Justin Go - The Steady Running of the Hour

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The Steady Running of the Hour: краткое содержание, описание и аннотация

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In this mesmerizing debut, a young American discovers he may be heir to the unclaimed estate of an English World War I officer, which launches him on a quest across Europe to uncover the elusive truth.
Just after graduating college, Tristan Campbell receives a letter delivered by special courier to his apartment in San Francisco. It contains the phone number of a Mr. J.F. Prichard of Twyning Hooper, Solicitors, in London and news that could change Tristan's life forever.
In 1924, Prichard explains, an English alpinist named Ashley Walsingham died attempting to summit Mt. Everest, leaving his fortune to his former lover, Imogen Soames-Andersson. But the estate was never claimed. Information has recently surfaced suggesting Tristan may be the rightful heir, but unless he can find documented evidence, the fortune will be divided among charitable beneficiaries in less than two months.
In a breathless race from London archives to Somme battlefields to the Eastfjords of Iceland, Tristan pieces together the story of a forbidden affair set against the tumult of the First World War and the pioneer British expeditions to Mt. Everest. Following his instincts through a maze of frenzied research, Tristan soon becomes obsessed with the tragic lovers, and he crosses paths with a mysterious French girl named Mireille who suggests there is more to his quest than he realizes. Tristan must prove that he is related to Imogen to inherit Ashley's fortune but the more he learns about the couple, the stranger his journey becomes.
The Steady Running of the Hour

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Pendant des années , she says. Pas la moindre raison.

Sometimes it is hard to tell the difference between love and longing, Mireille says, but they are not at all the same thing, and while one is worth very much, the other is always wasted. I follow Mireille’s gaze into the fire. In the windows behind us the sky is lightening a dim pale blue to the east.

— The past or the future will never be there with you, she says. You’ll only ever have what you have right now. Not any more or any less. Ni plus ni moins.

I get up from my chair and stand beside Mireille, both of us very close to the fire. The heat pulses against my legs. I put my hand on her shoulder, but she looks straight into the fire. We stand like this for some time. Then she turns and holds me by the shoulders. She touches my hand and her fingers brush my wrist.

— So delicate, she whispers. Your wrists are probably smaller than mine.

I watch Mireille but her face is turned away.

— Tristan, why did you come to Picardie?

— You know why. To look for proof—

Mais oui . Of course that’s why you’re here. And what will you do after this?

I hesitate. — I don’t know.

— Sooner or later you’ll have to go somewhere else.

I shake my head, looking at Mireille, but I don’t know what to tell her. I put my hand to her face but she turns away.

— I’ll drive you to La Calotterie in the morning, she whispers.

Merci

Mais écoute-moi .

Mireille turns back to me, her face very close.

— I’m not just something you found while looking for something else.

She kisses me lightly on the forehead, then picks up the sheet of paper with the names of the villages. She throws it into the fire. The paper catches on the embers, flaring into a brilliant yellow that casts light on her face as she backs away. I ask Mireille why she burned the paper, but she only shakes her head, walking toward the stairs.

— The name of the village is La Calotterie, she says. You would never forget that, would you?

22 November 1916

картинка 79

22 November 1916

Laviéville

Somme, France

Ashley reaches Laviéville late in the afternoon. He circles the outskirts of the town twice on the motorcycle before he sees the building, a two-story yellow farmhouse partly obscured by a row of beech trees along the road. He turns the motorcycle into the gravel yard before the house. Louchard has heard the engine and he comes out into the yard holding his cap between his palms. Ashley turns the motor off, swinging the motorcycle back onto its kickstand. Louchard jerks his chin toward Ashley.

Vous êtes l’officier anglais?

— Oui.

Vous êtes venu rendre visite à la mademoiselle?

Oui .

Louchard pulls his cap on and Ashley follows him to the back of the house. They walk through what was once a vegetable garden, now cratered by shellholes, stepping around dried and rotting tomato vines until they approach a small cottage set in a beech grove. Louchard points to the cottage, motioning for Ashley to go on ahead.

Elle est là .

