lot. He had some kind of drama. I wrote a song about it but the song stank.”

The light that had been leaking into the room was briefly eclipsed and someone knocked on the door. Ramage pulled the sheet around his shoulders and answered. Rigo held a six-pack in one hand and Ramage’s tool sack in the other.

“You are not at the bar,” he said. Without the past tense he could only protest pointlessly against the present; his eyes shifted, staring into the room. Nothing was happening but Ramage felt awkward and compelled to account for himself.

“I see,” Rigo said. Red and black paint spotted his face and sand crystals flashed in his hair. He set Ramage’s tools inside. “You forget, I bring.” He opened one of the bottles from the sixpack and offered it to Desiree, who declined. Ramage turned down the offer, too, and Rigo drank the beer in one long hard swallow. When he was finished, he knocked the empty bottle against his knee, waiting. “I see,” he said again.

There was nothing Ramage could do, and his guilt gave way to anger. “Thanks for the tools,” he said. He abruptly said goodbye and shut the door. Turning back to face the room, he was conscious of the tableau from Rigo’s vantage, the poisoned scene, tawdry and familiar: the twisted sheets, the tangle of clothes, the uncapped bottle of rum on the table.

“He gives me the creeps,” Desiree said. “You know the way you can look at somebody just for a second, and that’s one thing, but if you look longer, that’s something else? That’s him — he just keeps staring. He doesn’t know when’s enough.”

She reached for Ramage again, but gave up quickly.

“I’m getting this feeling of familiarity around you,” Desiree said. “I don’t mean cozy. I mean like a past life, like we’ve been here before. Not way back in history or anything. We weren’t Roman emperors together. I mean a past life like maybe a couple weeks ago.”

After the second day of shooting, Greenfield told Ramage to stay late and dismantle the sets, all except the black room. The weather had turned cooler; a light rain tapped against the plywood windows. Space heaters had been spread around the warehouse after some of the actors complained of cold. Ramage sent Rigo to the store for beer; he waited with RB, the warm air blowing over them.

RB looked out from the set to the tangle of equipment.

“All these people watching,” he said. “You forget there’s all these people looking on.”

“This is some job,” Ramage said.

“We’ve had lots worse.”

“That we have, my friend.”

Knocking down what they had only recently built hollowed their desire and didn’t make either man inclined to work. When Rigo returned with the beer, they loafed on the bed and drank.

RB said, “What side were you on, Rigo?”

“Side?”

“A good guy? A bad guy?”

“He was in the military,” Ramage said.

“No side,” Rigo said.

“I seen you looking through my peephole,” RB said. “I should charge admission. I’d make some money off you, boy. You like these bitches.”

“I am married,” Rigo said.

“You can look, Harvard,” RB said. “It’s okay. Looking don’t hurt nobody.”

Rigo flipped a bottle cap at RB, hitting him in the face.

“Lighten up,” Ramage said.

“Spooky, he just threw a bottle cap at me.”

“Wah wah, let’s get back to work.”

“Back to work, you niggers!” RB laughed, his dark lips rolling back, exposing a gate of white teeth. “That includes you, Rigoberto.”

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