David Peace - Occupied City

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On January 26, 1948, a man posing as a public health official arrives at a bank in Tokyo. He explains that he’s there to treat everyone who might have been exposed to a recent outbreak of dysentery. Soon after drinking the medicine he administers, twelve employees are dead, four are unconscious, and the “official” has fled. Twelve voices tell the story of the murder from different perspectives including a journalist, a gangster-turned-businessman, an “occult detective,” and a well-known painter. Each voice enlarges and deepens the portrait of a city and a people making their way out of a war-induced hell. Told with David Peace’s brilliantly idiosyncratic and mesmerizing voice,
is a stunningly audacious work from a singular writer.

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In our twelve cheap wooden coffins –

In these twelve cheap wooden coffins, we lie. But we do not lie still. In these twelve cheap wooden coffins, we are struggling. Not in the dark, not in the light; in the grey, we are struggling; for here is only grey, here we are only struggling –

In this grey place,

that is no place,

we are struggling all the time, always and already –

In this place, of no place, between two places. The places we once were, the places we will be –

The deathly living,

the living death –

Between these two places, between these two cities:

Between the Occupied City and the Dead City, here we dwell, between the Perplexed City and the Posthumous City –

Here we dwell, in the earth, with the worms,

in the sky, with the flies, we who are no longer in the houses of being. Beyond loss, flocks of birds fall from the sky and shower us with their bloody feathers and severed wings. But we still hear you . We who are now in the houses of non-being. Beyond loss, schools of fish leap from the sea and splatter us with their bloody guts and severed heads. We still see you . We want to breathe again, but we can never breathe again. Beyond loss, herds of cattle run from the fields and trample us with their bloody carcasses and severed limbs. We listen to you . We want to return again, but we can never return again. Beyond loss. We watch you still . Through our veils –

The veils which no longer hang before our eyes, these veils which now hang behind our eyes, their threads spun by our tears, their webs woven by our deaths, these veils which replaced our names, which replaced our lives –

Through these veils,

still we see –

Still we watch, we watch you …

Our mouths always open, our mouths already open. But we no longer talk, we can no longer talk, here we can only mouth, mouth:

Do we matter to you? Did we ever matter?

Our mouths always screams,

already screams, screams

that mouth:

Your apathy is our disease; your apathy, a plague…

We dwell beyond sorrow. You close your mouths . We dwell beyond pain. You close your eyes . Beyond grief, beyond despair. You close your ears, for you do not hear us, for you do not listen to us …

And we are tired, we are so tired, so very tired –

But still we dwell, between these two places –

Beyond dereliction, we lie. Drunk, you harangue us . Beyond oblivion, we wait. Sober, you ignore us . Forgotten and untended, buried or burnt, haunted and restless, under the earth and above the sky, without dreams and without sleep. You are Mind to our suffering . We are so tired, so very tired. You are deaf to our supplications . We weep without tears, we scream without sound,

yet still we wait, and still

we watch –

Between the Occupied City and the Dead City, between the Perplexed City and the Posthumous City we wait, we watch and we struggle. Here in this grey place, here where we are waiting,

watching and struggling:

Cursed be you who cast us into this place! Cursed be you who keep us here! Fickle you are, so very fickle —

Fickle are you, fickle the living…

Forgotten are we, forgotten and denied –

Lives forgotten and deaths denied –

For you deny us our deaths …

Deny us and trap us …

In the Perplexed City, the Posthumous City, beyond the Occupied City, before the Dead City, here we are trapped, trapped in the greyness, trapped in this city. In this city that is no city,

this place that is no place –

Here we shuffle, we shuffle around, around in circles, with our boxes. Did you hear our footsteps in your heart? Our own ashes, around our necks, our own bones, in these boxes. Did you feel our fingertips within your flesh? We raise our shoulders, we raise our faces, we raise our eyes. Have you come to lead us back, back towards the light? Back towards the light, we begin to shuffle. Back to the Occupied City? In the Occupied City, we shuffle around, around these twelve candles, we gather around, around and around –

Back in the Occupied City, here we are the victims again –

Here, never the witnesses; always, already the victims –

So we are weeping. Always, already the weeping –

Here, we who were once the living –

Now weeping all the time, here –

Here tonight, weeping –

In the Occupied City, where the weeping seek the living. But the living are not here, not here tonight before these candles –

Here tonight, there are only the weeping –

Here tonight, only us:

And so again tonight we are Takeuchi Sutejiro, Watanabe Yoshiyasu, Nishimura Hidehiko, Shirai Shoichi, Akiyama Miyako, Uchida Hideko, Sawada Yoshio, Kato Teruko, Takizawa Tatsuo, Takizawa Ryu, Takizawa Takako and Takizawa Yoshihiro –

But we are still weeping. Always,

already the weeping,

always, already the weeping again in the Occupied City:

In the Occupied City it is 26 January 1948 again –

Here it is always, already 26 January 1948 –

This date always, already our wound –

Our wound which will never heal –

Here, here where it is always, already that date, that time; always, already, the last time:

For the last time. In the morning, we wake in our beds. In our beds that are no longer our beds . For the last time. In our homes, we dress. In our homes that are no longer our homes, our clothes that are no longer our clothes . For the last time. We eat white rice. Now we eat only the black rice, the black rice that empties our stomachs . For the last time. We drink clear water. Here we drink only the dark water, the dark water that empties our mouths . For the last time. In our genkans , we say goodbye to our mothers and our fathers, our sisters and our brothers, our wives and our sons, our husbands and our daughters. Our mothers and our fathers, our sisters and our brothers, our wives and our sons, our husbands and our daughters who are no longer our mothers and our fathers, no longer our sisters and our brothers, no longer our wives and our sons, no longer our husbands and our daughters . For the last time. In the snow, we leave for work. For our work that is no longer our work . For the last time. Among the crowds, we catch our trains and our buses. Our trains and our buses that are no longer our trains and our buses …

For the last time. Through the Occupied City, we shuffle –

From the Shiinamachi Station, we shuffle. In the sleet. For the last time. Up the road, we shuffle. Through the mud. For the last time. To the Teikoku Bank. The Teikoku Bank that is no longer a bank…

For the last time. We slide open the door. The door that is no longer a door . For the last time. We take off our shoes. Where are our shoes now? For the last time. We put on our slippers. Where are our slippers? For the last time. We sit at our desks. Our desks that are no longer, no longer our desks …

For the last time –

Among the papers and among the ledgers, we wait for the bank to open. For the last time, on this last day, 26 January 1948 –

We watch the hands of the clock reach half past nine. For the last time. The bank opens and the day begins. For the last time. We serve the customers. For the last time. We write in ledgers.

For the last time –

In the glow of the lights, in the warmth of the heaters, we hear the snow turn to sleet, the sleet turn to rain, as it falls on the roof of the bank. And we wonder if today the bank will close early. We wonder if today we will be able to leave early, to go back to our homes, back to our families. Because of the weather,

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