Geoff Nicholson - The City Under the Skin

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A cartographic thriller with so many twists and turns it requires its own map A cartography-obsessed misfit clerk from an antique map store in a district that’s not quite trendy yet. A bold young woman chasing the answer to a question she can’t quite formulate. A petty criminal hoping the parking lot he’s just purchased is the ticket to a new life of respectability with his school-age daughter. A ruthless but vulnerable killer and his disgruntled accomplice. In
, it’s not fate that will bind these characters together but something more concrete and sinister: the appearance of a group of mysterious women, their backs crudely and extensively tattooed with maps.
They have been kidnapped, marked, and released, otherwise unharmed. When one turns up on the doorstep of the map shop and abruptly bares her back, only to be hustled away by a man in a beat-up blue Cadillac, it’s the misfit clerk Zak, pushed by his curious new friend Marilyn, who finds himself reluctantly entering a criminal underworld whose existence he’d prefer to ignore.
In this haunting literary thriller, Geoff Nicholson paints a deft portrait of a city in transition. His sharply drawn characters are people desperate to know where they are but scared of being truly seen. A meditation on obsession and revenge, a hymn to the joys of urban exploration,
is a wholly original novel about the indelible scars we both live with and inflict on others.

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“Or maybe she’s lying dead in a ditch,” said Marilyn. “Either way it would be good to know.”

“Would it?”

“Yes. Don’t you feel some responsibility?”

“Not really,” Zak admitted.

“Some basic human concern?”

“Well yes, okay, maybe a little of that.”

“Then don’t you feel we ought to do something?”

“Like what?”

“Maybe track down this guy and his Cadillac, see where he lives and who he is. Find out what he did with that woman.”

“Are you serious?”

“Well, do you have a better idea?”

Zak had several, and none of them involved tracking down a Cadillac and its violent driver, to who knows where, in order to find a tattooed homeless woman who might not want to be found. He didn’t see how this could lead to anything other than another beating. At the same time he didn’t want to destroy the feeling of connection he had with Marilyn, and he certainly didn’t want her to think he was a wimp.

“Look, Zak,” Marilyn said, “you could help me on this. You know about maps, you know parts of the city that I don’t. I could really use your help.”

The idea of being a help to Marilyn, even the idea of being “used” by her, did have a certain appeal.

“I like to help.”

The muscle-bound keyboard player was tinkling some unexpectedly conventional cocktail piano, a little Sinatra, and he was even singing, in a surprisingly sweet, light baritone. The lyrics insisted that love is the tender trap, and Zak was happy enough with that sentiment, but the line that really spoke to him was the one about hurrying to a spot that’s just a dot on the map. Most places are a dot on some map or other; some dots are bigger than others, and sometimes the size of the dot bears no relation to the importance of the place. In any case, there are very few you really need to hurry to. He wondered if the universe was sending him a message, and if so, what it said. He was pretty sure the sensible thing to do was go home and stay out of trouble. And after a couple more drinks he did go home, alone. No surprise there; and besides, Marilyn said she had to get up early the next morning. She had to see a woman about a tattoo.

13. SUIT

Billy Moore’s parking lot, early morning, the air pigeon-gray with haze, the lot empty except for his two trailers. There were no cars there because a dump truck was currently depositing a load of white one-inch pea gravel at the lot’s center and a small gang of day laborers were waiting with shovels and rakes. Billy Moore stood in the street watching, next to his Cadillac, with his daughter beside him: a man in a leather jacket, a girl in a camouflage hoodie and graffiti-patterned sneakers. Quite the family group, he thought. Billy Moore: landowner, entrepreneur, patriarch. Carla Moore: heiress.

“How’s it going, Sanjay?” Billy shouted to a young man in a short-sleeved pink shirt with a crimson bow tie, black suit pants, shoes glossy as a freshly buffed eggplant, who was supervising the laborers and largely being ignored by them. Sanjay raised two overoptimistic thumbs.

