David Peace - Occupied City

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On January 26, 1948, a man posing as a public health official arrives at a bank in Tokyo. He explains that he’s there to treat everyone who might have been exposed to a recent outbreak of dysentery. Soon after drinking the medicine he administers, twelve employees are dead, four are unconscious, and the “official” has fled. Twelve voices tell the story of the murder from different perspectives including a journalist, a gangster-turned-businessman, an “occult detective,” and a well-known painter. Each voice enlarges and deepens the portrait of a city and a people making their way out of a war-induced hell. Told with David Peace’s brilliantly idiosyncratic and mesmerizing voice,
is a stunningly audacious work from a singular writer.

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1948/8/19; 17.00:Very hot, very humid / Meeting of Robbery Room Name-card Team at HQ / Police Chief Kita present / Arrest warrant for Hirasawa Sadamichi granted / Elation / Chief Kita cautions that news of arrest warrant has already been leaked to newspapers / Suspects detectives from First Investigative Division / Anger / Kita states that Chief Inspector Suzuki has requested presence of First Investigative Division Detective Tomitsuka at arrest of Hirasawa / Fury / Kita notes Detective Tomitsuka has already left Tokyo for Otaru / Resignation / No sleep.

1948/8/20; 06.00:Hot / Leave Tokyo for Otaru, Hokkaido via Niigata and Akita / Travelling with Inspector Iki-i, and Detectives liga and Fukushi / Very slow train, very hot train / No conversation, no sleep / Very anxious, very nervous.

1948/8/21; 10.00:Arrive in Otaru, Hokkaido / Meet First Investigative Division Detective Tomitsuka / Go to Hirasawa’s father’s residence / Hirasawa’s father and younger brother greet us formally / Shown upstairs / Hirasawa dressed and waiting, seated before same canvas / Arrest Hirasawa on suspicion of the murder by poison of the twelve employees of the Shiinamachi branch of the Teikoku Bank on 26 January this year, and the attempted murder of four other employees at the same place on the same day / 11.00: Take Hirasawa to Otaru Police Station / Telephone calls to Tokyo HQ / Warned of press reports / Make necessary travel arrangements / Spend rest of day and night at Otaru Police Station / No sleep.

1948/8/22; 06.00:Hot / Return to Tokyo on Tōhoku Honsen Line / News of arrest leaked to press / Crowds at every station en route to see Hirasawa / Newspapermen and cameramen board the train at Morioka, Sendai and Taira / Train repeatedly delayed by crowds / Spend journey keeping press at bay / Hirasawa crouched on floor / Blanket over his head / Does not speak, sleep, eat or drink.

1948/8/23; 05.45:Hot, humid / Arrive Ueno Station / Chaos, crowds / Time of arrival leaked to press / Members of First Investigative Division and Officials of Tokyo Prosecutor’s Office waiting / Hand Hirasawa over to members of First Investigative Division and officials of Tokyo Prosecutor’s Office / Lose sight of Hirasawa Sadamichi in the chaos and the crowds –

[THE NOTEBOOK ENDS HERE]

Beneath the Black Gate, in its upper chamber, in the occult circle, the detective now says, ‘That was me finished. And the rest you know. The interrogation and the confession. The recantation and the trial. The conviction and the sentence. The appeals and the campaigns.

‘But I cannot die,’ the detective continues. ‘I cannot die until I see Hirasawa executed. For I know he did that crime. I know he killed those people. So no more tears. No more tears for him.

‘For this city is a notebook. In blunt pencil and on coarse paper. A notebook now closed. A case now closed …’

A second candle now out.

But in his city of conviction, you say, you laugh, you scream, ‘I will give you tears, you dog! You deceitful, lying dog!’

Because you hate detectives, and you hate dogs, and all detectives are dogs, all dogs detectives, and so you push this detective, this dog, to the ground and you kick him in his gut and you kick him in his head, in his deceits and in his lies, and then you tip open his boxes and you rip up his notebooks, and now you take out your matches and you start a fire, a fire of his boxes and his notebooks, shouting, ‘Liar! Liar! Liar-Dog! Dog-Liar! You lie! Lie!’

