Fuminori Nakamura - The Thief

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A literary crime masterpiece that follows a Japanese pickpocket lost to the machinations of fate. Bleak and oozing existential dread,
is simply unforgettable. The Thief is a seasoned pickpocket. Anonymous in his tailored suit, he weaves in and out of Tokyo crowds, stealing wallets from strangers so smoothly sometimes he doesn’t even remember the snatch. Most people are just a blur to him, nameless faces from whom he chooses his victims. He has no family, no friends, no connections…. But he does have a past, which finally catches up with him when Ishikawa, his first partner, reappears in his life, and offers him a job he can’t refuse. It’s an easy job: tie up an old rich man, steal the contents of the safe. No one gets hurt. Only the day after the job does he learn that the old man was a prominent politician, and that he was brutally killed after the robbery. And now the Thief is caught in a tangle even he might not be able to escape.

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Fuminori Nakamura

The Thief

1

When I was a kid, I often messed this up.

In crowded shops, in other people’s houses, things I’d pick up furtively would slip from my fingers. Strangers’ possessions were like foreign objects that didn’t fit comfortably in my hands. They would tremble faintly, asserting their independence, and before I knew it they’d come alive and fall to the ground. The point of contact, which was intrinsically morally wrong, seemed to be rejecting me. And in the distance there was always the tower. Just a silhouette floating in the mist like some ancient daydream. But I don’t make mistakes like that these days. And naturally I don’t see the tower either.

IN FRONT OF me a man in his early sixties was walking towards the platform, in a black coat with a silver suitcase in his right hand. Of all the passengers here, I was sure he was the richest. His coat was Brunello Cucinelli, and so was his suit. His Berluti shoes, probably made to order, did not show even the slightest scuff marks. His wealth was obvious to everyone around him. The silver watch peeping out from the cuff on his left wrist was a Rolex Datejust. Since he wasn’t used to taking the bullet train by himself, he was having some trouble buying a ticket. He stooped forward, his thick fingers hovering over the vending machine uncertainly like revolting caterpillars. At that moment I saw his wallet in the left front pocket of his jacket.

Keeping my distance, I got on the escalator, got off at a leisurely pace. With a newspaper in my hand, I stood behind him as he waited for the train. My heart was beating a little fast. I knew the position of all the security cameras on this platform. Since I only had a platform ticket, I had to finish the job before he boarded the train. Blocking the view of the people to my right with my back, I folded the paper as I switched it to my left hand. Then I lowered it slowly to create a shield and slipped my right index and middle fingers into his coat pocket. The fluorescent light glinted faintly off the button on his cuff, sliding at the edge of my vision. I breathed in gently and held it, pinched the corner of the wallet and pulled it out. A quiver ran from my fingertips to my shoulder and a warm sensation gradually spread throughout my body. I felt like I was standing in a void, as though with the countless intersecting lines of vision of all those people, not one was directed at me. Maintaining the fragile contact between my fingers and the wallet, I sandwiched it in the folded newspaper. Then I transferred the paper to my right hand and put it in the inside pocket of my own coat. Little by little I breathed out, conscious of my temperature rising even more. I checked my surroundings, only my eyes moving. My fingers still held the tension of touching a forbidden object, the numbness of entering someone’s personal space. A trickle of sweat ran down my back. I took out my cell phone and pretended to check my email as I walked away.

I went back to the ticket gate and down the gray stairs towards the Marunouchi line. Suddenly one of my eyes blurred, and all the people moving around me seemed to shimmer, their silhouettes distorted. When I reached the platform I spotted a man in a black suit out of the corner of my eye. I located his wallet by the slight bulge in the right back pocket of his trousers. From his appearance and demeanor I judged him to be a successful male companion at a ladies-only club. He was looking quizzically at his phone, his slender fingers moving busily over the keys. I got on the train with him, reading the flow of the crowd, and positioned myself behind him in the muggy carriage. When humans’ nerves detect big and small stimuli at the same time, they ignore the smaller one. On this section of track there are two large curves where the train shakes violently. The office worker behind me was reading an evening paper, folded up small, and the two middle-aged women on my right were gossiping about someone and laughing raucously. The only one who wasn’t simply traveling was me. I turned the back of my hand towards the man and took hold of his wallet with two fingers. The other passengers formed a wall around me on two sides. Two threads at the corner of his pocket were frayed and twisted, forming elegant spirals like snakes. As the train swayed I pushed my chest close to him as though leaning against his back and then pulled the wallet out vertically. The tight pressure inside me leaked into the air. I breathed out and a reassuring warmth flowed through my body. Without moving I checked the atmosphere in the carriage, but nothing seemed out of order. There was no way I would make a mistake in a simple job like this. At the next station I got off and walked away, hunching my shoulders like someone feeling the cold.

I joined the stream of weary people and went through the barrier. Looking at the fifteen or so average men and women gathered at the entrance to the station, I figured there was about two hundred thousand yen among them. I strolled off, lighting a cigarette. Behind a power pole to my left I saw a man check the contents of his wallet in full view and put it in the right pocket of his white down jacket. His cuffs were dark with stains, his sneakers worn and only the fabric of his jeans was good quality. I ignored him and went into Mitsukoshi Department Store. On the menswear floor, which was full of brand-name shops, there was a display mannequin wearing a coordinated outfit, something reasonably well-off guys in their late twenties or early thirties would wear. The mannequin and I were dressed the same. I had no interest in clothes, but people in my line of work can’t afford to stand out. You have to look prosperous so that no one suspects you. You have to wear a lie, you have to blend into your environment as a lie. The only difference between me and the store dummy was the shoes. Keeping in mind that I might have to run away, I was in sneakers.

I took advantage of the warmth inside the shop to loosen my fingers, opening and closing my hands inside my pockets. The wet handkerchief I used to moisten my fingers was still cold. My forefinger and middle finger were almost the same length. Whether I was born like that or they gradually grew that way I don’t know. People whose ring fingers are longer than their index fingers use their middle and ring fingers. Some people grip with three fingers, with the middle finger at the back. Like all forms of motion, there is a smooth, ideal movement for removing a wallet from a pocket. It’s not only a matter of the angle, but of speed as well. Ishiwaka loved talking about this stuff. Often when he drank he became unguarded and chatty like a child. I didn’t know what he was up to anymore. I figured he was probably already dead.

I entered a stall in the department store’s dimly lit toilet, pulled on a thin pair of gloves and inspected the wallets. I’d made it a rule never to use the station toilets, just to be on the safe side. The Brunello Cucinelli man’s held 96,000 yen, three American $100 bills, a Visa gold card, an American Express gold card, a driver’s license, a gym membership card and a receipt for 72,000 yen from a fancy Japanese restaurant. Just when I was about to give up I found an intricately colored plastic card with nothing printed on it. I’d come across these before. They’re for exclusive private brothels. In the male companion’s wallet were 52,000 yen, a driver’s license, a Mitsui Sumitomo credit card, cards for Tsutaya video store and a comic book café, several business cards from sex workers and a whole lot of scrap paper, receipts and the like. There were also some colorful pills with hearts and stars stamped on them. I only took the banknotes, leaving the rest inside. A wallet shows a person’s personality and lifestyle. Just like a cell phone, it is at the center, forming the nucleus of the owner’s secrets, everything he carries on him. I never sold the cards because it was too much bother. I did what Ishikawa would have done — if I dropped the wallets in a mailbox, the post office would forward them to the police, who would then return them to the address on the driver’s license. I wiped off my fingerprints and put the wallets in my pocket. The male escort might get busted for drugs, but that wasn’t my problem.

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