Alejandro Jodorowsky - The Dance of Reality - A Psychomagical Autobiography

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A glimpse into the mind and life of one of the most creative and enigmatic visionaries of our time, filmmaker Alejandro Jodorowsky
• Retraces the spiritual and mystical path Jodorowsky has followed since childhood, vividly repainting events from the perspective of an unleashed imagination
• Explores the development of the author’s psychomagic and metagenealogy practices via his realization that all problems are rooted in the family tree
• Includes photos from Jodorowsky’s appearance at the 2013 Cannes Film Festival and from the film based on this book, which debuted at Cannes
Retracing the spiritual and mystical path he has followed since childhood, Alejandro Jodorowsky re-creates the incredible adventure of his life as an artist, filmmaker, writer, and therapist-all stages on his quest to push back the boundaries of both imagination and reason.
Not a traditional autobiography composed of a chronological recounting of memories,
repaints events from Jodorowsky’s life from the perspective of an unleashed imagination. Like the psychomagic and metagenealogy therapies he created, this autobiography exposes the mythic models and family templates upon which the events of everyday life are founded. It reveals the development of Jodorowsky’s realization that all problems are rooted in the family tree and explains, through vivid examples from his own life, particularly interactions with his father and mother, how the individual’s road to true fulfillment means casting off the phantoms projected by parents on their children.
The Dance of Reality Offering a glimpse into the mind and life of one of the most creative and enigmatic visionaries of our time,
is the book upon which Jodorowsky’s critically acclaimed 2013 Cannes Film Festival film of the same name was based.

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In no way whatsoever did I approve of my father’s violence. My insides tied in knots and my chest burned when I witnessed these bloody faces, accepting their punishment as if they were receiving the wrath of God. It was less serious for a man to have a broken tooth or nose than it was for a woman to have her naked buttocks and torn-off knickers, sometimes full of holes, revealed to the eyes of the mocking public. The poor woman would be paralyzed, overwhelmed by embarrassment, hands covering her crotch, unable to reach for the torn-off underwear to pull it back up. Someone had to come — a friend, a parent — and cover her with a jacket or shawl in order to remove her from the hostile crowd. Every time I signaled a thief with my index finger, a bitter taste invaded my mouth; I did not want to harm these people, who stole because they were hungry, but I wanted to betray my father even less. The boss had given me an order, and I had to obey it, even when I felt that I was the one who was being humiliated and whose flesh was being wounded. After each beating, I shut myself up in the bathroom to vomit.

My body, which contained so much guilt, so many suppressed tears, and so much nostalgia for Tocopilla, began to turn sorrow into fat. At age eleven I weighed a little over 100 kilograms. Overburdened, I had trouble lifting my feet off the ground; my shoes scraped the pavement as I walked, and I breathed with my mouth half open, struggling to draw in the air that resisted me, my formerly wavy hair falling limp and lackluster on my forehead. Having forgotten that above me there was a sky without end, I walked with my head hanging down, my only horizon the rough concrete sidewalk.

Sara appeared to notice my sadness. She came back from her mother’s house carrying a black-varnished wood box in her arms. “Alejandro, the holidays are over. In a month you’ll be able to go to school and make friends, but now you need something to keep you busy. Jashe gave me her son José’s violin, may he rest in peace. It will make her extremely happy if you learn it and do with this sacred instrument what my poor brother was not able to do: play us “The Blue Danube” during family suppers.”

I was forced to take lessons at the Musical Academy, which was run by a fanatical socialist in the basement of the Red Cross building. I had to walk all the way across Matucana to get there. Instead of being curved in the shape of a violin, the black box was rectangular like a coffin. Seeing me walk by the shoe shiners would jeer sarcastically, “He’s carrying a dead body! Gravedigger!” Blushing with shame, my head hunched over between my shoulders, I was not able to hide the funereal casket. They were correct: the violin that it contained was José’s remains. Not wishing to bury him, Jashe had made me into his vehicle. I was an empty vessel used to transport a lost soul. Or better, I was the gravedigger for my own soul. I carried it, dead, in this horrible case. After a month of lessons, during which the black notes seemed to me to be in mourning, I stopped in front of the shoe shiners and looked at them without saying a word. Their jeering grew to a deafening chorus. Slowly, their hilarity was drowned out by the sound of an enormous freight train the color of my violin case. I threw the coffin onto the tracks, where it was reduced to splinters by the oncoming locomotive. The ragged people, smiling, began gathering up the pieces to build a fire, paying no heed to me as I stood before them, shaken by age-old sobs. An old drunk walking out of the bar put a hand on my head and whispered hoarsely, “Don’t worry, boy, a naked virgin will light your way with a flaming butterfly.” Then he went to urinate, hidden in the shadow of a pole.