But the detective is laughing at you, laughing and barking, ‘He did it! He did it! And you, you should thank me!’

Among the smoke and among the flames, his fingers and his paws, still laughing and still barking, as you shout –

‘It wasn’t him! I know it wasn’t him!’

But now the pasts and the futures, their memories and their dreams, their deceits and their lies, their voices and their words, are all gone again; the Black Gate, the occult circle spinning again, spinning and spinning, and you are spinning, spinning and spinning,

through the laden wind, through the haunted air,

spinning and spinning, the detective gone –

Only his notes, his words remain –

Taunting you, mocking you –

You and your book, your book that is no book, as you pick up your pen and then drop your pen, drop and pick up, start and then stop, stop and then –

Here beneath the Black Gate, in the occult circle of its ten candles, a voice whispers, whispers from the shadows, ‘I am a Survivor. And I have the same dream, night after night…’

And from out of those shadows, a woman crawls towards you, on her hands and on her knees, and she says again, ‘The same dream.

‘Night after night, the same dream …

The Third Candle — The Testimony of a Survivor

The city is a purgatory. Night after night, the same dream, IN THE OCCUPIED CITY, night after night, the same dream:

I AM THE SURVIVOR

But of course I know: only through luck

Have I survived so many friends.

But night after night

In dream after

Dream

I hear these friends saying of me: ‘Those who survive are stronger.’ And I hate myself

I hate myself

IN THE OCCUPIED CITY, I wake up. It is cold, in the Occupied City. It is Monday and I do not want to get up. I do not want to get dressed. I do not want to go to work. Something is wrong . I want to lie all day beneath this quilt. To sleep and to dream, of food and warmth, of the man who will come and take me away from the cold and the hunger, of the man on a white horse who will save me from the Occupied City. But I must get up. I must get dressed. I must eat breakfast and leave for work. For it is Monday.

Monday 26 January 1948.

In the Occupied City, I walk through the mud and the sleet, the mud on my shoes and the sleet in my hair. Something is wrong . Maybe today the bank will close early. Maybe today we can leave early. Maybe today I can go back home early. Maybe I can lie again beneath my quilt. Because something is wrong . But I walk through the mud and the sleet, past the shrine and up the hill.

The road is busy and crowded, people coming to Shiinamachi to work, people leaving Shiinamachi to work. An American jeep sounds its horn and makes us all jump to the side. The wheels of the American jeep turn and splatter us with mud.

I know something is wrong .

I slide open the wooden door. I step inside the genkan to the bank. I take off my dirty shoes. I put on my freezing slippers. I go down the corridor into the bank. I say good morning to Miss Akuzawa and Miss Akiyama. We talk about the weekend and we talk about the weather as we change into our blue uniforms. We wonder if today the bank will close early. We wonder if today we will be able to leave early. To go back to our homes, back to our quilts. Then we go down the corridor into the main room of the bank.

In the warmth of the heater, in the light from the lamps, I take my seat at the counter and I wait for the bank to open, for the working day to begin, the working week.

Just before half past nine, Mr Ushiyama makes his usual speech which starts every week and we all bow and the clock chimes half past nine and the bank opens and the working day begins, another working week.

The customers come, from out of the mud and out of the sleet, and I greet them and I serve them and I think about my lunch and I listen to the sleet turn to rain as it falls on the roof of the bank. And just after half past twelve, Mr Yoshida tells me I can take my lunch. I change places with Miss Akiyama. I go down the corridor. I sit in the changing room. I take out my bento . I open the lunch box. I eat my cold rice and sour pickle. I drink hot tea from my teacup. I listen to the rain as it falls on the roof of the bank and I know I won’t be able to leave early today. And just before one, I go back to my seat at the counter and I greet the customers and I serve the customers.

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