Louchard walks back to the house and Ashley goes to the cottage door. The curtains are drawn in the window. He hesitates for a moment, then knocks twice, not very loud. The door opens and she comes to him in a flash, her body pressed against his. He feels the softness of her cheek, the long sweep of neck, her scent of jasmine perfume. Her face is still pressed against his shoulder.

— Ashley.

— You’re a fool, he says. You’re mad.

He tries to pull her back to see her, but she holds fast.

— I can’t believe it, she says, it’s too much to look at you. Your voice sounds different—

— It is different.

She draws back and looks at him, her mouth pursed tight. Her fingers run over the delicate crease of his scar.

— Darling. Your neck—

— It’s all right, Ashley says. It’s all right.

He kisses her cheek and pulls her close. They kiss madly for long minutes, but when Ashley’s hand moves across her body, she grasps it and he can see the hesitation in her eyes.

— Ashley. Only wait a moment.

They sit at a small table on a pair of straw-seated wooden chairs. Columns of light pass through the linen curtains onto the table and a black iron stove. The rest is shadows. Ashley unbuttons the front of this tunic.

— Why have you come? I don’t even know how you managed it.

— It’s not so hard. If you say you’ve a dying husband in hospital, they’ll let you come this far. But I couldn’t get inside your hospital, because they knew you weren’t dying. Can you promise me something?

— No.

— It’s an easy promise to keep. I ask only that you listen to all I have to say before speaking. It’s important that I tell it in its entirety.

Ashley shakes his head.

— They’ve shelled here before. They’re expecting a Hun push any day now—

— It doesn’t matter. Will you listen now?

— It’s madness.

— Please, Ashley. Please listen.

Imogen takes his hand and begins to speak. Her words sound prepared and Ashley does not interrupt her.

— Even now I hardly believe you’re alive. I got the letter from your solicitor on a Friday. I didn’t get your telegram until the next Friday. For one week I lived in the certainty that you were gone, for all time. One week.

Imogen pulls back her hand. She looks at Ashley.

— You can’t know what that was to me. I was too ruined even to grieve. The first few days I wouldn’t believe it was true. Finally I believed in it and nothing else. I blamed everything for your death. The war. Their army. Ours. I wouldn’t go out for fear of seeing someone in uniform. I hated myself for having let you go. I knew I hadn’t tried hard enough to keep you.

She shakes her head, looking at the floor.

— And I blamed you for giving up our life for this war. For leaving me alone in this world. It was our fate to be together and you had thwarted that.

Imogen begins to turn the bracelet around her wrist.

— I nearly tore the paper from the walls. They kept Ellie with me always, she even slept beside me. I stopped speaking. I thought my whole being was gone, that it had been taken with you, that my mind and body were no longer my own.

Ashley loosens the knot of his tie without looking away from her. Imogen shakes her head again, her voice rueful.

— Ashley, you could not know what misery it was. How I envied you, not to live apart from all you cared for, for all decades to come.

— I sent you a postcard. Why did it take so long—

— They kept it from me. They didn’t believe it, that’s why Ellie wrote to you. I didn’t know you were alive until I saw the telegram. As soon as I saw it I knew I had to see you, because everything’s changed, darling.

Imogen puts her hand to Ashley’s cheek.

— I’m with child. Our child.

Ashley stares at her, his eyes wide, his mouth opening slightly. Finally he says, — You’re certain?

— Yes. Certain enough to come here.

Ashley looks at the candle on the table. He touches Imogen’s shoulder.

— It’s all right. It’s earlier than we may have liked, but we’ll make do. You know how I think of you. I’d have asked you in London, if I’d thought you’d have me—

— Please don’t ask me.

— Why?

— Because you’ll think I’m refusing you, when it isn’t that at all. Let me tell you something. When we were at the café in Piccadilly, and you were talking about the mountains and drawing on that napkin — I wanted to listen to you. But all I could think was that I knew with perfect certainty that we were made for one another, you and I, Ashley. Perhaps you felt as I did, and it made you wish for certain things for us, and it made me wish for other things, but that doesn’t mean they’re any less.

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