David Peace - GB84

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Great Britain. 1984. The miners' strike. The government against the people. On initial publication, twenty years on from the strike, David Peace's bravura novel "GB84" was hugely acclaimed. In a bloody and dramatic fictional portrait of the year that was to leave an indelible mark on the nation's consciousness, Peace dares to engage with the Britain's social and political past, bringing it shockingly and brilliantly to life.

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*

Neil Fontaine sits in the pew. He bows his head. He says a prayer –

Just the one

Bring her back. But back to stay.

Neil Fontaine leaves St Pancras. He drives into the North again –

Unscheduled diversions in the long, dark Northern night –

But no one speaks since the bomb. No one answers their phone.

Now Neil Fontaine must hunt alone in the long, dark Northern night –

The usual haunts. The usual ghosts.

Neil Fontaine listens to them play on Police Radio 1, these orchestras of ghosts –

Waltzes for the wounded. Laments for lost loves. Sad songs of sin.

Neil Fontaine comes off the M18. Neil Fontaine joins the A630 to Armthorpe –

This is where the strike is today. This is where they’ll be today –

Markham Main Colliery. All Saints Day, 1984.

Neil Fontaine parks the Mercedes in the shadows, out of the lights of the strike –

Five hundred pickets. Possibly less. Three hundred police. Possibly more.

Neil Fontaine watches the paperboy ride his bicycle in and out of them –

The milkman make his rounds. The local people walk their dogs.

Neil Fontaine watches the police clear the road of the paperboy and milkman –

Neil Fontaine hears the convoy approach. The shouting and the shoving start.

Neil Fontaine spies the man he wants. His prey for the day . Neil Fontaine smiles –

He moves away from the front line with the milk float as his shield.

He spots the Montego up a side-street. He hides near by. He stakes out the street –

His prey watches pickets disperse. His prey walks backwards up the pavement –

Neil Fontaine pounces. Neil Fontaine pulls his prey over the privet hedge –

Neil Fontaine punches his prey. Punches him twice. Punches his prey hard.

He drags him down the side of the house. He puts Paul Dixon up against the wall.

‘Talk to me‚’ says Neil Fontaine. ‘Tell me the things I don’t know.’

*

‘What the fuck were you doing kissing Colonel bloody Gadhafi on TV?’ shouted Paul.

The Conference Room table was covered with newspapers and their headlines –

Outrageous! Obscene! Odious! Own Goal!

Newspapers and their headlines. Headlines and their photographs –

Terry and Mohammed talking. Terry and Salem eating. Terry and the Colonel –

The Colonel and the Judas. The Judas Kiss. The Kiss of Death.

Terry Winters had his hand up the sleeve of his shirt. Terry scratched his arm. Terry screwed up his face. Terry bit his tongue. Terry closed his eyes –

‘You fucking knew about all this, did you?’ Paul asked the President.

Terry opened his eyes. Terry looked at the President. Terry smiled –

The President stared at Terry. The President shook his head.

Terry dug his fingers into the tops of his legs. Terry tried not to screeeeeeeeeeam –

Paul looked at Terry. Paul shook his head. Dick shook his. They all did –

‘You’re either Special Branch’, said Paul, ‘or the stupidest bloke I’ve ever met.’

Terry had his hands under his thighs now. Terry scratched the backs of his legs.

‘Or both,’ said the President.

Terry put his hands over his face. Terry scratched at his neck and his scalp.

‘I can’t trust him,’ said Paul. ‘I don’t even want to be in the same room as him.’

Paul stood up. Dick stood up. They all stood up –

They all walked out.

Terry Winters looked around the room again. Everything was in cardboard boxes. Boxes of files to go. Boxes of food to stay. The building ringed by miners from Durham. The doors on the eighth floor locked and guarded by the Denims and the Tweeds –

The monastery was under siege. The monks afraid. The abbot –

Terry Winters smiled at the President again. The President looked away –

‘Get out of bloody sight,’ said the President. ‘And stay there.’

Phil Taylor calls. Phil has the flu. Phil can’t make it. Fuck Phil.

The Mechanic calls Adam Young. He tells him, ‘There’s been a change of plan.’

The Mechanic picks Adam up. He drives them into Leeds. To Millgarth

It’s morning. It’s a market day

There are two of them.

They pull into the car park between Kirkgate Market and the bus station

They watch a man lock his yellow M-reg. Cortina. The man walks towards them. The man passes their car and heads up Kirkgate. He has two empty shopping bags

‘Here we go‚’ says Adam.

Drum roll –

The Mechanic gets out of the Fiesta. He walks over to the yellow Cortina. He puts the key in the door. He turns the key. The lock gives. He opens the door

‘Hello, hello, hello,’ whispers the voice behind him

The Mechanic has the.38 out. He has it in his hand. He spins round

The Mechanic pulls the trigger

He goes down. This uniformed piece of shit goes down

It’s not who the Mechanic thought it was. Fuck. Not who he thought it was at all

The Mechanic looks up. He sees Adam running

The Mechanic looks down. Fuck, he sees another copper on the deck on his radio.

The Mechanic walks over to him. He stands over him. He stares down at him

The Mechanic shoots him once and then he runs —

Runs and runs and runs —

Out onto New York Street. Down Kirkgate. Through the graveyard —

There are policemen chasing him. Members of the fucking public —

Guilty feet. Got no rhythm. Guilty feet. Got no rhythm. Guilty feet –

Back out onto Duke Street. Down Brussels Street. Up Marsh Lane

The Mechanic turns right into the Woodpecker car park

Jumps the fence onto Shannon Street.