“Who’s Sanjay?” Carla asked.

“He’s my employee,” Billy said, pleased though not yet comfortable with the term. “The world’s best-dressed parking attendant. He’s from one of those loser countries that had to change its name, used to be a student back home, now he’s here trying to better himself, paying his way through college. Eventually I’ll get him a little hut with a chair and a baseball bat in case of trouble. He’ll collect the money, keep an eye on the cars, and he can read his textbooks or whatever when things get quiet.”

“Like all great plans it’s really simple,” said Carla.

“You know, sarcasm is really unattractive in a twelve-year-old.”

“I don’t do it to be attractive.”

A part of Billy was still fretting gently about having hit the guy and the girl at the map store. It had been necessary, sure, but it hardly fell within the boundaries of keeping out of trouble, let alone going straight. And behind that, there was a more shapeless kind of fretting about what Wrobleski was going to do with Genevieve and maybe Laurel, and the other women he might be told to haul in. It was better to be concerned with something practical and uncomplicated: the graveling of a parking lot.

“You really think you’re going to make a fortune in the parking business?” Carla asked.

“Yes and no.”

“Then why?”

“Let me explain,” said Billy, thinking it was no bad thing for a man to explain himself to his daughter. “Look, I know this isn’t the most desirable bit of land in the world. But that’s the whole point.”

“Yes?”

She walked deliberately along one edge of the lot, as though she were pacing it out. Billy found himself trailing after her, explaining.

“Yeah, see if you own a nice piece of land, something with grass and trees on it, or a nice old building, and then you want to develop it, put a big new building on it, well then, people get all upset because they think you’re screwing up the environment or something. But if you own a parking lot, well, everyone thinks the environment is pretty screwed up already. Everybody says, ‘It’s just a parking lot; anything’s better than that.’”

“Maybe,” said Carla, less than convinced.

“So that’s what I’ll be doing. I’ll run this place as a parking lot for a while, but then at some point I’ll sell it on to a developer who wants to build some butt-ugly apartment block, and it’ll be easy to get planning permission because everybody says, ‘Well, it’s a butt-ugly apartment block, but at least it’s not a parking lot.’ And then I take the profit from that deal, buy another parcel—”

“Parcel?”

“Yep. That’s what they call it, a parcel of land. Then I’ll make another parking lot and start again.”

“So we’ll be moving?” said Carla, a flare of alarm in her voice.

“That’s the beauty of a mobile home,” he said, as reassuringly as he could. “In the meantime, I’m trying to make it a really good, secure parking lot. There’s a crew coming this afternoon to put up a fence. And I’ve got a chance of a city contract. A subcontractor wants to park his trucks here while they’re working on the Platinum Line. How about that?”

“Kudos,” said Carla blankly.

A fast-food box blew across the street toward the lot. Carla stomped on it, then picked it up, doing a little light housekeeping.

The dump truck was ready to depart. Sanjay was shouting something incomprehensible to the driver, and Billy watched the guys with the shovels and rakes as they began to spread the gravel. They were working a lot harder and with a lot more enthusiasm than he’d have been able to muster.

“And does this all lead to riches and luxury and world domination, Dad?” Carla asked.

“It leads to me being able to live with my daughter,” said Billy. “That’s the main thing.”

She looked at him with a seldom-seen sweetness.

“You know, Dad,” she said slyly, “if you’re going to be an entrepreneur, you might want to lose the leather jacket.”

“Yeah?”

“You don’t want to be less well-dressed than your parking attendant.”

He could see her point.

“Yeah. I can see you in a really nice suit,” said Carla.

“Pinstripe?”

“No,” said Carla, “pinstripe is way too obvious. I see you in elephant gray, exposed stitching, two-button, notched laps, front flap pockets, side vents, vermilion lining.”

“You really see me in that?”

“Yeah.”

“You sure you don’t just want a different kind of dad?”

“I want the same dad, I just want him to look good.”

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