Lydia Millet - Love in Infant Monkeys

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Lions, rabbits, monkeys, pheasants — all have shared the spotlight and tabloid headlines with famous men and women. Sharon Stone’s husband’s run-in with a Komodo dragon, Thomas Edison’s filming of an elephant’s electrocution and David Hasselhoff’s dogwalker all find a home in Love in Infant Monkeys. At the rare intersections of wilderness and celebrity, Lydia Millet hilariously tweaks these unholy communions to run a stake through the heart of our fascination with pop icons and the culture of human self-worship.
In much fiction, animals exist as author stand-ins — or even more reductively as symbols of good and evil. In Millet’s ruthless, lucid prose — each story based on a news item, biography, or other fact-based account of a celebrity-animal relationship — animals are as complex and rich as our imaginings of them. In these spiraling fictional riffs and flounces on real life, animals show up their humans as bloated with foolishness and yet curiously vulnerable — as in a tour-de-force, Kabbalah-infused interior monologue by Madonna after she shoots a pheasant on her English estate.

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Whether or not there is a grain of truth in the chaff of these epistolary ravings, only Edison could tell us. But certainly one wishes to issue a caution to critics in the mold of Profs. Horslow and Rheims, who, when faced with the evidence of the new translation, may despite it cleave stubbornly to their attribution of homosexuality to the eastern European tippler or indeed the businessman-inventor himself. Should these critics choose to see in the elephant a “symbol” of either heterosexual denial or repressed homosexual identity, they are of course free to do so; and no doubt, in that case, the elephant will have spoken to them as eloquently as she spoke to poor Golakov’s Edison, who saw in the dying beast myriad glorious reverberations of his martyred Christ.

Tesla and Wife

I KNEW A GREAT man once At the same time I knew a great man and a woman who - фото 9

I KNEW A GREAT man once. At the same time I knew a great man and a woman who loved him.

When I first met Mr. Tesla he looked like Count Dracula — tall and painfully thin, with cheeks sunken in. It was during the Second World War at the Hotel New Yorker. I was a maid there at the time: my first job out of high school, the first time I paid my own way. He was ancient, his skin as white as his hair.

He had been on the cover of Time magazine when he was seventy-five, but later, when I knew him, he was living on scraps from old admirers. For decades he had lived in hotels; it was a suite at the Waldorf for years, but in the New Yorker all he had was a shabby room on the thirty-third floor.

He had invented electricity. Lights, one of the bell-hops told me my first day on the job. Maybe the radio, except Mr. Marconi took the credit. He let companies steal his ideas, said my friend Pia. She was the one who loved him. He should have been very rich, she said, but he was not concerned with money.

He knew important people, and now and then some of them came to visit him. Some were squat men from Europe with square heads and bellies that stuck out; some were American. He told Pia he was inventing a Death Beam. That was why the men from the government came: We were fighting the Germans, and the FBI and the war department wanted the Death Beam.

He kept his pigeons in his room with him. We were allowed in to clean only when his fear of germs grew stronger than his need to be alone. I was glad when he let us in. I didn’t want him to live badly. He was strange but very kind, when he remembered to be.

He called the pigeons his best friends. His “most sincere friends,” as he said. They came to the window and he fed them, and a lot of them roosted there. He had nesting baskets for them and cages custom-made by carpenters; he had a curtained shower for them to bathe in and casks of his favorite birdseed mixture, rapeseed and hemp and canary. On the floor and on the furniture was the evidence: feathers and white messes. I would go in with my cart and hear birds cooing in the shadows.

He kept a photograph of a pigeon that had died some twenty years before. Sometimes he called her the white pigeon, other times the white dove. In certain languages, he said, they used the same word for both. She was his true love, he said, a white pigeon with gray on her wings. . later I would read that he had said he loved her as a man loves a woman. He never said that to me, but he did say other things. He said she filled his heart with happiness and that when he’d realized how sick she was, he’d stayed with her, waiting for her to die. When she died a light emanated from her and his eyes hurt from the brightness. He knew then that his work on Earth was ended.

A pigeon might seem serene, he said, but that was a trick of the feathers. The feathers were soft but beneath them it was bloody. That was beauty, said Tesla: the raw veins, the gray-purple meat beneath the down.

I should have died when she died, he went on, but death, I think it slipped by me.

Some people made fun of him for saying he loved the pigeon like a woman, though I never thought it was funny. People love their pets, but the love is tinged with sadness. Because the love is for a pet, they are ashamed of this. They want the love to seem as small as a hobby so no one will have to feel sorry for them. Tesla was not ashamed. He was never ashamed. People did not understand that, and they called him perverted.

Pia loved Tesla like he loved the pigeon.

Since I knew Pia, sometimes I have thought: I would have liked to know that love.

She thought he was as good as a saint — a saint or even more. She had her own problems. One of them was a harelip. Tesla had so much knowledge, she said, that it was as though he were God himself. And like God, he could not pretend he was human. This was why he failed despite all his ideas, why other men lived in comfort with wives to serve their needs and he was alone and poor.

Why God sent His son down to die for our sins, said Pia, was He could not come down Himself. He would not have known how to talk to regular people, she said. Pia was part Catholic and part something else, a religion from her parents’ village in Cyprus. I was brought up Methodist and didn’t know much about it.

In my church we had God, of course. We also had God in my church. But He was all downy feathers and none of the dark blood.

How the dust gathered! — on the dark file cabinets, the cupboard, the large safe in the corner and the desk. Tesla forgot the surfaces of things. He didn’t need to write down his ideas for inventions, he said, because he could keep them in his head. He did use paper, though; he liked to draw pictures of places he dreamed about. The pages had a few words, as well as drawings, but hardly any math on them. I didn’t know much back then, but I had seen an equation or two in high school and I was pretty sure you would need math to invent a Death Beam.

He called me “Mees.” He called all the maids that.

Every day he went to feed the pigeons outside the library. He went with duty and an aspect of hope. If he was sick and could not feed the birds, he had a boy do it for him, a boy named Charles who raised racing pigeons. He walked with a cane by the time I met him, because he had been hit by a car two blocks away. His first thought when he got back to his room, with three ribs broken, was that someone had to do the day’s feeding for him. He sent out a bellhop with his bag of seed.

Anyone else might have gone to the hospital but Tesla had no truck with doctors.

When I first cleaned his rooms I thought the birds were disgusting. I would avoid the rooms whenever I could and leave them to Pia. She was a harder worker and didn’t turn up her nose at anything. But after a while Tesla began to talk to me. He told me how smart some pigeons are, how they see ultraviolet light and remember things for years. He told me homing pigeons were carrying messages for the Army and saving the lives of soldiers, how vast flocks of passenger pigeons had been shot out of the sky for the pleasure of shooting, and five billion had turned to none. He said it was a little boy who shot down the last of the passenger pigeons.

Tesla told me that he chose not to marry. He said love could be all right for working people, and maybe also for poets and artists, but not for inventors like him, who had to use all their passion for invention. He was friends with Mark Twain, who was devoted to his own wife. I think maybe that’s why he said writers could get married and still do good work: He didn’t want to hurt Mark Twain’s feelings.

Pia said he was chaste, and that was why he was not interested in women. Never once did I see a woman in his suite, except for Pia cleaning. Her husband beat her so badly she went deaf in one ear; her left eyelid drooped from when he flicked it half off with a knife tip.

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