The Mechanic stops a Transit. He shows the driver the gun. ‘Get out! Get out!’

The driver opens the door. The Mechanic pulls him out. Leaves him on the road

The Mechanic drives off

Fuck, fuck, fuck, fuck, fuck, there’s a helicopter overhead. Sirens

Up the York Road. Turns right. He takes the hard hat off the passenger seat

The Mechanic dumps the van. He walks across the York Road. Hard hat on

Up Nickleby Road. Torre Road. Nippet Lane. Beckett Street. To the hospital

The Mechanic finds another Ford. He puts the key in another lock. He turns the key. Heopens another door. Hegets in

Drum roll –

He is a dead man. Maybe not today. Maybe tomorrow

Maybe not tomorrow. Maybe next week

Maybe not next week. But the Mechanic is a dead man

He knows that now. Now it’s too late

Too late to turn back. Turn back the clock

The clock ticking. Tick-tock

It’s November 1984 and England will tear him apart

Leave him for dead. Tick-tock. Dead

Just. Like. That.

Martin

my dinner with some of lads. I have a pint in Hotel with a few of lads. I crack jokes about Gadhafi with a couple of lads. I give a lift up Hardwick Farm to this one lad. Then I go back to my blanket on bedroom floor in middle of afternoon and I lie there and I think, Fuck this for a game of soldiers. I get back up from blanket on bedroom floor. I go down stairs and out to shed. I get my barrow and get my shovel. I get my riddle and get some bags. I stick them in back of car and drive down to village. I go back on spoil and back to work. I dig and I sieve. I dig and I sieve. I watch my hands turn red and night come down — I watch pit and pit watches me — I work near kids and I work near mothers. I see folk I know and folk I don’t. I count blokes on their tod and blokes in teams. I fill one big bag and I fill another. I put first bag in barrow and push barrow to boot. I put bag in boot and push barrow back for second. I put second bag in barrow and push barrow back towards where car is — Fuck. Bloody security man is stood there, waiting for us — He says, Bloody going with that? Taking it home, I say. You’re bloody not, he says. That’s theft, that is — How’s it theft? I ask him. I dug it. It’s fucking mine — Is it fuck, he says. You want to dig coal, go back to work, you lazy bastard — I look at him. I look at bag. Took me four fucking hour, I say. That did — Fucking waste of time, then, he says. Takes this Stanley knife out of his little uniform — I’ll give you half of what I get for it, I say. I swear to you — Fuck off, he says. That hard up, I’d just fucking take it off you, wouldn’t I? You might fucking try, I tell him. But that’d be all you’d fucking do — He steps towards us. Listen twat, he says. I could have thee for theft and trespass — I look at him. I nod. You could do, I say. Aye — But I’m not fucking going to, am I? he says. Tell you why, shall I? Go on, I say. Let’s hear you, then — Because I work twelve hour a day out here for a quid-fifty an hour, that’s why — I nod again. Say nothing this time. Just listen — So tip that bag out that barrow, he says. And we’ll say no more about one in boot — Day 245. Pete opens envelope. Pete looks at paper. Pete says, Back to Brodsworth. Everybody nods again. Everybody goes out into rain again. I’m down to drive. Not many cars left. Takes mine a few turns to start. No sign of Gary or Tim this week — Except on top of spoil. Don’t blame them — Miss them, though. Their company — Least Keith’s back. Back with his new teeth — Police State took them out, he laughs. Welfare State put them back in — Fucking country, says other lad in with us. Bloody brilliant — Park down in Adwick village. March up to pit. Find rest of Thurcroft lads. Look out for bus — Push and shove. Shove and shout. Shout and hurl abuse at scabs. Do my fucking picket — Feel like a bloody robot sometimes, though. I walk back ahead of Keith. Jacket over my head. Pissing it down it is now so I start to run — Not looking where I’m going, am I? Run straight into this copper — Bang! Nearly knock him for six. He says something to us. I don’t hear what it is. I just keep going. I get back to car. I get in. I shut door. I look up. I see him coming over to car. That copper. I see his gob opening and shutting like a fucking fish, but I can’t hear him — Next news he’s got his fucking truncheon out. He shatters my bloody windscreen. His mates starting on every other car. Every other fucking car — Bang. Bang. Bang. Smash. Smash. Smash — Every fucking windscreen. Just sat here covered in glass, me — Shards in my hair. Cuts all over my face — Feels like I’ve been stung by a load of fucking bees. I don’t want to bloody cry, like — Not in front of all lads. But I don’t know what else to fucking do — Day 246. I miss her. Miss her all time — Day 247. Letter on hall floor’s not from her. Never is — It’s from him again. Personal touch this time — Dear Mr Daly, How much would you like for your soul? That’s only thing you have left, we have heard. No wife. No wage. Nothing left now. We want to help you avoid aggro and intimidation. So here is a little tear-off slip and a first-class freepost return envelope. Please enclose your fuckingsoul.Remember, nostamp needed — Bribes, blackmail and browbeating. That’s what our leader said — Good King Arthur. He was fucking right and all, our Arthur — Right as bloody usual. Love him or hate him, he’s always

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