This old man, made into a prophet by wine, pulled me out of the abyss with a single sentence. He had shown me that poetry could emerge even at the bottom of the bog where I was buried. Jaime, in the same manner that he mocked all religions, was merciless with poets. “They talk about loving women, like that García Lorca, but they’re all queers.” Later on he broadened his contempt to include all the arts, literature, painting, theater, and singing. They were all despicable buffoons, social parasites, perverse narcissists who were starving to death.

A Royal typewriter languished in a corner of our apartment, covered with dust. I painstakingly cleaned it, sat in front of it, and began my struggle against the image of my father that occupied my mind as a gigantic presence. He looked at me with disdain: “Faggot!” Transitioning from submission into revolt, I furiously destroyed the mocking god in my mind and wrote my first poem. I still remember it:

The flower sings and disappears.

How can we complain?

Nighttime rain, an empty house,

My footprints on the path

Begin to fade away.

Poetry brought about a radical change in my behavior. I stopped seeing the world through the eyes of my father. I was allowed to attempt to be myself. However, to keep the secret, I burned my poems every day. My soul, naked and virginal, lit my path with a butterfly on fire.

Once I could write without feeling shame and without feeling that I was committing a crime I wanted to keep my poems and find someone to read them to. But my father’s power, his worship of strength, his contempt for weakness and cowardice, terrified me. How could I announce to him that he had a poet son? Late one night I awaited his return from El Combate, determined to confront his tiredness and bad mood. As was his custom, he arrived home with a wad of banknotes wrapped in newspaper. The first thing he said to me, bitterly, was, “Bring me alcohol! I have to disinfect this stink!” He threw the wrinkled, foul-smelling, dirty bills on his desk and sprayed a sanitizing cloud over them. Putting on surgeon’s gloves, he began to sort and count them. Occasionally, cursing, he flattened out greenish bills that looked to me like the cadavers of marine insects. “Put on some gloves, Alejandro, so you don’t catch something from this filth, and help me count them.” I got up the courage to begin my confession.

“Papa, I have something important to tell you.”

“Something important? You?”

“Yes, me!” In this “me,” I tried to embody all of my new independence. “I am not you, I don’t see the world the way you do. Respect me!”

But like a banknote encrusted with mud, blood, or vomit, Jaime brushed me aside and, uttering maledictions, began to scrape the crud off the bills with a nail file. I got ready to yell at him for the first time in my life. “Imbecile, notice that I exist! I am not your gay brother Benjamín, I am myself, your son! You have never seen me! This is why I’ve gotten fat, so that you’ll notice me, at least my body if not my spirit! Don’t ask me to be a warrior; I’m a boy! No, not a boy, because you’ve killed the boy! I am a phantom that wants to flee the obese cadaver that makes it sick by imprisoning it in a living body that wants to be free of your concepts and judgments!” But I could not even utter the first syllable, because at that moment a tremendous underground roaring announced the arrival of a tremor threatening to grow into an earthquake. As the floors and walls vibrated, one might have thought a huge truck was passing in the street. But when lamps started swinging like pendulums, chairs slid across the room, a dresser fell over, and a shower of dust fell from the ceiling, we knew that the Earth was angry. This time, her fury seemed to be turning into mortal hatred. We had to grab onto the iron bars in front of a window in order not to fall down. The walls cracked, and the room was like a boat rocking in a tempest. We heard cries of the panicked masses from the street. Jaime grabbed me by the hand and dragged me, stumbling, to the balcony. He began guffawing. “Look at these hypocrites, ha ha, they fall on their knees, they beat their chests with their fists, they piss and shit, they’re as cowardly as their dogs!” Indeed the dogs were howling, hair standing on end, voiding their bowels. A utility pole fell. The electric cables wriggled on the ground, throwing off sparks. The crowd ran to take refuge in the church, whose single tower was wobbling from side to side. Jaime, more and more full of joy, kept me next to him on the balcony that threatened to collapse, stopping me from running down to the street.

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